THE OTHER DAY, ON THE COMMERCIAL ROAD, just past Aldgate where street suddenly changes from wealthy private corporate zone City London into one main drags poorest local borough in England, Tower Hamlets, I witnessed a time-honoured London tradition. (1) One man, insensibly drunk on pavement, was approached by two Russians, who expertly rolled him first one way then another, fishing wallet from one pocket and cell phone from another. As they stood up, they were stopped by a Bangladeshi man, remonstrating with them over supine body. boys had already spirited their loot away: in dumb-show, they held out empty hands and patted their empty front pockets with affronted innocence before walking away. My bus inched on from this tableau towards Stepney and Limehouse, those historic centres migrations to London. twentieth century began in East End with dense populations Russian and Eastern European Jews. They began to disperse slowly from ghettos Whitechapel after peak 1930s, to be replaced from early 1970s by refugees from Sylheti region Bangladesh. Now twenty-first century has seen a burgeoning new population Russian and Eastern Europeans again, partly escaping poverty, partly religious persecution and ethnic wars 1990s. And East Enders continue to roll drunks, a sport born economic desperation. In large industry contemporary writings about London, such an incident might be written up in two ways. first could be called Gothic mode, best represented by Peter Ackroyd's monumental tome, London: A Biography. The nature time in London is mysterious, he asserts (661), pointing out spooky repetitions and strange inheritances across centuries, and hinting at a magical theory of that territorial imperative, or genius loci, which keeps inhabitants in same area (141). London is a haunted city, subject to spectral invasions from an unquiet past. Its present occupants are driven by compulsions they barely understand, conjured by spirit itself. For theory this London, see any number critical works by Julian Wolfreys; for avant-garde practice it, read novels and urban investigations by lain Sinclair. Ackroyd has made a popular career out Gothicizing London. Yet for all this apparent steeping in history, result is curiously ahistorical--Ackroyd emphasizes a cyclical, mythical London, an irrational place which can be organized and controlled only by means private ritual or public superstition (216). To read event on Commercial Road in a more materialist way would be to turn to second contemporary mode: London as global city, revived from its long-term decline in last twenty years to become a central economic and cultural node new transnational flows capital, information, and people. Global London means high finance and lowly poverty cheek by jowl. is, claims newly created Greater London Authority (established in 2000) in its recently published London Plan, the world's most economically internationalised city and the most culturally diverse in world (par. 1). In terms statistics migrant populations, latter claim is untrue (Miami and Toronto top those lists), but aggressive self-promotion is integral to every global now. So this is also London claimed to have come into being in post-1945 era by two books under review. That these books have appeared virtually simultaneously, and just a year behind Sukhdev Sandhu's history London's Black and Asian writers, suggests that a certain critical mass has gathered behind idea a London. term postcolonial is course extremely contentious, often with its theorists arguing quite entrenched positions, but Ball and MacLeod eschew obscurity and navigate reader through their respective understandings field with lucidity. …
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