The Indian partition experience has generally been seen as being extraordinarily complex and violent kind of appearance in literary works. There are manifestations of oppression and violence that are the most recognized themes in the context of postcolonialism. The “decolonization” of writing, which aims to transcend this colonial history, will bring about and illuminate a wide range of subjects through its interpretation. Numerous books have been published about post-colonialism in India, but writers like Khushwant Singh have seen this magnificent historical period as a matter terrifying phenomenon. His novel, Train to Pakistan (1956) was written on the backdrop of Indian partition. The unavoidable reason of partition has been examined in this novel which was a sprout of radicalism and fundamentalism sparked by bolstering community attitudes. They effectively and precisely express the fear and exposure of human existence brought on by the pangs and enigmas of the consequences of the Partition. In addition to offering a wealth of information, Train to Pakistan is also unconventional in the matter of themes, style and narrativity. Khushwant Singh has provided human qualities that would interpret any sense of authenticity, dismay, and credibility rather than presenting the events in political terms. Thus, the story not only describes the existence of man and his struggle to survive, but it also demonstrates that despite social exclusion, people may still be a source of inspiration for others who are unhappy, upset disappointed and misinformed.