Queerness and Childrenâs Literature: Embracing the Negative Laura Robinson (bio) Click for larger view View full resolution As I sit down to write this introduction in late summer of 2013, three unrelated media stories keep tugging my attention away from queerness and childrenâs literature, the special topic for this issue of Bookbird. First, in July 2013, the group Geeks Out called for a boycott of the soon-to-be released film version of Orson Scott Cardâs 1985 novel Enderâs Game. Geeks Out is protesting Cardâs anti-gay stance, which he articulated in a 1990 interview for the magazine Sunstone. Lest you think this was a while back, the New York Times also points out that Card was on the board of the National Organization for Marriage, which opposes gay marriage, until very recently. Second, the Russian governmentâs new law against gay propagandizing is rousing the ire of many people internationally and mobilizing a movement to boycott the winter Olympics in Sochi. Third, on 22 July, Dwayne Jones, a [End Page v] transgender sixteen year old, was beaten to death by a mob in Jamaica supposedly because he went to a party dressed as a female.1 While at first glance these stories seem unrelated, each is strangely connected to queerness and childrenâs literature. First, Geeks Out might do well to consider how the young adult novel Enderâs Game can be read, despite Cardâs beliefs spoken elsewhere. As Jennifer Mitchell argues in this issue, this novel, the first of Cardâs trilogy, if not the others, âis full of queer potential.â Indeed, the queerness of a novel that has spent 42 weeks on the New York Times bestsellers list (paperback mass market fiction) might have more ideological impact than an organization that attempts to regulate the meaning of marriage. Reading texts queerly can change the world. Second, the BBC News Europeâs coverage of the concern over how Russiaâs repressive laws will affect athletes at the Sochi Olympics quotes the interior ministry as saying âthat officials would act during the gamesâas at any other timeâto protect children âfrom the propaganda of non-traditional sexual relationsââ (BBC News, my emphasis). Many critics have discussed the use of children as a trope to police adult sexuality (see Undoing Gender, Butler and Kincaid). Given the arguments in his book Innocence, Heterosexuality, and the Queerness of Childrenâs Literature, Tison Pugh might take this further and suggest to the Russian state that the very laws that enforce or fetishize childhood innocence work to produce queerness and, moreover, create such an ignorance âthat normative heterosexuality itself becomes corruptiveâ (166). The marriage of queer theory with childrenâs literature studies enables us to unpack the devastating irony of Russiaâs attempt to police not only sexuality but its representation in so-called propaganda. Third, according to the Ottawa Citizen, Dwayne Jones was kicked out of his home and shamed at age fourteen and then murdered at age sixteen, all because he did not, and perhaps simply could not, abide by the standards of his society. I include Dwayneâs story because he is a child who did not end up having what Judith Butler calls a âlivable life.â She discusses the violence that homosexual and trans people experience all over the world: âThe negation, through violence, of that body is a vain and violent effort to restore order, to renew the social world on the basis of intelligible gender, and to refuse the challenge to rethink that world as something other than natural or necessaryâ (Undoing Gender 34). The work we do as literary scholars may sometimes seem far removed from the so-called real world; however, many academicsâ insistence on unveiling the constructedness of the social order, on denaturalizing power relations, on challenging the world as it is, whether through history, anthropology, psychology, or childrenâs literature, can indeed have an impact on real childrenâs lives, can âopen the possibility of both identifying and articulating queer child lifeâ (xxxiii, emphasis in original), to borrow words from Steven Bruhm and Natasha Hurley. This issue on queerness and childrenâs literature yokes together the political...
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