Thackray Medical Museum. Beckett Street, Leeds, LS9 7LN, UK. Combination permanent and temporary galleries. Visited September 2006. Health& History• 9/1 • 2007 145 Visceral Reactions:Visualising Health in History Accessibility: Wheelchair accessible; induction hearing loops & text versions of audio material available. Furtherinformation:http://www.thackraymuseum.org The Thackray Museum can be found in Leeds (Yorkshire, UK) in the grounds of St James Hospital, reputedly Europe's largest teaching hospital. Since its opening in 1997 the museum has won a variety of awards, including the Interpret Britain Award, the UK Museum of the Year, and a Sandford Award for Excellence in Education. It was also nominated as European Museum of the Year.It is housed in the quite magnificent Leeds Union Workhouse, which constitutes an interesting if somewhat troubling historical intersection. The museum's origins lie in the Thackray Medical Supply Company, which was founded in 1902. The company established a collection of artefacts to illustrate its own historical development which Paul Thackray, grandson of the company's founder,ultimately donated as the basis of the ThackrayMuseum. Following the company's sale in 1990, he also established the trust fund which helps to support the museum. The Thackray is now also assisted by the Heritage LotteryFund, one of the main sources of funding for such activities in the UK. Nevertheless, the museum gives prominence in its publicity to its status as an independent, privately-funded institution. This sort of background information is often helpful for understanding the way a museum is laid out and the historical issues represented.But while its backgroundexplains some aspects of the Thackray,in other respects the museum has moved a good distance away from its origins with a medical instruments supply company. As an example, one particularly prominent theme is public health. Indeed, the first permanent exhibition that visitors encounter involves a 'tripback in time' to the streets of Leeds circa 1842. Peering through the windows of the city's poverty-stricken inhabitantswhile stepping around offal, and being bombarded by the sounds (and even the smells!) of a city reeling from the effects 146 EXHIBITION REVIEWS of the IndustrialRevolution, your reviewer noted that the gallery is well designed to appeal to the morbid sensibilities of the young. While the entire museum pays special attention to the demands of the junior and senior secondary school curricula (suggesting an enviable focus on medical history in schools), it nevertheless simultaneously maintains the interest of the youngsters' adult companions. Despite the unmistakable progressivism at the heart of the exhibition's message, its more subliminal insistence on the role of the state and public services in minimising the impact of private profit seeking mitigates any feeling that such progress was inevitable. The curators provide a link between this gallery and the next, which deals with disease treatments, by creating personas for various inhabitants of those 1842 streets. In the next gallery we find out what ails them in 'Health Choices.' This exhibition investigates the kinds of treatments that were available, and their comparative cost. Again, the positivist note is striking- quacks are uniformly condemned, even while the exhibits acknowledge the ineffectiveness of 'mainstream' cures at that time. Yet once more, the curatorsunderminethatmessage, in this case by anexamination of the many continuities between 'traditional'herbal remedies and contemporary pharmacopoeia. The next gallery's title 'Defeating Disease' continues the theme of cures andtreatmentsby physicians through a fairly standardnarrativeof the development of various vaccines and drug remedies. This is followed by the developments leading up to the 'golden age' of surgery in 'Pain, Pus and Blood.' One disquieting component of the surgical galleries (which by their nature are a test of a grown-up's mettle) is the 're-creation' of an operation endured by one of the street's residents of the earlier gallery: a badly fractured limb has to be amputated. The lead-up is effective and tension-building ... (It would probably spoil the ending to reveal more- but the exhibit is safe for most minors!) This by-way (visitors have the option of ducking it) does however provide a useful and informative background to the tools and techniques employed by nineteenth-century surgeons, and the likely outcomes for those unfortunateenough to need their...