Modern Movement Research Articles

Leonora Carrington: Alchemy, the Underworld, and the Goddess

Leonora Carrington’s novels—Down Below, The Hearing Trumpet, and The Stone Door—offer extraordinary revisionings of the myth most central to the modernist movement of the 20th century: that of the nekyia, or descent to the underworld. In her surrealist memoir, Down Below, the descent to the underworld catalyzes the revelation of alchemical configurations of mythical archetypes. This little surrealist classic of 1943 has much in common with late works of modernism produced during the Second World War, such as Ficciones by Jorge Luis Borges, Four Quartets by T. S. Eliot, The Death of Virgil by Herman Broch, Joseph and His Brothers and Doctor Faustus by Thomas Mann, Under the Volcano by Malcolm Lowry, or Trilogy by H. D. In all of these works, the descent to the underworld leads to the revelation of those archetypal forms of the imagination that give them “shape and significance.” For Carrington, the forms revealed by the psychotic breakdown recorded in the novel are alchemical as well as mythical.

“The New Superstition, the New Tyranny”: The Ethics and Contexts of John Cowper Powys's Antivivisection

Abstract This article examines the antivivisectionist writings of British novelist and philosopher John Cowper Powys (1872–1963) during the 1930s and 1940s. Powys's opposition to the widespread practice of animal experimentation, both in his fiction and his contributions to activist newspapers, has been noted by critics to have prefigured the modern animal rights movement. On the surface, his writings on the subject display an unnuanced and impassioned outrage, yet on closer inspection, they form a logical piece of Powys's idiosyncratic worldview and to some extent reflect the arguments of “new age” antivivisection campaigns of his time.

Advantage of Backwardness: The Effect of Industrialisation on European Modern Design Movement

To answer specific questions of modern design history, historical analysis is needed, alongside chronicles and narrative, to promote deeper understanding. This paper, with the assistance of advantage of backwardness theory and the method characterised by historical sociology, focuses on the social origin of European modern design against the background of the industrial revolution. It aims to understand the link between technological change and the rise of modern design in Europe. The study starts with an explanation of the progress of industrialisation within those countries that were closely related to European modern design movement, and then investigates how this process diversely impacted the emergence of modern design in Europe through a comparative analysis on the interactive connection between industrialisation (as a case of technological change in modern times) and European modern design movement (as a cultural and social consequence of the change). This study particularly clarifies why the subsequent industrial countries, instead of the early industrial countries, had dramatically obtained the advantage to fully develop the modern design movement in Europe. It concludes that, in terms of technological change, advantage of backwardness played an important part in the origin of European modern design.

George Tyrrell as a representative of the modernist movement of the Catholic Church

George Tyrrell as a representative of the modernist movement of the Catholic Church

Emergence of Multidrug Resistant Microbial Species in the Bacterial Profile of Burn Wounds: A Cohort Study from Pak Italian Modern Burn Center, Multan

Objective: To document the prevalence of microflora causing burn wound infections in our setup, track any trends of change in the flora after a 7-day treatment period, and document any rise in the incidence of multidrug-resistant microbes. Methods: This cohort study was conducted at the Pak Italian Modern Burn Centre (PIBC), Multan, over a one-year period from January 2022 to December 2022. Surface wound swabs were collected from 150 patients admitted to the Burn unit on day 3, day 10, and day 17 after sustaining burns. Standard procedures for isolation and identification of microorganisms were followed, and the growth of microflora obtained was subjected to antibiotic sensitivity testing following the Clinical and Laboratory Standards Institute (CLSI) guidelines. Results: Gram-negative isolates included Pseudomonas aeruginosa, Escherichia coli, Klebsiella spp., Citrobacter spp., Proteus vulgaris, and Providencia mirabilis. Gram-positive isolates included Staphylococcus aureus and methicillin-resistant Staphylococcus aureus (MRSA). Pseudomonas aeruginosa caused 39.3% of wound infections within 72 hours of admission and 56.9% of wound infections by the first week post-burn. Proteus vulgaris (36%) was the most frequently isolated microorganism in the second week post-burn. All these isolates exhibited an alarming level of resistance to routinely used antibiotics, necessitating the use of older, less safe antibiotics like colistin for gram-negative infections. Conclusions: The rising incidence of antimicrobial resistance can be attributed to the emergence of multidrug-resistant bacterial species found in burn patients. Overcrowding in burn treatment facilities further exacerbates the risk of cross-contamination.

