This paper examines the multi-actor making of the ruralscape in Hong Kong. I critically adopt the theoretical framework of Ingold's concepts of walking to understand how different “wayfarers”, including but not limited to farmers, residents, land activists, agriculture learners, researchers, journalists, leisure practitioners and government officials, walk to make a multi-sensorial landscape. This paper encapsulates the observation outcomes of multiple times of walking by different individuals and groups recorded during my ethnographic fieldwork between 2008 and 2021. I shed light on the local practices and perspectives of hang cyun (walking in villages) and hang tin (walking in fields) to illustrate my observations. By analyzing the wayfarers' walking experiences and embodied movements, I consider the ruralscape as a vibrant space where people configure its meanings and materialize their lifestyle. The wayfarers' embodied experiences reflect the continuity and changes of a rural Hong Kong. Their making of ruralscape helps alleviate people's anxiety and enhance people's hope concerning the current Hong Kong society that faces food safety issues, environmental degradation, social class disparity and spoon-feeding education. I consider that being an agent who exercises his/her subjectivity during the walking in the ruralscape, a wayfarer makes the ruralscape meaningful in various aspects. My explanation contributes to the theoretical discussion of embodied movement and space making particular to the construction of a politicized nature telling us stories of (in)equality, (in)justice, and hope (lessness).
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