Book Review| June 01 2023 Review: Horror Film and Otherness, by Adam Lowenstein Horror Film and Otherness, by Adam Lowenstein M. Sellers Johnson M. Sellers Johnson M. SELLERS JOHNSON serves as Citation Ethics editor for Film Matters. His published work has appeared in Film-Philosophy, The Philosophical Quarterly, and the Historical Journal of Film, Radio and Television. Search for other works by this author on: This Site PubMed Google Scholar BOOK DATA Adam Lowenstein, Horror Film and Otherness. New York: Columbia University Press, 2022. $140.00 cloth; $35 paper; $34.99 e-book. 248 pages. Film Quarterly (2023) 76 (4): 105–106. https://doi.org/10.1525/fq.2023.76.4.105 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation M. Sellers Johnson; Review: Horror Film and Otherness, by Adam Lowenstein. Film Quarterly 1 June 2023; 76 (4): 105–106. doi: https://doi.org/10.1525/fq.2023.76.4.105 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentFilm Quarterly Search BOOK DATA Adam Lowenstein, Horror Film and Otherness. New York: Columbia University Press, 2022. $140.00 cloth; $35 paper; $34.99 e-book. 248 pages. In Horror Film and Otherness, Adam Lowenstein situates the impetus for the book in the social context of contemporary Pittsburgh in the wake of the shooting massacre that occurred at the Tree of Life synagogue in November 2018 and the death of local horror auteur George Romero the previous year. Lowenstein asks, “What happens when horror comes home?” He proposes that horror films may be a surprisingly profound avenue for addressing and reconciling the social horrors of the real world (1). In fact, fictional horror narratives and their historical contexts can function as a catalyst in rousing social consciousness. Lowenstein challenges the binary self/other distinctions typical of conventional conceptualizations of horror, arguing that the genre instead affords an experience of “transformative otherness.” Throughout this text, Lowenstein... You do not currently have access to this content.