Local Art Research Articles

Peran Dinas Pariwisata Provinsi Banten dalam Program Kampung Wisata Pipitan Kota Serang

This research focuses on evaluating the evaluation of the Pipitan tourist village program in the city of Serang. This research uses a descriptive qualitative method with a qualitative approach. Tourism villages make tourism products more valuable in rural culture because there is development of tourist villages that have cultural value without destroying it. Local communities host and become important actors in the development of tourist villages at all stages, starting from the planning, monitoring and implementation stages. Pipitan Tourism Village is an interesting research object because its location coincides with the capital of Banten Province, namely Serang City. Development of the Pipitan Tourism Village into a community-based Pipitan Tourism Village by developing the role of the local community who are the managers of the Pipitan Tourism Village, such as: the chairman and members of the tourism awareness group (Pokdarwis) who are the administrators. or local residents of the Pipitan Tourism Village, MSME crafts such as flower pot crafts, garden decorations, wooden crafts, corn husk crafts are local craftsmen from the Pipitan Tourism Village. The Banten Provincial Tourism Office plays a role in distributing the budget in the development process of the Pipitan Tourism Village and the private sector will build facilities and infrastructure in the Pipitan Tourism Village. This collaboration aims to increase the economic impact, improve welfare and become a contributor to local original income in the community-based tourism sector. The concept of the Pipitan Tourism Village is very unique with a colorful concept that aims to improve the culture of the surrounding community by highlighting local characteristics such as culinary delights, and inside there is the Bolohok Market which sells regional specialties from Serang City.

The die for the production of the hammered kaptorgas from Kouřim, Central Bohemia

Kaptorgas were small trapezoidal boxes with lids worn by women and girls in early medieval central Europe as magic or protective amulets. The paper presents a new find of a bronze cast die for hammering the front side of kaptorgas, which was excavated at the Nad Dolnicí settlement site located in the hinterland of the important central Bohemian hillfort of Kouřim. The die was used to produce type 1A kaptorgas with a motif of a four-legged eared gryphon with an indication of a wing and a tail ending in a floral decorative element. Although kaptorgas with this particular motif have not been recorded in Bohemia, it has analogies in Bulgaria and Poland. Based on the stylistic assessment of this originally Mediterranean motif and the chronology of type IA kaptorgas in Bohemia, the die can be dated to the 10th and beginning of the 11th century. X-Ray fluorescence analysis and elemental mapping of the object's surface show that it was made from bronze with a significant lead admixture and a small admixture of zinc. The die is discussed in terms of the spread of Mediterranean motifs and their adaptation by local craftsmen.

ТВОРЧІСТЬ ТОМАСА ГУТТЕРА ТА ЙОГО СКУЛЬПТУРНІ ТВОРИ

The study of the work of the German-born sculptor Thomas Gutter, who worked in Galicia during the late Baroque period, is currently poorly studied, so it needs a thorough study. The article is devoted to the analysis of the work of the sculptor Thomas Gutter. It explores the life and creative path of the artist, the peculiarities of his style, and the use of materials in sculpture. Gutter's main works, their themes, and symbolism, in particular expressiveness in space, are considered. His works are distinguished by the expressiveness of the form, the drama of expression and the detailing of the plastic treatment of draperies. Thomas Hutter's style is characterized by a combination of South German traditions and Central European styles and shows an evolution from the late Baroque to greater geometrization. With his sculptural works, Gutter not only enriched local art, but also made a significant contribution to the formation of the late Baroque style in the Western Ukrainian region. His work influenced the style of many subsequent generations of sculptors. The sculptural works of Thomas Hutter have a high artistic value and belong to the cultural heritage not only of Ukraine but also of Europe. The results of the study can be useful for art historians, sculptors, and researchers.

St. William’s Bell Tower: A Structure That Sinks

St. William’s Bell Tower: A Structure That Sinks

Material agency in art installations: exploring the interplay of art, space, and materials in Detroit

Abstract. Decades of decline, disinvestment, and racism have left Detroit with an abundance of abandoned buildings, ruins, vacant lots, and illicit trash dumps. Though these structures and materials might have forfeited their previous purposes, they can act as catalysts, substances, and co-creators of artworks. The paper is thus interested in examining the intricate interplay between art, space, and materiality in Detroit further. Drawing from the practices of local artists Olayami Dabls and Scott Hocking, the paper adopts a new materialist framework to investigate the dynamic agency of matter in the artistic process. By considering materials as active participants in the production of art and space, the paper seeks to add to the emerging interest in the emancipation and meaning making of material in art as well as cultural geography's engagements with new materialism.

