Sir John Houghton, former co-chair of the Intergovernmental Panel on Climate Change’s scientific assessment working group, has argued that we must think of global warming as a weapon of mass destruction, on a par with nuclear, biological and chemical weapons, and terrorism.1 Yet the most powerful state in the world, the United States, regards terrorism as a much more serious threat than global warming, even though the latter is set to cause far more destruction and loss of lives (and livelihoods) than the former. The costs of the Iraq War to the United States are now greater than the expected costs of the USA meeting its Kyoto targets.2 But as the UK Stern Report on the economic costs of climate change makes clear, if you don’t like the mitigation bill for global warming, just wait until you see the damage bill. An Inconvenient Truth sets out to convince Americans, and anyone else who needs persuading, that the problem of global warming is deadly serious, frighteningly real and already under way. Directed by Davis Guggenheim, this is essentially a documentary of a lecture by Al Gore. However, this is no ordinary talking-head lecture. Al Gore’s finely honed slide show, with its masses of graphs, images, cartoons (by Matt Groening, creator of The Simpsons), a few carefully timed oneliners and other props, educates, shocks, and at times entertains viewers about global warming and its implications for life on Earth. In the film, Guggenheim fractures and personalises the lecture by interpolating some defining moments in Al Gore’s life-story and political career, including his attempts over a period of more than 30 years to convince a sceptical America that it needs to change its ways. In fact, An Inconvenient Truth is not so much a movie as a phenomenon, with its accompanying website and book, and an educational programme which includes training 1,000 ‘climate messengers’ to deliver the film’s message to community groups in the USA and, soon, also in Australia. Within a month of its official release in US movie theatres in May 2006, An Inconvenient Truth had risen to the rank of the world’s thirdhighest-earning documentary, after Michael Moore’s Fahrenheit 9/11
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