Code-mixing Research Articles

Code Switching and Code Mixing Used by Dian Sastrowardoyo in Daniel Mananta Network Youtube Channel

The purpose of this research is to discover and gain a deeper understanding, for both writer and readers, regarding the use of code switching and code mixing when someone speaks, specifically during a podcast. For this research, the writer uses qualitative method in analyzing the data contained within the research information, namely Code Switching and Code Mixing used by an actress named Dian Sastrowardoyo in a video titled Cerita Hidup Seorang Dian Sastrowardoyo - Daniel Tetangga Kamu Youtube video in Daniel Mananta Network Youtube channel. The results of the study show that there are 321 utterances spoken by Dian in the video. The most dominant type for Code Switching is intra-sentential code switching, and Code Mixing is intra-sentential code mixing. The most dominant reason of Dian's code switching and mixing is talking about a particular topic.

ANALISIS ALIH KODE SERTA CAMPUR KODE YANG DITEMUKAN PADA LIRIK LAGU DARI BOY GRUP NCT 127

The purpose of this research is to identify code switching and code mixing used in the song lyrics of the boy group NCT 127, as well as the form of the code, as well as to conduct further analysis of the song. Chain and Long Slow Distance are the songs used in this research. In this study, the authors used a descriptive method of code switching and code mixing discussed through sociolinguistics. In his study, the authors started the research by first gathering information by listening to the involvement advanced free of convensation (SBLC) namely searching for song lyrics, listening to song, listening, and writing down song lyrics. Afther that, the information will be described using the intralingual equivalent method to ensure that the data are selected according to their respective classifications. Next, the writer will investigate the reasons for code switching and code mixing in song lyrics, as well as looking for words in Japanese.The results of the research showed that there was external code switching in the form of intrasentential and also intersentential, but there was no internal code switching found in the 2 songs. In code mixing, only code mixing was found but it has various forms, namely in the form of words, clauses, phrases, and also repetition of words. The cause of code switching and code mixing is to emphasize the spoken sentence and as a form of casualness (informal situations) and also the intentional element of the speaker. The total data found is 22 data.

Types of Code Switching in the Conversation between the Tour Guide and the Visitors at Fatahillah Museum Jakarta

<p align="center"><strong>ABSTRACT</strong></p><p>The presence of social media has influenced the use of foreign languages, especially English, in daily communication, especially among Generation Y or the millennials. The use of foreign languages is very diverse, ranging from the use of technological terms such as download, print, copy and paste, to the combination of basic Indonesian words with English affixes such as pelukable and unfaedah. The merging of the two languages is known as code switching and code mixing. This study is aimed at analyzing the types of code switching uttered by a tour guide at the Fatahillah museum in Jakarta. Analysis of the type of code switching is done by using Hoffman's theory. The results showed that there were three types of code switching; tag swiching, inter-sentential swictching and intra-sentential switching. There were also eighteen code switching utterances in the conversation between the tour guide and the museum visitors. And of the eighteen utterances, the most common type of code switching is tag code switching.</p><p><strong> </strong></p><p><strong>Keywords: code switching, types of code switching</strong></p>

Flower power. Езикът на растенията в литературата и живописта

For a very long time, living forms and art forms have been put in relationship by thinkers and artists. Analogies have always fascinated poets with the power of correspondences. Imagination and thought meet when creativity in nature and artistic creation are linked. Botany for example has undoubtedly inspired artists throughout the ages. Plant metaphors have always been an important part of the poetic imagination. Their diversity also stems from the evolution of the botanical science itself and from its relation to arts. The paper aims to trace some of the threads that link botany and art, and the mixing of codes in the practices of writers and researchers who are equally subject to the scientific discoveries and to the aesthetics of forms.