Rural Tourism and Homestays in India: Impact on Local Economy, Culture and Ecology

Purpose of the study: This study explores rural tourism as a sustainable form that encompasses environmental preservation, entrepreneurial opportunities, and the preservation of traditional village customs, values, and practices. Methodology: The research methodology employed a literature review approach, focusing on secondary data sources. The search utilized the Google Scholar database as a search engine, with the initial 500 results sorted by relevance to ensure comprehensive coverage of relevant scholarly sources. Finally, 31 articles were selected for this study. Principal Findings: Operating homestays can provide alternative accommodation options and catalyze the promotion of rural tourism, benefiting the local community, economy, and regional art and culture. A well-executed marketing plan in rural tourism can bring significant societal advantages by channeling resources from urban to rural areas and curbing rural-urban migration. Applications of the study: This study can be helpful in the tourism and hospitality industry. It is instrumental in promoting rural tourism and supplementary accommodation like homestays in India, thus boosting the local economy and promoting local culture and tradition. Novelty/Originality of the study: Tourism and related industries substantially impact employment due to the sector's labor-intensive nature. Village tourism can generate income and employment and contribute to rural development, preventing rural-urban migration and promoting sustainable revenue generation.

Pagelaran Pottery Village: Culture-Education Resin-Concrete Souvenir in Industrial Tourism

This implementation aims to develop resin-concrete souvenirs as a superior product for the pottery industry tourism in Pagelaran Village, with the aim of promoting cultural education and enhancing the visitor experience. Pagelaran Village, renowned for its heritage in pottery production and traditional cultural practices, faces challenges in preserving its cultural identity and attracting tourists amid changing consumer preferences. Consequently, this activity explores the concept of resin-concrete souvenirs as a method to convey the cultural identity of Pagelaran Village pottery according to tourist preferences. Implementation of this activity employed a mixed approach, combining qualitative interviews with local artisans and quantitative surveys of tourists, to gather insights into the village’s cultural heritage and visitor preferences. The resin-concrete souvenir prototype in the form of merchandise was designed by amalgamating traditional pottery motifs and cultural elements unique Pagelaran Village. Subsequently, it underwent user tests and feedback sessions to ensure their aesthetic appeal, durability, and ability to evoke cultural narratives. The resin-concrete souvenir prototype has significant potential as a superior product in industrial tourism. The integration of traditional pottery with modern materials enables the creation of products that are both visually appealing and culturally relevant. Additionally, tourist responses show high interest in souvenirs characterized by authentic and narrative cultural experiences. This implementation contributes to the development of souvenirs in the context of industrial tourism, emphasizing the significance of education and preservation of cultural heritage. Besides bolstering the economy of Pagelaran Village, resin-concrete souvenirs can educate visitors about the village’s cultural heritage, thereby encouraging sustainable tourism practices. Keywords: resin, concrete, souvenir, pottery, pagelaran

Assessing the Community Centers Project Using the B4SI Global Standard

Local artist exhibitions, children’s workshops, author-led tours, festive gatherings, and much more — all within walking distance from home... Stores serve as hubs where the paths of diverse individuals intersect, thus serving as community centers. In our coverage, we delve into how the ongoing efforts of the community center network within these stores cultivate neighborliness and mutual aid, assess the project’s impact on local communities and businesses, and highlight significant outcomes for key project stakeholders.

Tache with Trash: an image of integrating art with upcycling in the city of the future

Summary Art is rarely imagined as a strategic approach in the design of the future city. The purpose here is to offer a perspective on future cities that resides at the intersection of art and the practice of upcycling. I dub this perspective ‘Tache with Trash’, offering an artistic design for busy locales based on transforming recyclable waste into a vibrant spectrum of colours. Applicable in places like shopping malls, campuses and convention centres, I envision individuals disposing of trash in a shredding machine that injects those fragments into transparent containers, such as glass ornaments and glass wall panels. Disposing of recyclable trash becomes like dabbing a tache (stain, spot, blob) of pigment on an artwork. Rooted in the theoretical framework of ‘envisioning the future’, this perspective is inspired by the ‘junk art’ genre and aims to integrate communal art with sustainable upcycling. The benefits of the perspective include enhancing social interaction on sustainability, serving as a tool for younger generations’ sustainability education, providing a platform for local artists and assisting crowded centres with economization.

