This is the fruit of a conference held at Exeter in 2003, in honour of Frank Barlow; as the editors say, a volume on the writing of medieval biography is a most suitable choice for such a notable exponent of the genre. A general introduction sets the papers in context, discussing both the development of biographical techniques from the late antique period to the high middle ages, and the stratagems adopted by successive modern scholars faced with the problems of composing lives of medieval people. In the papers themselves, there is some inevitable overlap, as the authors discuss the well-known difficulties of understanding medieval individuals; the scanty sources, the identification of topoi, the use by medieval writers of material lifted from earlier authors when their own knowledge failed, and above all, the struggle to see any traits of character and personality beneath the formal literary conventions, and the even more formulaic documentary records. Such problems remain constant whether the subject is Charlemagne (Janet Nelson), Alfred (Richard Abels), Æthelred ‘the unready’ (Simon Keynes), William I (David Bates), Bernard of Clairvaux (Christopher Holdsworth), Geoffrey of Chartres (Lindy Grant), the Empress Matilda (Marjorie Chibnall), Stephen (Edmund King), Roger of Howden (John Gillingham), or William the Marshall (David Crouch). It is greatly to the credit of all concerned that they make us aware of the special circumstances affecting each individual person as well as the more general problems of historiography.
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