Substance use in the correctional settings: A qualitative exploration of individual and contextual characteristics and intervention strategies using the behavior change wheel framework

Background and objectivesPlanning and implementing prison-based substance use disorder (SUD) interventions are challenging. We wanted to understand why and how people in correctional settings (CS) use drugs and to explore what policies, environmental, and interpersonal factors influence substance use among incarcerated people. Using the Behavior Change Wheel (BCW) framework, we proposed a thematic map with intervention functions to reduce substance use in CS. MethodsWe used the Framework Method of qualitative analysis. We did snowball sampling for the incarcerated people with drug use (PWD) and convenience sampling for the staff. The in-depth interview sample comprised 17 adult PWD, three prison administrative, and two healthcare staff. We determined the sample size by thematic data saturation. We followed a mixed coding approach for generating categories, i.e., deductive (based on the BCW framework) and inductive. The study constructed the final theoretical framework by determining the properties of the categories and relationships among the categories. ResultsWe identified eleven categories aligned with the BCW framework. The themes were prison routine, interpersonal dynamics of the incarcerated population, exposure to substance use, attitude of staff towards PWD, experience with prison healthcare, willingness (to reduce drug use) and coping, compassion, drug use harms, conflict between staff and residents, stigma, and family/peer support. The BCW framework aided the identification of potential intervention functions and their interactions with the organizational policies that could influence PWD's capability-opportunity-motivation (COM) and drug use behavior (B). ConclusionThere is a need to raise awareness of SUD prevention and intervention among decision-makers and revisit the prison policies.

Syntactic Layer of Coordination and Conjuncts Agreement: Evidence from Pakistani English Newspapers

The architectural spin of linguistic elements is schematized as a projection from the lexicon and is considered as the universal machinery to account for all the linguistic phenomena according to generativist dictums. Pakistani English newspapers are ever under investigation from various linguistic angles, such as discourse analysis, code mixing, syntactic features, etc., but coordination and its agreement have always been ignored among Pakistani scholars. In the current study, the internal syntactic layer of conjoined phrases, clauses, and sentences has been hierarchically envisaged using empirical evidence from Pakistani English newspapers. This study adopts qualitative designed research and takes Murphy and Puškar (2018) as a framework to analyse coordination and agreement patterns in newspaper discourse. According to this framework, there are some syntactic operations (merge, agree, move) and steps to conjoin the phrases, clauses, and sentences in a uniform way. This study proposes that coordination and agreement are the recursive processes within the generative paradigm. The study furthermore predicts that the patterns of agreement within conjoined phrases, clauses, and sentences are first conjunct agreement (FCA), and last conjunct agreement (LCA) on various positions: subjective and objective conjoined expressions have been investigated, and these agreement patterns are due to the gender (p) and number (#) agreement.

Types of Code Mixing Used by Iman Usman and Faisal Basri in Gita Wirjawan’s Endgame

This study was conducted to analyze the code-mixing types used by Iman Usman as a young adulthood resource person and Faisal Basri as a middle adulthood resource person in Gita Wirjawan’s Endgame, as well as the similarities and differences between the code mixing types used by both respondents. The writers used the theory of code-mixing types by Muysken (2000) and employed a qualitative approach. The findings of this study revealed that both used all the code-mixing types: insertion, alternation, and congruent lexicalization. Content words were also widely found and both Iman Usman and Faisal Basri repeatedly applied the code-mixing with possessed content word (nouns, verbs, adjectives, or adverbs). Moreover, age factor did really affect Iman Usman and Faisal Basri when using code-mixing in their conversation with Gita Wirjawan. Iman Usman used code mixing more often than Faisal Basri.

Detection of Hate Speech Code Mix Involving English and Other Nigerian Languages

Hate speech is a recurrent event and has become a cause for global concern. The proliferation of hate speech has recently become prevalent, breeding room for violence and discrimination against specific individuals or groups. In Nigeria, message masking (use of language-mix) has become the new normal, especially in disseminating hateful and inciting comments. Hence, there is a need to curb the spread over social media. Therefore, this research focuses on detecting hate speech on social media with a code-mix of English, Pidgin and any of the three major Nigerian languages (Hausa, Igbo and Yoruba). The research used two machine learning algorithms: Support Vector Machine (SVM) and Random Forest (RF). Data were collected from tweets on the EndSARS protest and the 2023 Nigerian elections. The major features were extracted, and the text was converted into vectors using TF-IDF and Bag-of-words (BoW), which were used to train and test the model. The result showed that SVM performed better in classifying hate speech than RF on both TF-IDF and BoW features, averaging 93.43% for accuracy, 93.70% for precision, 93.43% for recall, and 93.57% for F1-score.