Wearing their heart on a wall: the World’s Biggest Comic

Abstract An arts-based project, using a community development approach engaging people in a community of place to address suicide prevention, is potentially powerful. This involves linking community development and mental health promotion practice. The challenge in doing this is that, conceptually, the integration between the two is incomplete and there is a lack of guidance about effective community processes. This paper analyses community development processes to create the World’s Biggest Comic (WBC). The WBC was an innovative, large scale public art project engaging local artists, some with a lived experience of mental illness, to tell a story of Will and Hope. A 15-part comic story, printed on vinyl canvas panels and mounted on buildings, covered 600 m2. https://www.facebook.com/watch/?v=217471332673743 Conducted in a small rural South Australian community by the local volunteer Suicide Prevention Network, the WBC aimed to raise awareness, break down stigma, and prompt life-saving conversations. Results of a mixed method impact evaluation are presented using a community development framework that considers ‘people’, ‘space’, and ‘place’. The use of sociological concepts about community and the community field, the value of relationships, and listening to the voices of those with a lived experience of mental illness, may assist practice. Some potential learnings and pitfalls in using a community development approach in mental health promotion are discussed.

Research on the Status, Challenges and Countermeasures of the Intercultural Communication of Chinese Opera Culture in the Omnimedia Era

The Chinese opera is a local art in China and an important carrier of Chinese culture. It embodies the spirit of Chinese aesthetics, and is generally recognized as a recognizable representative of Chinese culture and art. In the omnimedia era, the omnimedia platforms enable Chinese opera to appear frequently on the international stage. Meanwhile, the digital technology plays an important role in promoting the cross-cultural communication of opera culture, which make global audiences can enjoy Chinese opera culture through omnimedia channels and gradually increase their acceptance of it. Therefore, the effect and influence of Chinese opera culture in international communication is significantly improved. However, it should be noted that cultural differences are the main obstacles to the intercultural communication of Chinese opera in the omnimedia environment. The copyright and intellectual property right in the omnimedia environment limit the international communication of Chinese opera culture, and there are contradictions between the localization and the globalization needs of opera culture in the omnimedia promotion. To this end, it is necessary to present in-depth cultural interpretation and exchange on the all-media platform to bridge the cultural differences between China and foreign countries, establish corresponding international cooperations and legal protection mechanisms to deal with copyright and intellectual property issues, and use omnimedia to innovate the promotion of opera culture to achieve a balance between localization and globalization. These methods can enhance the cross-cultural output of Chinese opera culture and the international communication intensity and effectiveness of it, so as to enhance the cultural soft power construction and the international influence of China.

Re-inventing Vernacular Arts and Crafts: Creation of a Cauldron Inspired from the Ornament Motifs of Sunan Padangaran Mosque, Indonesia

The Sunan Padangaran Mosque is one of the historical sites in Indonesia which contains unique architecture in the form of ornaments. This research examines how the architectural ornaments of the Sunan Padangaran Mosque can be integrated into the design of making traditional cauldrons as an effort to preserve and innovate local arts and craft. It focuses on the process of adapting mosque ornament motifs in making cauldrons. It uses qualitative methods involving case studies. Data is collected through mosque ornaments and in collaboration with local pot craftsmen. The research leads to an experimentaal production of the cauldrons inspired by the traditional motifs. The creative process includes the stages of selecting materials, forming the pot, and applying the chosen and articulated ornaments. Craftsmen play a direct role in replicating the pot which produces the research results. This research concludes that the process of making a cauldron replica involves several stages to reflect the beauty and uniqueness of the ornaments of the Sunan Padangaran Mosque. The ornamental design of the cauldron functions not only as a place to store items, but also as a decorative element that increases its aesthetic value. The shape of the cauldron created is also part of an effort to preserve the culture of the vernacular communities of the past who have often used cauldrons to store goods.

예술가 없는 예술지구

In the process of revitalizing hateful spaces in cities, cultural urban regeneration is known to play a positive role in fundamentally renewing the old negative image of an area. While the voluntary closure of Seonmi-Village, a notable red-light district in Jeonju City, through the implementation of cultural governance, is well-documented, little attention has been given to the operations and policy implications of Seonosong Arts Village. This study thus examines the transition from Seonmi-Village to Seonosong Arts Village, employing data collection and in-depth interviews with key stakeholders, including women’s rights advocates and local arts actors, with a focus on creative placemaking. As a result, it was stated that although the Women’s Rights Center’s solidarity activities with local artists in the process of publicizing women’s rights discourse showed tangible results, there was a relative lack of communication and solidarity between the actors. Furthermore, it was noted that artists tended to prioritize business endeavors over developing a comprehensive understanding of their locality. Hence, this study underscores the importance of nurturing a community of artists as local stakeholders for the sustainable implementation of cultural regeneration initiatives.