Towards a Housing Preservation Culture

After the two 2022-issues of the Docomomo Journal, number 66 on ‘Modern Plastic Heritage’ and number 67 on ‘Multiple Modernisms in Ukraine,’ this issue reveals another chapter of an often and diversely described theme of Modern Movement and a pressing subject worldwide: Housing.

Improving the Quality of Life and Sustainability for Middle-Class Mass Housing

This article presents and discusses the results of the Stakeholder Workshop (Co) Designing for Quality of Life: Exploring Challenges and Opportunities, which was held at Middle East Technical University (METU) in Ankara in October 2022 in the framework of the COST Action CA18137 European Middle Class Mass Housing (MCMH-EU). The workshop aimed to discover the possibilities of participatory design as a tool to address the necessary updating of the housing complexes of the Modern Movement (MoMo). The workshop, which was conducted on a cooperative housing estate, namely Ümitköy Sitesi, Ankara, Türkiye (1970), was carried out in five groups with members of different nationalities, ages, and experiences. This article argues that the public and private strategies which were followed to rehabilitate these complexes by focusing on the technical problems (construction pathologies, energy inefficiency, accessibility, parking, among others) tend to neglect, even ignore, the diverse social aspects involved. As a group of participants of this workshop, the authors of this article consider the involvement of all parties (experts, residents, housing management cooperative, and municipality) in the improvement processes of such middle-class mass housing sites as the key instrument to make these neighborhoods more inclusive and sustainable. This article evaluates the Stakeholder Workshop’s co-design performance as an instrument to improve the Quality of life (QoL) and sustainability of the neighborhood. The critical analysis of the workshop results leads to several significant conclusions: Social aspirations do not always coincide with political and technical ones; technical rehabilitations are not sufficient for the total improvement of QoL and sustainability of communities; (Co-)Design may have to be approached from different perspectives and, consequently, have different results; citizens have a great potential to participate and contribute to the improvement of QoL with innovative ideas and actions of different scales. However, the socioeconomic diversity of the inhabitants and restrictive legislation are the difficulties to be considered.

Housing for the Elderly

The banking family Emma and Henry Budge established their foundation in Frankfurt, Germany, as a civic initiative, aiming to build a contemporary, modern residential home for the elderly. Under the direction of Ernst May, appointed as city architect in 1925, the City of Frankfurt announced a unique competition in 1928 as part of its program Das neue Frankfurt: A retirement home for Jewish and Christian residents, primarily for people of the “educated middle class”. Architects Mart Stam, Werner Moser, and Ferdinand Kramer, members of the planning team Das neue Franfurt, won this competition with their innovative contribution. From 1928 to 1930, they realized a type of housing for the elderly that was exemplary for its time and for later retirement homes.Via Mart Stam, this project flowed into the teaching of the Bauhaus construction department in 1928-1929. On behalf of Mart Stam, Ella Bergmann-Michel produced the famous documentary film about the home Where do Old People Live? in 1930-1931.Special quality features of the two-story housing complex with 100 apartments were the interesting typology, the very consistent architectural language, colorfully designed, light-flooded rooms aligned along large common garden courtyards, and common areas as a social and architectural center. Equally remarkable were the iron skeleton construction in the central wing, the bulkhead construction method using prefabricated elements as partition walls between the rooms, and the cost and construction time savings due to the rational construction technology.Under the growing influence of the National Socialists and after the expulsion of Ernst May and his Frankfurt team, the denunciation of the social commitment and a propagandistic denigration of NEUES BAUEN, designing Modern Movement architecture, took place in an infamous way. At the same time, the National Socialists showed the buildings to foreign visitors as their achievement.After the destruction during the war, the building was used as a hospital for the U.S. Army.A very exemplary renovation of the ensemble was carried out in 2001-2002, planned by Dirk Hoppe Architects from Darmstadt, Germany, with the participation of the State Office for the Preservation of Historical Monuments, Dr. Christoph Mohr, the expertise and advice in preserving historical monuments of Prof. Dipl.-Ing. Ruggero Tropeano, Zurich. With minor changes in detail, for example, in the building services and the accessible design of the rooms, the continuity of use as a high-quality retirement home was restored, and this valuable example of modernist architecture was secured. An example of BEST PRACTICE.

