Professional Notes and Research Sources Megan Connor and Katherine A. Johnson Megan Connor and Katherine A. Johnson Several influential critics and filmmakers have died in the past year. In their memory and contributions to African and African American cinema, we take note and salute their passing. Med Hondo, 1936–2019 Med Hondo, a French-Mauritanian filmmaker born Abid Mohamed Medoun Hondo, died in Paris at age 82 in March. Hondo was among the founding fathers of African cinema, given his career-long dedication to making films that explored the history of colonialism and postcoloniality in metropolitan France and the African continent, such as his award-winning debut feature, Soleil O (1967), which screened at the 1970 Cannes Film Festival, and was awarded the Golden Leopard at the Locarno International Film Festival. Beyond his directorial efforts, including Soleil O, West Indies (1979)—widely considered to be Africa's first musical and at the time, the most expensive African film production in history—Sarraounia (1986), and his last film, Fatima, I'Algerienne de Dakar (2004), Hondo also acted throughout his career, originally studying under French actress Francoise Rosay and forming his own theater company, Shango (named for the Yoruba god of Thunder) which toured France featuring plays by African and diaspora writers. Additionally, Hondo was known for his voice dubbing work of Hollywood films, especially dubbing Eddie Murphy in roles like The Nutty Professor (1996) and the Shrek franchise. For more on Hondo see: https://www.indiewire.com/2019/03/med-hondo-dead-african-cinema-1202048352/. S. Pierre Yameogo, 1955–2019 Following a long illness, influential Burkinabe filmmaker S. Pierre Yameogo passed away in April at age 63. Yameogo, known for his passionate and politically engaged work that focused on his home country of Burkina Faso, directed six films, beginning in 1987. Yameogo's often controversial subject matter was the subject of censorship, most notably for Silmande—Tourbillon (1998), which critiqued economic and political corruption through the tale of a Lebanese family in Burkina Faso and was boycotted and banned [End Page 462] by Lebanese and Cote d'Ivoire theaters. In addition, several of Yameogo's films were screened at the Cannes Film Festival, including Laafi—Tout va bien (1991), Wendemi (1993), and Delwende (2005), which was awarded the Prize of Hope at the 2005 edition of the festival. John Singleton, 1968–2019 The first African American nominated for an Oscar for best director for his first feature film Boyz N the Hood (1991), John Singleton died at the age of 51 after having suffered a stroke. Like Spike Lee, Leslie Harris, Julie Dash, et al, Singleton was a filmmaker who gave audiences of the 1990s stories about characters they recognized, but had not seen yet in the movies. Singleton's success allowed him to do more than tell the stories of black people, it also allowed him to help other black stars, like Tupac Shakur and Ice Cube, navigate predominantly white media industries. He graduated from USC in 1990 and released Boyz N the Hood only a year later. Less than a decade after that, he directed several more features, including Poetic Justice (1993), with Janet Jackson and Shakur, and Shaft (2000), starring Samuel L. Jackson. Throughout his career, Singleton encouraged and supported black communities, their representation, and the work of black filmmakers and musicians. Up until his death, he was directing for television shows like, Empire (2015-) and Snowfall (2017-). He will be remembered as a significant figure in the pursuit of representational diversity. For more on Singleton, see his New York Times obituary: https://www.nytimes.com/2019/04/29/obituaries/john-singleton-dead.html. Camille Billops, 1933–2019 A significant figure in the film and art world, Camille Billops is best remembered for her documentary films, especially Finding Christa (1991) where she details her own story of reconnecting with the daughter she gave up as a toddler so that she could become an artist. Billops made a number of documentaries through her production company, Mom and Pop Productions, which she created alongside her husband, James Hatch. Her films were typically about difficult social issues, such as Suzanne, Suzanne (1982), a documentary about a substance-abusing teenage girl who...