Translation of Registers on the Friday Sermon at Nabawi Mosque

This research uses the material object of the Friday sermon, namely the translation of the sermon register of the scholar Ash-Shaikh Dr. Abdul Muhsin Al-Qosim. Each language has specific characteristics or is different from other languages. This research aims to find out the register of the Friday sermon of Ash-Sheikh Dr. Abdul Muhsin Al-Qosim at the Nabawi Mosque. The method used in this research is the descriptive qualitative method. Data were collected using listening techniques and data transcription in processing the data; the data was processed using the analysis model, namely Miles & Huberman. The result of this study is the existence of language registers contained in three perspectives: religious terminology, code mix, and language function. These three aspects are register or language variation forms, with details of seven categories in religious terminology, code mix (words and phrases), and five types of language functions.

Code-switching and code-mixing in indonesian learning at SMA YP Unila

The purpose of this research is to seek information about the factors causing code switching and code mixing in the post-pandemic learning process of the Indonesian language in class XII Social Sciences at SMA YP Unila. This study uses a descriptive approach. The data collected are in the form of words, pictures, and not numbers. This research leads to an in-depth description of the meaning, clarification, and placement of data in their respective contexts and describes them in the form of words from numbers. The total code-switching in learning interactions is one-word data, two phrases, and five sentences; this shows that students' and teachers' interest in code-switching in both classes is shallow. As in code-switching, the form of code mixing in its interaction is divided into internal code-mixing and external code-mixing. In internal code-mixing, the language used is the insertion of Javanese in Indonesian sentences. Meanwhile, in external code-mixing, the language used is the insertion of English and Arabic in the interaction of Indonesian language learning. The implication aims to make it easier for teachers and students to understand word insertion during learning interactions and quickly understand what other people say when communicating. Keywords: Code-Switching, Code-Mixing, Indonesian Learning

ALIH KODE DAN CAMPUR KODE DALAM INTERAKSI PEMBELAJARAN BAHASA INGGRIS DI FAKULTAS PERTANIAN UNIVERSITAS TRUNOJOYO MADURA

The purpose of the research is to describe code choice and code mixing in the interaction of learning English in Agriculture Faculty University of Trunojoyo Madura. The reseach data included the code switching and code mixing of Agriculture students when learning English in the classroom. The data analysis use a contextual approach of Speaking by Dell Hymes. The result of the research showed that code switching used by the students in the Faculty of Agriculture, namely English and Indonesia, switching codes from English into Indonesia and vice versa, meanwhile code mixing from English into Inonesia, and mixed Indonesia into Javanese, mixed Javanese into English.

Mixed Selectivity Coding of Content-Temporal Detail by Dorsomedial Posterior Parietal Neurons.

The dorsomedial posterior parietal cortex (dmPPC) is part of a higher-cognition network implicated in elaborate processes underpinning memory formation, recollection, episode reconstruction, and temporal information processing. Neural coding for complex episodic processing is however under-documented. Here, we recorded extracellular neural activities from three male rhesus macaques (Macaca mulatta) and revealed a set of neural codes of "neuroethogram" in the primate parietal cortex. Analyzing neural responses in macaque dmPPC to naturalistic videos, we discovered several groups of neurons that are sensitive to different categories of ethogram items, low-level sensory features, and saccadic eye movement. We also discovered that the processing of category and feature information by these neurons is sustained by the accumulation of temporal information over a long timescale of up to 30 s, corroborating its reported long temporal receptive windows. We performed an additional behavioral experiment with additional two male rhesus macaques and found that saccade-related activities could not account for the mixed neuronal responses elicited by the video stimuli. We further observed monkeys' scan paths and gaze consistency are modulated by video content. Taken altogether, these neural findings explain how dmPPC weaves fabrics of ongoing experiences together in real time. The high dimensionality of neural representations should motivate us to shift the focus of attention from pure selectivity neurons to mixed selectivity neurons, especially in increasingly complex naturalistic task designs.