Design of a public science communication strategy on cultural heritageand local art in the center of the province of Buenos Aires (Argentina)

The communication of cultural heritage studies does not always constitute a central action of research projects. Therefore, the objective of this work is to present the design of a public science communication strategy on cultural heritage and local art in the district of Olavarría (Argentina). The proposal arises from the making of a documentary and its low visibility and exchange with the public. To achieve this, methodologically it is proposed to work from communication planning based on contextual models and citizen participation. The main result is the development of a communication strategy, based on transmedia formats and focused on the local educational sector. It concludes on the importance of articulating cultural heritage research with social sectors that are susceptible to becoming aware of their environment and that have a high potential to get involved in its protection and safeguarding.

The Role of Lusheng Chinese Musical Instruments in Promoting Literacy through Educational Functions and Transmission

Lusheng is a traditional wind musical instrument cherished by various ethnic minorities in China. The objective of this study is to investigate the role of Lusheng Chinese musical instruments in promoting literacy through educational functions and transmission. Conducted in Guizhou Province, a region rich in ethnic diversity, this study employs qualitative methods and engages two key informants who are local artisans with interview and observation forms. The data analysis reveals multifaceted insights into Lusheng’s transmission and promotion. Findings highlight the challenges posed by modernization to traditional craftsmanship, emphasizing the urgency of preserving Lusheng production skills. The inclusion of Lusheng in the National Intangible Cultural Heritage list and the establishment of educational programs in primary, and secondary schools, and universities underscore the government’s commitment to safeguarding Lusheng culture. Moreover, the research underscores the transformative impact of modern media on Lusheng’s dissemination, and cross-cultural engagement is recognized as vital for expanding its influence. Balancing tradition and innovation remains a challenge. The study suggests collaborative efforts among government, academia, and society to develop a comprehensive conservation strategy, ensuring the continued transmission and promotion of Lusheng culture.

Theoretical principles of studyng the historical and cultural heritage of small towns of Ukraine

The purpose of the article is to study the influence of the historical and cultural heritage of small towns on the development of tourism in Ukraine. It was established that small cities of Ukraine have a significant potential for the development of tourism. These cities preserve a rich historical and culturalheritage, including ancient architecture, cultural monuments and traditions. The growing interest in travel and educational tourism creates opportunities for the development of the tourism potential of small towns. At the same time, the development of tourism contributes to the economic growth of small towns, creating new jobs and increasing income from the tourism business. It is important to take into account sociocultural aspects, as tourism can contribute to the preservation and popularization of local traditions, arts and crafts. Therefore, the study of the historical and cultural heritage of small towns will reveal unique resources that can attract tourists. Methodology. The methodological basis of the work is: the method of theoretical research, induction and deduction, observation, comparison, analysis and synthesis. The methodology is based on the principles of historicism, systematicity and scientificity. Scientific novelty. The scientific study emphasizes the role of the historical and cultural heritage of small towns of Ukraine and their opportunities for the development of tourism. Characterized: the conceptual apparatus of historical and cultural heritage, its features as an object of socio-geographical research and modern trends of cultural heritage in Ukraine. The results of the research will contribute to determining the potential of the historical and cultural heritage of small towns and its impact on the development of tourism in Ukraine. It is important to carry out a systematic monitoring study of the state of cultural heritage, which will allow timely detection of problems, evaluation of the effectiveness of preservation and use measures, and adjustment of tourism development strategies. Therefore, the research results can become the basis for the development of tourism development strategies and programs aimed at the attractiveness of small towns for domestic and foreign tourists.

Ecommerce Site for Artisans with AI Assistance

India, a country of great cultural heritage and India’s cultural diversity in the form of art and craft products provides plenty of opportunities to the local artists. In today's world, most people are using technology for leading their lives and fulfilling their daily needs. In this generation most of us are using E-commerce websites for shopping clothes, groceries, and electronics. We will be developing one E commerce web application by using MERN stack technology. This application will be fully functional with different views for user and admin and it will also be integrated with payment gateway for checkout. Epicraft website aims to help creative entrepreneurs of handloom and handicraft sector

Exhibitions of Art Works from Private Collections of Kazan in the Second Half of 19th — Beginning of 20th Century