The Contribution of Publisher and Translator Strategies to the Symbolic Capital: A Case Study on Three Turkish Translations of The Turn of the Screw

Henry James (1843-1916), one of the leading figures of the Modernist movement and one of the most important authors of American literature, quickly gained great fame with his works published in the early 20th century. Using the stream of consciousness technique, the continuous flow of thoughts and feelings through words, the author enables his readers to make a deep journey into the inner worlds of the characters in his works. James also used this technique, generally characterized by monologues and thick descriptions, in The Turn of the Screw (1898). The aim of this study, examining the three Turkish translations of James’ work by Necla Aytür, Tamer Çetin and Ezgi Uslu published with the title Yürek Burgusu, is to demonstrate to what extent the strategies of the publishing houses, Türkiye İş Bankası Cultural Publications, Cem Publishing House and Ren Books, respectively, have contributed to the symbolic capital of the source text in the target culture. The strategies of the relevant publishing houses will be examined through the analysis of paratextual elements proposed by Gérard Genette (1997). In the study, the French sociologist Pierre Bourdieu’s concepts of habitus (1977, 1990) and capital (1986, 1998) will also be used to discuss the policies and strategies of the publishers as well as the academic and professional trajectories of the translators and their translational dispositions and strategies. Within this framework, it can be argued that compared to the other two publishers, Türkiye İş Bankası Cultural Publications, which has stronger economic and symbolic capital and has made significant contributions to the target language, culture and history, has reinforced the position and symbolic capital of the work in the target culture and in the eyes of Turkish readers to a greater extent through its publishing and translation policy.

Peculiarities and stages of development of sportsmanship of qualified athletes in the system of long- term performances in professional boxing

The article examines the peculiarities of the formation of the highest sportsmanship of athletes in professional boxing. A comparative analysis of the dynamics of competitive activity of men and women during many years of performances in the professional arena was carried out. Considered options for building a professional career of boxers, taking into account the experience of performances in prestigious amateur competitions, as well as existing trends of liberalization and globalization of the modern Olympic movement. The individual dynamics of the long-term career of famous male and female professional boxers, who at one time owned championship belts in various weight categories, are presented. The optimal age range for demonstrating the highest sports results in boxing has been determined. The influence of international sports organizations (WBC, WBA, WBO, IBF, etc.) on the formation of sports careers of athletes in professional boxing is analyzed.
 Systematized and considered stages of formation of the highest sportsmanship in professional boxing: 1) formative stage of 18-24 years (quantitative intensification of competitive activity); 2) - the stage of optimal opportunities (championship phase) - 25-35 years; 3) the stage of preservation and gradual decline of sports results - 35 years and more. It has been established that men have a longer formative phase of their professional career, which is characterized by a significantly greater number of preparatory matches in the initial stages of its formation and a longer period of time to maintain the achieved results in the final stages of multi-year improvement. The need to take into account the important regularities of the formation of the highest sportsmanship in boxing and the rational logistics of planning matches during the annual training cycle, taking into account the stage of the sports career and the age of the athletes, is substantiated.

Symphony No. 2 "Brasiliana" by Walter Burle Marx

This article on the Brazilian composer Walter Burle Marx (b São Paulo, 1902; d Akron, Ohio, 1990) is part of an ambitious project, which aims at publishing a performing edition of all four of Burle Marx’s symphonies. His Symphony No. 2 (“Brasiliana”), written in 1950, reflects Burle Marx’s national and cosmopolitan influences. The early twentieth century in Brazil was an effervescent period when nationalism was the watchword. This climate caused some hesitation when it came to accepting Burle Marx into the Brazilian musical scene not only as a composer but also as a conductor. Burle Marx’s musical background forged an undeniable bond between music tradition and artistic nationalism, which was imperative to the composers of the time. Nonetheless, for the Brazilian modernist movement in the 1920s, Burle Marx’s German training in the 1920s turned out to be an anathema. This article investigates two aspects of Brazil’s cultural and political environment between 1922 and 1945, a critical period which had a great impact on the development of Burle Marx’s career, as well as conclude presenting the most characteristic and distinctive compositional processes that make this work noteworthy in Walter Burle Marx’s symphonic output.

