Critical studies of Cyprian Norwid’s writing, just like the scholarship on the literature of Polish Romanticism, focus mostly on the religious, philosophical, ironic and aesthetic aspects of his works. The question of humour in Norwid’s literary output still has not been extensively examined. The paper analyzes Norwid’s comical works. In his early masterpieces, published between 1842 and 1852, comic elements were almost absent, but after his trip to the United States an important change can be noticed in his way of writing, and humour becomes a key elelement of his literary writing and visual art. It can be argued that his diffi cult American experiences (alienation, struggle with the new language, desperate attempts to fi nd work) changed Norwid’s perception of himself as an artist and taught him to look at his art from a distance.
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