It is a great privilege to have been the guest editor for this second special issue on the Neurosciences of Music, following up on the 2012 issue on the same theme. It hardly seems like three years have passed, but even in this relatively short time period, we have witnessed conceptual and methodological developments that represent a significant maturation of our field. The contributions of the present issue affirm the breadth and quality of research being undertaken in the music and neuroscience community. The present issue comprises nine empirical papers from contributors in seven different countries. The contributions span perceptual, cognitive, affective, neurological, and therapeutic aspects of music, using an array of neuroimaging approaches, statistical approaches, and paradigms. Topics include distinguishing between how the brain responds to the cognitive versus affective aspects of music (Ellison, Moisseinen, Fachner, & Brattico, in press), how the reward system of musicians versus nonmusicians differs during continuous naturalistic listening (Alluri et al., in press), the role of the amygdala and orbitofrontal cortex in expectation (Mikutta et al., in press), the distinction between different forms of pathological and nonpathological musical imagery (Hemming & Merrill, in press) and the neural signatures of beat-based versus duration-based timing (De Pretto & James, in press). Sturm's paper focuses on the neural responses evoked during naturalistic ensemble listening, while Nakata looks at how tapping with an adaptive partner impacts pitch processing. Pfeiffer and Sabe (in press) provides a novel music-based assessment for the assessment of cognition after brain injury and, with a timely reflection on the current state of our community, Albusac-Jorge and Gimenez-Rodriguez (in press) provides a bibliometric study of the Neuroscience of Music field. We include a report on a high profile public lecture given by Daniel Levitin. Finally, we include a report on a lecture given by Daniel Levitin, and an announcement about a major new research center, Music in the Brain, in Aarhus, Denmark.As was also the case for the first special issue on this topic, we must acknowledge the critical role of the Mariani Foundation, in cooperation with the New York Academy of Sciences, who continue to provide an international nexus for dissemination and collaboration via their excellent research conferences. Several of the papers in the present issue were first presented in poster form at The Neurosciences and Music V conference, in Dijon, France, following which we announced a call for articles. …
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