Code Switching and Code Mixing in Film Imperfect

In ordinary life, we frequently speak in a language that is not understood by others. When communicating, we frequently employ language switching or merging, also known as code switching and code mixing. Which seeks to make the interlocutor more understandable. Code switching and code mixing are used in today’s works of art, particularly films, to communicate amongst actors in their own films. This is done not just as a trick, but also because there is a lot of terminology from foreign languages that has been assimilated into Indonesian and is used more frequently. So the purpose of this research is to look at and learn about the many sorts of code switching and code mixing in the IMPERFECT film, as well as the rationale for using code switching and code mixing in the IMPERFECT film.

TYPE OF CODE MIXING FOUND IN PODCAST MD ENTERTAINMENT BY FREDERIKA CULL ON PODCAST YOUTUBE CHANNEL

Most Model in Indonesia use English mix with Indonesian language in their utterances. Therefore code mixing often can be seen there. This study aims to find out the type of code mixing found in Frederika Cull on Podcast YouTube Channel in the video podcast. The method used in this research is descriptive qualitative method. The analysis method is content analysis with the theory from Pieter Muysken (2000). The result of this study shows that code mixing used in the utterances of Frederika Cull. The dominant mixing is the type of Insertion. and the reason to this finding is this study show that a bilingual, Frederika Cull has high social values but still maintains her cultural identity and finds the language level that appears in code mixing.

Alih Kode dan Campur Kode dalam Keluarga Multibahasawan Perkawinan Indonesia- Perancis dalam Film “Liam Dan Laila”

The purpose of this research is to (1) Describe the types of code switching in the film Liam and Laila, (2) Describe the factors that cause code switching in the film Liam and Laila (3) Describe the types of code mixing in the film Liam and Laila, (4) Describe the factors that cause it to occur. code mixing in the film Liam and Laila. This research is included in the type of qualitative research with descriptive methods. The data for this research are dialogues in which there is code switching and code mixing. The data source for this research is the film script Liam and Laila (transcribed video) which contains dialogues from the characters. The data collection technique for this research is non-participant observation. Observations begin with (1) watching the film Liam and Laila, (2) record and transcribe the film recordings of Liam and Laila, (3) observe and analyze every dialogue that appears, (4) use the katat technique to collect every data obtained from the observations, (5) collect and record all the dialogue in which there are elements of code switching and code mixing to be explained further. The results of this research are. First, the type of code switching that occurs in the film Liam and Laila is divided into two, namely (1) external code switching which includes code switching from Indonesian to English and vice versa (2) internal code switching which includes code switching from Indonesian to English. Minangkabau and vice versa. Second, the types of code mixing are (1) outbound code mixing which includes code mixing in Indonesian and English (2) inward code mixing which includes code mixing in Indonesian and Minangkabau. The third factor that causes code switching includes (1) Speaker (2) Speech partner (3) Generating a sense of humor (4) Just being prestigious. The four factors that cause code mixing include (1) speaker factors (2) linguistic factors.

Alih Kode dan Campur Kode dalam Film Ali & Ratu Ratu Queens

This research aims to describe the types of use of code switching and code mixing, the factors that cause code switching and codel mixing, andl the function of codel switching andl code mixingl in thel film Ali & Ratu Ratu Queens. This research uses descriptive qualitative methods. The object of this research is the dialogue that leads to code switching and code mixing in the film Ali & Ratu Ratu Queens, which consists of 49 data. Data collection was carried out using the listening method, using advanced techniques in the form of (1) note-taking techniques and (2) data transcription techniques. The results of the research show that (1) the type of code switching used in the film Ali & Ratu Ratu Queens consists of two forms, namely internal code switching and external code switching, (2) the causal factors that occur are, the place and time the speech is carried out, the mode of conversation, and topic of conversation, (3) the functions that occur, namely, explaining, asking, confirming, and reminding. The use of code mixing consists of two types, namely internal code mixing and external code mixing, the factors that cause code mixing in the film Ali & Ratul Ratu Queens are speaker factors, and linguistic factors, and finally the function of code mixing in the film Ali & Ratu Ratu Queens, namely accuracy of meaning or feeling, argumentative, persuasive, short and easy to pronounce, and polite and polite.