Death Penalty Abolitionism from the Enlightenment to Modernity

Abstract The modern movement to abolish the death penalty in the United States stresses that this punishment cannot be applied fairly and effectively. The movement does not emphasize that killing prisoners is inhumane per se. Its focus is almost exclusively on administrative, procedural, and utilitarian issues, such as recurrent exonerations of innocents, incorrigible racial discrimination, endemic arbitrariness, lack of deterrent value, and spiraling financial costs. By comparison, modern European law recognizes any execution as an inherent violation of human rights rooted in dignity. This humanistic approach is often assumed to be “European” in nature and foreign to America, where distinct sensibilities lead people to concentrate on practical problems surrounding executions. This Article demonstrates that, in reality, the significant transatlantic divergence on abolitionism is a relatively recent development. By the late eighteenth century, abolitionists in Europe and America recurrently denounced the inhumanity of executions in language foreshadowing modern human rights norms. Drawing on sources overlooked by scholars, including the views of past American and French abolitionists, the Article shows that reformers previously converged in employing a polyvalent rhetoric blending humanistic and practical objections to executions. It was not until the 1970s and 1980s that a major divergence materialized. As America faced an increasingly punitive social climate leading to the death penalty’s resurgence and the rise of mass incarceration, abolitionists largely abandoned humanistic claims in favor of practical ones. Meanwhile, the opposite generally occurred as abolitionism triumphed in Europe. These findings call into question the notion that framing the death penalty as a human rights abuse marks recent shifts in Western Europe or international law. While human rights have indeed become the official basis for abolition in modern Europe, past generations of European and U.S. abolitionists defended similar moral and political convictions. These humanistic norms reflect a long-term evolution traceable to the Renaissance and Enlightenment. But for diverse social transformations, America may have kept converging with Europe in gradually adopting humanistic norms of punishment.

Occupant thermal comfort and indoor environmental conditions in Mies van der Rohe’s S. R. Crown Hall

ABSTRACT There is little empirical data in the published literature on occupant thermal comfort in buildings from the Modern Movement in architecture. We present a field survey of occupant thermal comfort and indoor environmental conditions in Mies van der Rohe’s modern S. R. Crown Hall (1956) on the campus of Illinois Institute of Technology in Chicago, IL. Surveys were deployed to 557 student participants on four separate days, including two days in the cooling season and two days in the heating season, to assess their perceptions of thermal comfort throughout the space. Indoor air temperature, relative humidity and mean radiant temperature were measured concurrently in several locations throughout the space. Occupants reported high levels of dissatisfaction with comfort in the space (percent dissatisfied ranging 37%–54%), with somewhat counterintuitive results for this building type. Overcooling was apparent during warm weather and a combination of both over- and under-heating occurred during cold weather, contrary to what was expected in this building with a high thermal transmittance enclosure. There was also high spatial variability in comfort responses and measured indoor environmental conditions. Findings highlight the need to develop contextual approaches to meeting occupant comfort needs in this building while preserving architectural aesthetics/intent.

From Hellerau to Here: Tracing the Lineage and Influence of Dalcroze Eurhythmics on the Family Tree of Theatre Pedagogy

Actor training in Western culture evolved as an oral tradition. Formal education appeared in the late-nineteenth century with the work of Konstantin Stanislavski. Despite its relatively brief history, the family tree of theatre pedagogy now consists of many contrasting branches. Several branches contain the creative and educational DNA of an approach to Western music education known as Dalcroze Eurhythmics. Emile Jaques-Dalcroze was a Swiss pianist and composer whose work at the Hellerau Institute near Dresden in Germany had a significant impact on the Modernist movements in theatre and dance, 1911–1914. Historical records show that this embodied method of music learning was disseminated by Hellerau graduates in drama schools and theatre companies around the world. This essay traces four branches on the family tree of theatre pedagogy that are directly influenced by Dalcroze Eurhythmics. These branches include the legacies of Stanislavski in Russia; Jacques Copeau and Suzanne Bing in France; Rudolph Laban and Yat Malmgren in Germany and England; and Sanford Meisner and Anne Bogart in the United States of America. This essay is written from the author’s perspective as an actor trainer and music educator in a higher education conservatoire. It offers historical contexts for contemporary pedagogies in actor training.

FPGA Centric Attention Based Deep Learning Network Evoked Chaotic Encryption to Mitigate Side Channel Attacks

Security concerns are growing, especially in applications where sensitive information is sent (such as health care devices, credit cards, and even Internet of Things (IoT) nodes), even while these developments bring in a modern revolution. This is due to the constant scaling of technologies, which has now been incredibly useful for delivering the new trend of development in the numerous domains such as communications, semiconductors, health care, and automation. Even when cutting-edge standard encryption algorithms are used in smart devices, the principal threats, such as Side-Channel Attacks (SCA) and Correlation Power Analysis (CPA), increase the susceptibility of encrypted cipher text to attacks. In order to defend against side channel assaults, the usefulness of deep learning algorithms combined with chaotic principles is examined in this paper. Scroll Mapping (SM) and Attention-Evoked Long Short-Term Memory (AE-LSTM) are used in the proposed study to effectively safeguard sensitive data while consuming little power. The most promising advancements in terms of all security metrics and hardware capabilities for obtaining high-speed performances are shown by experimental findings on an FPGA implementation of a suggested framework.