The article uses the example of Kazan to reveal the process of organizing and holding exhibitions of artworks from private collections in the Russian pre-revolutionary province. Addressing this topic, which has not been sufficiently studied in the history of Russian art, is relevant because it expands the understanding of the phenomenon of exhibition activity, which is one of the most important aspects of artistic life in Russia. The source base of the present study is the catalogues of four exhibitions of paintings from private collections held from 1873 to 1916, as well as publications in the Kazan press of this period. The peculiarities of the organizational process, selection and exposition of works, and the owners of the works are revealed. It is established that the exhibitions were of charitable nature: their proceeds were directed either in favour of the starving or poor, or in favour of Russian soldiers. The main collectors of art works in Kazan in the second half of the 19th century were predominantly landed gentry and university professors (who came from the families of personal nobles and officials). By the early 20th century, representatives of individual merchant families also had significant art collections. The exhibited works represented the whole variety of genres, but they were dominated by landscapes and portraits, primarily family portraits, suitable for decorating mansions. Catalogues allow us to conclude that local collectors of the second half of the 19th century were primarily interested in foreign art (masters of the Italian, Flemish, Dutch, Belgian, German and French schools, mainly of the 17—18 centuries), as well as (to a lesser extent) Russian academic painting (from V.L. Borovikovsky and D.G. Levitsky to D. Zakharov) and itinerant painters (I.I. Shishkin, N.A. Yaroshenko). By the end of the 19th century, the vector of collectors’ preferences shifted towards contemporary Russian art (works by Makovskys, I.E. Repin, etc. were collected), and collecting works by local artists (K.V. Bardou, L.D. Kryukov, R.A. Stupin, N.I. Zeblov, etc.) began to develop as a special direction.

Trolling as a Disruptive Tool for Human Rights Violations: An Exploration of the Challenges Faced by Performance Artists

The proliferation of online platforms and digital tools has introduced both opportunities and challenges for individuals, particularly within the realm of social media. While platforms like Facebook, Twitter, Instagram, TikTok, etc. have served as avenues for cultural, social, economic, educational, state-run, and political discourse, they have also facilitated the emergence of paranoiac phenomena, such as trolling. This paper delves into the portrayal of trolling as a disruptive technological tool and cultural phenomenon in Bangladesh, specifically targeting TV actors, theatre performers, and local rural artists. The study highlights the pervasive use of trolling as a means to harass, criticize, and intimidate artists online. It reveals how trolling not only violates the human rights of these artists but also undermines their creativity, credibility, and sense of belonging within society. For methodological justification, it has employed a mixed-method research approach incorporating questionnaire surveys administered to 38 participants, interviews with two aspiring artists, three theatre artists, and three students studying theatre and performance studies, and analysis of social media comments. The paper unravelled that trolling is used exclusively as an online harassment tool to embarrass performance artists in Bangladesh. It underscores the detrimental impact of trolling, leading to psychological distress, depression, and alienation among targeted artists. In response to these challenges, the paper offers recommendations aimed at empowering artists to confront and combat online harassment, thereby safeguarding their well-being and fostering a more supportive digital environment conducive to artistic expression and innovation.

Ethnobotany of traditional rituals of Javanese in the city of Surakarta, Central Java, Indonesia

Abstract. Mukarromah AN, Dzihni A, Azzam AK, Adiningsih AR, Utami AS, Nazar IA, Sunarto, Iskandar J, Saensouk S, Setyawan AD. 2024. Ethnobotany of traditional rituals of Javanese in the city of Surakarta, Central Java, Indonesia. Asian J Ethnobiol 7: 22-31. Surakarta is one of the municipalities in Central Java Province, Indonesia, known as a multicultural city, so it might be potential for cultural performances in the form of historical buildings, local culinary delights, cultural products, cultural arts, and traditional rituals. This research aimed to determine the use and meaning of plants in traditional rituals carried out by the people of Surakarta. Data were collected using in-depth interviews and observation methods collected primary data in three villages: Baluwarti, Mojosongo, and Keprabon, Surakarta City, Central Java, Indonesia. The results show that there are 10 traditional rituals commonly carried out by people in three villages, namely mitoni, medeking, procotan, wedding, death, grebeg maulud or sekaten, grebeg syawal, tedhak siten, tumpengan, and sadranan, where, each traditional ritual uses plants according to their respective meanings. There are 27 plant species belonging to 20 families used in traditional rituals by the people of three villages. Most respondents purchase plants used in traditional rituals from the traditional markets due to increasingly limited open space for planting the plant species.