Inspiration Transfer for Intelligent Design: A Generative Adversarial Network With Fashion Attributes Disentanglement

Traditional fashion design is heavily dependent on the talent and inspiration of designers. However, for inexperienced designers or common consumers, it is difficult to complete the design of ready-to-wear clothes. In this paper, we introduce a novel fashion attributes disentanglement generative adversarial network (FadGAN) to assist users in automatically accomplishing the design process. Different from the typical style transfer methods, which are limited to perform coarse-level style transfer, our FadGAN works on learning the accurate mapping which can preserve the identity of one fashion item, as well as learning the texture of another fashion item. Specifically, given two different fashion items, a fashion item disentanglement encoder first disentangles the features of the two inputs into structure codes and texture codes, respectively. Subsequently, a texture swap module is proposed to learn mixed texture codes to eliminate the differences of features from different fashion items. The mixed texture codes and the structure codes are then fed into a generator for new fashion item generation. Experimental results demonstrate that our model achieves superior results in comparison to several state-of-the-art methods with a 0.006-0.446 improvement on the mask-LPIPS, a 3.976-6.724 improvement on CDH, a 9.266-13.127 improvement on CIEDE, and a 0.145-0.325 improvement on HISTO.

Code Switching and Code Mixing in Learning Activities by a Teacher at a Primary School

Code Switching and Code Mixing in Learning Activities by a Teacher at a Primary School

An Analysis of Representative Acts and Language Functions Represented on Code Mixing and Code Switching Used by Yuvi Phan in Her Instagram Reels

The research aims to analyze the types of representative acts and the types of language functions represented in code-mixing and code-switching that appear in Yuvi Phan's Instagram reels. This research was conducted in library research. So, qualitative research was used. The researcher utilized a transcript of Yuvi Phan Instagram reels as the data in this research. Data was gathered through documentation. After that, the data were analyzed through content analysis. The results presented that there were 25 data that were categorized into three types of representative acts represented on code switching and code mixing that were found in Yuvi Phan's Instragram reels. There were 14 data of assertions, 9 data of suggestions, and 2 data of statements. The second result presented that 25 data were categorized into three types of language functions of representative act represented on code switching and code mixing that were found in Yuvi Phan's Instragram reels. They were giving information, persuading people, and sharing opinions. There were 16 data on giving information, eight on persuading people, and one on sharing opinions. So, based on the explanation above, the researcher concluded that representative acts and language functions can coexist in utterances, as well as in code switch and code mix, and that representative acts and language functions can coexist in representative acts marked by words or phrases. Moreover, representative acts and language functions in Yuvi Phan's Instagram reels can be the reference as a media for the instructing educational experience.

REALISATION OF LANGUAGE VARIATION THROUGH CODE MIXING IN SATU PERSEN-INDONESIAN LIFE SCHOOL ON YOUTUBE.COM

The study is aimed to describe the types and the functions of code mixing in Satu Persen-Indonesian Life School Youtube channel. Thelander’s theory used to describe the types of code mixing and Marasigan’s theory used to analyze the functions of code mixing. There are two data sources in the research; the first data are three videos from Satu Persen on Youtube as primary data and a video script for each video as secondary data. The study used the descriptive qualitative method. The data were collected by watching, downloading, transcribing, identifying, coding, and classifying the data. The data analysis was done by presenting, describing, interpreting and concluding the data. The finding shows that there are fifteen data about code mixing in Satu Persen’s videos. It reveals that there are six types of code-mixing found in the videos namely word insertion, phrase insertion, hybrid insertion, repetition insertion, idiom insertion and clause insertion. Meanwhile, the functions of code mixing used are to quote somebody else, interjection, addressee specification, repetition, message qualification, personalization and objectification and facility expression.