TECHNOLOGY AND CULTURE Book Reviews 719 in the control and guidance of missiles and the Apollo space vehicles and the development of the PDP series of minicomputers and VAX superminicomputers systems by the Digital Equipment Corporation. In the following two chapters the development of the microprocessor and the subsequent widespread diffusion of electronic digital com puters is dealt with, via a description of the development of handheld calculators and an account of the growth of interest in, and develop ment of, personal computers. In the final chapter, a discussion of the implications of supercomputers, workstations, and computer net working brings this account of landmarks in digital computing up to the mid-1980s. This book is a well-written and authoritative introduction to the history of digital computing. However, one should keep in mind that it is not a general history of American and European computing devices, nor even of post-World War II digital computing in the United States. It is a “Smithsonian pictorial history” and thus struc tured by the immense but finite holdings within the collections of the Smithsonian Institution. I suspect that though historians of comput ing will find that this book offers a richly illustrated overview, its real value will be to other historians of technology and science who have an interest in the history of digital computing but require an intro ductory text and bibliography. James S. Small Dr. Small recently received his doctorate from the Centre for the History of Science, Technology and Medicine at the University of Manchester. He has published on com puter history and in particular in connection with the history of post-World War II electronic analog computing. InfoCulture: The Smithsonian Book ofInformation Age Inventions. By Ste ven Lubar. Boston: Houghton Mifflin, 1993. Pp. vii + 408; illustra tions, notes, bibliography, index. $34.95. Information, communications, and entertainment machines have played an important part in defining our culture, “at least as much as ethnicity, race, or geography,” says author Steven Lubar in his introduction to this 400-page volume. In it he takes us on a whirlwind tour of the history of information technologies. Lubar is curator of engineering and industry at the Smithsonian’s National Museum of American History. The book is divided into three parts: communication, entertain ment, and information. Technology, unlike the natural sciences, admits of no true taxonomy, and Lubar’s organization seems appro priate to his purposes. It permits him to emphasize various communi cations systems (end-user technology, he calls it) as opposed to the physics of the materials and devices that go to make up the systems. 720 Book Reviews TECHNOLOGY AND CULTURE Nevertheless, where appropriate, he does cover fundamental inven tions like the vacuum triode and the transistor, if not in great detail. Part 1, on communications, opens with a treatment of “Words,” in which Lubar covers the development of high-speed printing of books, magazines, and newspapers, and then goes on to review the develop ment of the typewriter, copying machines, word processors, and desk top publishing. A chapter on “Pictures” begins with the first pictorial technology that was accepted as unequivocally objective, namely, pho tography, and continues with coverage of engineering drawings, wire photos, and computer graphics. These chapters are followed by oth ers on the telegraph, wireless telegraphy, the telephone, and a “Be yond Telephone” chapter covering fax machines, E-mail, cellular phones, and cyberspace. The second part of the book is devoted to entertainment, including recorded sound, moving pictures, radio, television, and a final chap ter, “Beyond Television,” treating video recording, video games, and high-definition television. Part 3, on information, is devoted com pletely to computers, with separate chapters on “Before Computers,” “Computers,” “Software,” and “Beyond Computers,” the last cov ering the computer’s role in automation, cybernetics, artificial intelli gence, and even science fiction. In his introductory overview, Lubar seems to suggest there is a certain inevitability about what will be invented to enhance human and machine communication and how such inventions will be ex ploited. The inventions and their applications together cut a wide swath through history, resulting in a cultural “trajectory,” which may inform us about the value, or hazards, of future information inven tions...