Tone sandhi refers to the alternation between base and sandhi tones. In Taiwan Southern Min (TSM), a word generally changes from its base tone to the corresponding sandhi tone when it occurs in non-final positions of a syntactically determined constituent. Tone sandhi of the five unchecked tones in TSM realizes itself in a quasi-circular chain shift, the phonological opacity of which poses a theoretical challenge for both the rule-based generative framework and the output-based grammar like OT. To probe into the representation of such allotonic variation, sandhi T51 → T55 was used in an auditory-auditory priming lexical decision experiment to examine priming effects between monosyllabic real-morpheme primes and their corresponding disyllabic targets including I) T55TX, underlyingly T51TX, and II) T51e33 as adjectives, a special case where T51 remains its base tone. Each target was preceded by either a T55 prime (surface-tone match for type I target and allotone match for type II), a T51 prime (underlying-tone match for both types), or a TX unrelated control prime, where X is a tone other than 55 and 51. Results showed an overall stronger facilitation effect for T51 primes than for T55 primes, indicating the significance of underlying-tone match in auditory processing.
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