Wherever one turns in the pages of those who have written about the later medieval church there are reminiscences of Eliot’s ‘Hollow Men’:Shape without form, shade without colourParalysed force, gesture without motionAs Knowles put it, ‘by and large the whole body ecclesiastic was lukewarm’, adding of monasticism in particular that ‘it had little warmth to spare for others’. It was, he commented elsewhere, ‘an age of waning fervour’ - ‘the rhythm of life becomes universally slower, and scarcely any new feature appears until the abrupt end’. To other less compelling and considered writers it has been all too easy to characterise these waning medieval years simply as ones of ‘inevitable decline’, the retreat of the spiritual tide proceeding unchecked by the vain efforts of even the most able and dedicated men of the period to halt its recession - ‘it was his misfortune’, it has been said of Marmaduke Huby, one of the major English monastic figures of the period, ‘to be born at a time when ideals were at a low ebb, when the spirit of monasticism had grown languid and when material preoccupations demanded far too much attention’. There is little to be gained from such generalised speculation, which, if the subject of the passage was not known, could readily be ascribed, with equal non-validity, to almost any period in monastic history. Nonetheless, it remains true that the particular circumstances of church and society in the fifteenth century placed massive obstacles in the way of men like Huby, and there is ample evidence of the difficulties with which they had to contend.