This paper examines choseong (lit. the first note; used as the lowest note)
 of sogak , which refers to hyangak (indigenous Korean court music), recorded
 in Akhakgwebeom (a book on music compiling royal protocols and music
 scores in Joseon Dynasty) focusing on sanhyeong (explanatory diagrams
 illustrating the relation of pitch and where to play) of the two instruments,
 geomungo and daegeum. It aims to correctly establish the theory of sogak in
 Akhakgwebeom.
 The proposition of “the choseong of sogak is hyeopjong ” in Akhakgwaebeom
 is based on the Chinese sogak theory and it refers to the lowest sound in
 sogak chilji (seven keys of sogak ). It is believed that choseong of sogak is
 determined by jeongseong (正聲), a tone that indicates the first note in a
 melodic mode, in the notation system oeumyakbo . The jeongseong of
 oeumyakbo was divided into two types: the sejosillok type expressed in gung
 (as in oeumyakbo ) and the akhakgwaebeom type expressed in ha 5.
 In the geomungo sanhyeong , the jeongseong of all ilji (hyeopjong, goseon) ,
 iji (jungnyeo, yubin) , saji (ichik, namnyeo) , and chilji (daeryeo, taeju) was
 expressed as gung . Since ha 3 was the lowest note in the sanhyeong of ilji
 and iji , however, ha 5 could not be the jeongseong of the oeumyakbo . The
 tuning of geomungo heohyeon (sound of playing open strings) is also a major
 criterion for determining the jeongseong of oeumyakbo , but since in the
 melodic mode naksijo and ujo it is set in gung and ha 5, respectively, they
 did not match each other. Based on the relationship between the sogak chilji
 of geomungo sanhyeong and the jeongseong , the choseong of sogak appeared
 to be hyeopjong (夾).
 In the daegeum sanhyeong of Akhakgwebeom, all sogak chilji are presented, 
 but there was a problem that the oeumyakbo system applied to sogak chilji is inconsistent. Furthermore, in the case of yukji (hwangjong ) and chilji , when
 the jeongseong of oeumyakbo is gung, there was a problem that the range
 necessary for the establishment of a melodic mode could not be secured. Due
 to these problems, it is thought that the jeongseong of oeumyakbo applied to
 yukji and chilji should be ha 5. Therefore, the jeongseong in the daegeum
 sanhyeong is ha 5, and thus, the choseong of sogak appeared to be
 hwangjong (黃) based on the jeongseong of oeumyakbo , or ha 5.
 As mentioned above, the jeongseong of oeumyakbo was divided into two
 forms: gung and ha 5. Because the jeongseong of oeumyakbo was applied
 differently depending on the musical instrument, the choseong of sogak
 appeared in two types, hyeopjong and hwangjong . This phenomenon is not
 only a problem with the sogak chilji and the oeumyakbo system itself, but
 also a problem in that the characteristics of the range of each instrument and
 the relationship between the sogak chilji and the oeumyakbo are not properly
 established.