Previous articleNext article No AccessJosephine Baker and Paul Colin: African American Dance Seen through Parisian EyesKaren C. C. Dalton and Henry Louis Gates, Jr.Karen C. C. Dalton Search for more articles by this author and Henry Louis Gates, Jr. Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 24, Number 4Summer, 1998 Article DOIhttps://doi.org/10.1086/448901 Views: 88Total views on this site Citations: 39Citations are reported from Crossref Copyright 1998 The University of ChicagoPDF download Crossref reports the following articles citing this article:Peter Hulme Taking the Blues Away: The Second Edition of The New Negro, MELUS 25 (Jun 2022).https://doi.org/10.1093/melus/mlac036KEVIN DUONG Universal Suffrage as Decolonization, American Political Science Review 115, no.22 (Jan 2021): 412–428.https://doi.org/10.1017/S0003055420000994Adjoa Osei Performing an Afro-Brazilian archetype: Transnational stage and celluloid representations of the black baiana, Atlantic Studies 18, no.22 (Oct 2020): 217–243.https://doi.org/10.1080/14788810.2020.1827690Jaap Verheul, Colin Burnett, Christoph Lindner, James Chapman, Ajay Gehlawat, Mikołaj Kunicki, Melis Behlil, Ignacio Sánchez Prado, Huw D. Jones, Andrew Higson, Toby Miller, Moya Luckett, Anna Everett, Lorrie Palmer, Seung-hoon Jeong, Christopher Holliday, Meenasarani Linde Murugan, Jan-Christopher Horak, Joyce Goggin, Chris Carloy, Ian Bryce Jones The Cultural Life of James Bond, (Oct 2020).https://doi.org/10.5117/9789462982185_ch09Joanna Dee Das Dance That “Suggested Nothing but Itself”: Josephine Baker and Abstraction, Arts 9, no.11 (Feb 2020): 23.https://doi.org/10.3390/arts9010023Roberto Pasini Miscegenation: Culture- and Region-Forming Processes, (Jul 2018): 97–137.https://doi.org/10.1007/978-3-319-77887-7_5Jennifer Sweeney-Risko Fashionable ‘Formation’: Reclaiming the Sartorial Politics of Josephine Baker, Australian Feminist Studies 33, no.9898 (Feb 2019): 498–514.https://doi.org/10.1080/08164649.2019.1567251 Discography, (Jan 2016): 357–359.https://doi.org/10.1215/9780822374947-019 Introduction, (Jan 2014): 1–22.https://doi.org/10.1215/9780822375913-001 Sepia Sex Scenes, (Jan 2014): 23–65.https://doi.org/10.1215/9780822375913-002 Sexy Soul Sisters, (Jan 2014): 66–103.https://doi.org/10.1215/9780822375913-003 Black Chicks, (Jan 2014): 104–141.https://doi.org/10.1215/9780822375913-004 Ho Theory, (Jan 2014): 142–179.https://doi.org/10.1215/9780822375913-005 (Black) Porn Star, (Jan 2014): 180–225.https://doi.org/10.1215/9780822375913-006 Behind the Scenes, (Jan 2014): 226–262.https://doi.org/10.1215/9780822375913-007 Epilogue, (Jan 2014): 263–282.https://doi.org/10.1215/9780822375913-008 Notes, (Jan 2014): 283–314.https://doi.org/10.1215/9780822375913-009 Bibliography, (Jan 2014): 315–354.https://doi.org/10.1215/9780822375913-010Jacqueline Taucar Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival, Canadian Theatre Review 152 (Oct 2012): 19–24.https://doi.org/10.3138/ctr.152.19Kristin Mcgee Orientalism and Erotic Multiculturalism in Popular Culture, Music, Sound, and the Moving Image 6, no.22 (Jan 2012): 209–238.https://doi.org/10.3828/msmi.2012.14JEFF FARLEY Jazz as a Black American Art Form: Definitions of the Jazz Preservation Act, Journal of American Studies 45, no.11 (Jul 2010): 113–129.https://doi.org/10.1017/S0021875810001271Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Introduction, (Jul 2010): 1–12.https://doi.org/10.1215/9780822392170-001Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Producing Consumption, (Jul 2010): 13–66.https://doi.org/10.1215/9780822392170-002Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Maxixe's Travels, (Jul 2010): 67–94.https://doi.org/10.1215/9780822392170-003Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Nation Drag, (Jul 2010): 136–178.https://doi.org/10.1215/9780822392170-005Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Black Mothers, Citizen Sons, (Jul 2010): 206–234.https://doi.org/10.1215/9780822392170-007Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Conclusion, (Jul 2010): 235–239.https://doi.org/10.1215/9780822392170-008Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Notes, (Jul 2010): 243–320.https://doi.org/10.1215/9780822392170-009Micol Seigel, Gilbert M. Joseph, Emily S. Rosenberg Bibliography, (Jul 2010): 323–365.https://doi.org/10.1215/9780822392170-010 Playing Politics, (Jan 2009): 95–135.https://doi.org/10.1215/9780822392170-004 Another “Global Vision”, (Jan 2009): 179–205.https://doi.org/10.1215/9780822392170-006 Discography, (Jan 2009): 321–321.https://doi.org/10.1215/9780822392170-012Theodore F. Rippey Rationalisation, Race, and the Weimar Response to Jazz, German Life and Letters 60, no.11 (Jan 2007): 75–97.https://doi.org/10.1111/j.1468-0483.2007.00374.xAnne Anlin Cheng Josephine Baker: Psychoanalysis and The Colonial Fetish, The Psychoanalytic Quarterly 75, no.11 (Sep 2017): 95–129.https://doi.org/10.1002/j.2167-4086.2006.tb00034.xNeil MacMaster ‘Black Jew ‐ white Negro’ anti‐Semitism and the construction of cross‐racial stereotypes, Nationalism and Ethnic Politics 6, no.44 (Dec 2007): 65–82.https://doi.org/10.1080/13537110008428612Charlene Regester The construction of an image and the deconstruction of a star—Josephine Baker racialized, sexualized, and politicized in the African‐American Press, the Mainstream Press, and FBI files, Popular Music and Society 24, no.11 (Mar 2000): 31–84.https://doi.org/10.1080/03007760008591759Cornelius Partsch Das Unbehagen in der Massenkultur: Die Zweite Hälfte der Zwanziger Jahre, (Jan 2000): 102–212.https://doi.org/10.1007/978-3-476-01897-7_4 Bibliography, (): 249–262.https://doi.org/10.1215/9780822373773-010 Bibliography, (): 361–390.https://doi.org/10.1215/9780822374947-017