Acknowledging the Dignity of Architectural Heritage Adding a Fourth Virtue to the Vitruvian Triad

Addressing the complex legacies of the past in architectural education and built constructions, calls for a reconsidering of the principles of architectural design and conservation. The current challenges of housing, sustainable development and heritage adaptation present huge dilemmas for architects. Yet today architects are only by exception trained to detect heritage values prior to drafting their interventions for adaptive reuse or upgrading. To this day, Western architectural thinking is influenced by the Vitruvian triad Firmitas, Utilitas and Venustas, and the truncated maxim ‘Form Follows Function’ as disseminated by the protagonists of the Modern Movement. These established a divide between the design for new-build and the care of already existing buildings. This divide is marked by the two Charters of Athens: the 1931 Carta del Restauro adopted at the First International Congress of Architects and Technicians of Historic Monuments, and La Chartre d’Athènes presented by Le Corbusier as a result of the 4th CIAM Congress on the Functional City (1933). This paper attempts to bridge the identified divide by adding the idea of ‘Dignitas’ (dignity) as an equal virtue to the Vitruvian triad. Though not new for itself, this concept may aid to raise awareness of architectural dignity in extant buildings. Keywords: architectural theory, architectural education, conservation theory, Renovation Challenge, Dignitas

1936 Surrealism and Three Dimensions: Early: Context for the Art of Ceri Richards

The Modernist painter Ceri Richards had his first real exposure to European modernism in the 1920s and 1930s. The visibility of post-impressionist art and the accessibility of turn-of-the-century art theory was accelerated for him during his first years as a student in London and, despite still being at a critical cultural distance from the modern movement in Paris, the assimilation of what he understood of Matisse and his lifelong-obsession with Picasso was rapid. This article isolates the significant exposure that came next for Richards as an emerging modernist, in and around 1936, and specifically to that year's International Surrealist Exhibition held in London.

Use of modern Technology in the recently concluded 2022 Quatar World Cup Football

From the very dawn of human civilization human folk have been engaged in some form of physical activity for earning their livelihood. With the passage of time and advancement of men’s ideas and know-how the crude activities started getting organized forms. In due course the activities acquired the shape of games and sports. It is also noteworthy that from the beginning of human society men always tried to correlate sport’s and games with his advancement and development, and henceforth the advancement ok science and technology always influenced the sports field. The used of science and technology matured and advanced with the advent of human race.In the present era the sport field is articulated with latest technological gadgets. Sports has totally become technology based. The Quatar World Cup football was no exception rather exhibited ultra modern technological extravaganza. Use of apps, ground cooling system, offside determining technology were most prominent among all. The use of technology enriched the sports field like the world cup football as well as enriched human society as a whole.

The limits of modern revolutions: global constraints on domestic change

The limits of modern revolutions: global constraints on domestic change

The vernacular modern in the shadow of totalitarianism: Hans Döllgast’s Alte und neue Bauernstuben

The architect Hans Döllgast (1891–1974) has steadily gained in international recognition. His works of postwar reconstruction in Munich have been heralded as original contributions to modern architecture that resist historiographic classifications, such as modernist vs regionalist, avant garde vs traditionalist, or internationalist vs nationalist. Döllgast was also a revered pedagogue and prolific author, and his varied writings have yet to receive much scholarly attention. Döllgast’s books and essays present a significant body of sources that shed light on the complexity of architectural discourse in the formative years of modern architecture in Germany. This article considers Döllgast’s study of farmhouse ‘parlours’, entitled Alte und neue Bauernstuben (‘Old and New Farmhouse Parlours’) was first published in 1937. It was both his most popular book and the one that critics and historians have paid least attention to. Though it may appear antiquarian at first glance, it is in fact both critical and contemporary in spirit. Döllgast’s study sheds light upon his mature thinking about the relevance of the vernacular for the modern house. It also serves to question a general assumption in the existing literature that Döllgast only engaged with tenets of modern architecture after the war, having been a regionalist aloof from the discourse of the modern movement prior to the war. Scholars have shown that the loaded motif of the vernacular was never the sole preserve of anti-modernist conservatives and played a significant, if ambivalent, role within modernist discourse, from the late Wilhelmine period to postwar West Germany. While it reflects these wider trends, Alte und neue Bauernstuben also eschews alignment with the dominant strands of architectural discourse of its time by charting an independent-minded path in the context of imposed totalitarian uniformity. Döllgast’s text thus stands out in modern architectural discourse less for adducing the farmhouse as such, than for developing such a close, multifaceted reading of a particular vernacular interior, while alluding to more than elaborating its relevance for contemporary architecture. Ultimately, Döllgast’s study served him to develop a practical phenomenology of dwelling.