Rosemary A. King, Border Con.uences: Borderland Narratives from the MexicanWar to the Present Tucson: University of Arizona Press, 2004, xvii + 170 pp. In BorderCon.uences, RosemaryKing offers a comparative analysis of the literature of the borderlands with specific attention to geopoetics, which she characterizes as a way of reading the representation of place and space within a specific genre. King begins her study with narratives that capture the legal debates of the Treaty of Guadalupe Hidalgo in 1848. Subsequent chapters look at the production of fiction about theMexican Revolution in 1910, as well as post-Second-World-War narratives that contemplate the costs of assimilation. In surveying one hundred fifty years of Mexican-American, Native-American, American, and Mexican writing, King brings into focus historical, legal, and cultural elements of life on the frontier. Her selection of texts is appropriate and illuminates her theory of geopoetics. In the introduction, King maps out her terminology and the scope of her scholarship, which includes the narratives of twelve authors. In order to locate her discussion in concrete terms, she notes the variety of names associated with the region between theU.S. andMexico and the connotations of those names:Herbert Eugene Bolton's coining of the termborderlands,Americo Paredes's idea ofGreaterMexico, as well as Richard Bauman's reading of the border as Mexico de Adentro (inside the country of Mexico) and Mexico de Afuera (Mexico outside its borders). Chapter 1 explores how the theme of cultural difference operates in the nineteenth-century romance, concentrating on the work of three women writers in order to discuss places and national divides. King examinesHelenHunt Jackson's wildly popular novel, Ramona (1884), and Maria Amparo Ruiz de Burton's The Squatter and the Don (1885), both of which take place in southern California. King also addresses Jovita Gonzalez's Caballero: A Historical Novel (1996), which is set in Texas in the 1840's. Border Con.uences adds depth to the relatively recent scholarship on Jackson, Ruiz de Barton, and Gonzalez. The author's treatment of Ruiz de Burton, in particular, reminds readers that Mexican-American writing dates back to the nineteenth century, a fact frequently ignored in contemporary scholarship, which usually begins with the twentieth. Helen Hunt Jackson, who was a white reformer for Indian rights in the nine-teenth century, offers in Ramona a Native-American counterpoint to Harriet Beecher Stowe's treatment of slavery in Uncle Tom's Cabin. Ramona articulates, in King's estimation, the absolutist elements (good / evil or hero /villain) needed for a romance; Ramona draws on such binaries to enrich her description of conflicts betweenAnglos, Mexicans, and Indians. ForKing, intercultural disputes and negotiations in the novel take place in the domestic sphere. With that in mind, King addresses Indian dispossession by following the flight of Ramona and her husband Alessandro from the Moreno estate and on to various towns and villages, each of which ultimately gives way to the authority of white settlers. King identi.es in a triangulation of SenoraMoreno (aMexican of Spanish ancestry), Ramona (of Scottish and Indian), and Alessandro (of Indian) the nineteenth century racial hierarchies that privilege Spanish blood over Indian blood and, to some extent, Indian blood over that of the mestizo or mestiza. Along with her reading of Ramona, King's interpretation of Ruiz de Barton's The Squatterand the Don fits nicely within the framework of geopoetics. The novel centers on lawsuits over Don Mariano's ownership of the Alamar ranch and how, in King's words, Ruiz de Burton creates an us-or-them mentality between the American squatters and the Mexican ranchers. The chapter contextualizes the struggle between the two groups when King observes that whether one farms wheat or raises cattle makes a difference in the novel, as it did historically in the 1870's when the local economy of southern California was changing from cattle ranching to agriculture-based capitalism (King 19). …