Zoom Interview with Sungji Oh, October 24, 2020 Victoria Duckett (bio) and Sungji Oh victoria duckett (vd): Thank you, Sungji, for agreeing to this Zoom interview. I wanted to begin by asking what your role is at the Korean Film Archive.1 sungji oh (so): I've been working for the Korean Film Archive for a long time—for eighteen years. I began in 2002. I am currently head of the archive's cinematheque team. So my team works with cinema screenings and projects such as our Cinema on Wheels project. My team, the cinematheque team, is in charge of our two movie theaters. These screen two to three films every day, except Monday. My team consists of four curators for the theater programs (I am also one of these), three projectionists working in the projection booth, one theater manager, three people working in the ticket booth, as well as six people in the Cinema on Wheels project. Altogether, there are seventeen employees on my team. Click for larger view View full resolution Figure 1. The Korean Film Archive in Seoul, South Korea. vd: That is quite a lot, isn't it? so: Yes. We work across three theaters. The largest theater seats 326 people, but right now, due to COVID-19, we have only opened 100 seats for the public. The second largest theater has 156 seats, and the third theater has around 46 seats. We don't usually use this theater for screenings. It's for seminars and lectures—for small-sized events. vd: Am I correct in understanding that there's only one theater that is now open? The largest one? Did this open recently? so: Yes. The largest theater opened two weeks ago. It has been largely shut since the last week of February. It was opened briefly for one week in May. When we reopened on August 15, we had to close down again just a week or two later. This was due to government policy. The government set up the three-tier social distancing scheme in Korea, but we never had total lockdown. From time to time, we had to work from home every other day. This occurred when social distancing level reached tier 2. In these phases, we could access our computer from home, so I didn't have any difficulties when I worked from home. However, some of my colleagues working in the projection booth, ticket booth, museum information desk, and in the library had to be transferred temporarily [End Page 248] to other teams, such as the preservation and acquisition teams. Also, some people in charge of inspecting materials couldn't undertake some work when they couldn't come into the office. vd: When you opened the theater during these short periods, how did you respond to coronavirus? What did you do? so: We are a public institution, supervised by the Ministry of Culture and Tourism (we are not a national institution, but our budget comes from the Korean government), and so we follow the government's rules. As I just mentioned, we reduced seating in our theater from 326 seats to just 100. So there were two seats between viewers. Also, everybody here is wearing masks. When you enter the building, there is also a body temperature check. vd: Does one of your staff members have to check people's temperatures? so: Yes, but we use a body scanner, a mobile scanner, that tests whether you have a normal temperature or a fever. vd: Did you have many people come in May or June who had a high fever? so: No. But we didn't have a large audience. vd: Were people a little fearful of coming to the theater? so: Yes. vd: If I understand correctly, this means that you had to shift some of your programs online. so: Yes. My team had to shift to online programs. Even now, in these changed circumstances, we managed two programs. One program shows independent short films, and the other is focused on American presidential election programs. Currently the short films feature work by the Safdie brothers.2 vd: That's interesting. so: Yes, you can watch these eight wonderful documentaries online...
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