James Wood Research Articles

Writing about the Arts or Criticism on the Clock

James Wood, British literary critic, once remarked that the writercritic, wanting to be both faithful critic and original writer, caught in flurry of trapped loyalties. Wood made observation in an essay about Virginia Woolf, and particular fidelities were these: language that writer-critic has in common with her subjectliterature-and interior edict to make that language original in serving her own thinking and voice. My interest in Wood's notion of loyalties requires a slight stretch of context. For many years I was an arts critic and columnist for various daily newspapers, and in end it was I who felt trapped. The more I exercised my critical faculties, and surer my writing became, more an argument ensued between two allegiances. On one side stood loyalty to self and subject, writer and art. Holding its ground on other was loyalty to an audience of newspaper subscribers. To put it in Wood's terms, I was caught in a battle between original writer and faithful critic-performer attentive to unspoken expectations of a readership. Never should twain be locked in a scrum, of course. A managing editor, tie loosened, sleeves rolled up, full of a cafeteria lunch and thin on an understanding of art, all too eager to instruct a staff critic to tell it like it in a review. But exercise, drill as it so often turns out to be, never as simple as that. For one, there no is in appraisal, telling, of art. What one critic may perceive as open-heart surgery gone awry in Frank Gehry' s Experience Music Project in Seattle, another may see as a luminous Rauschenberg combine sculpture writ large. A classical music critic

Speaking of beauty

foremost critic of the English language here reflects on beauty and the language that it inspires in authors from Kant to Keats, Hawthorne to Housman. An excellent and eloquent book.--James Wood, New York Times Book Review A beautiful book about beauty. Enormously learned, allusive, recuperative, and citational, it is a passionate meditation on what has been said about beauty in the West from the Greeks to the present day.--J. Hillis Miller Donoghue talks ...with a delightful informality and absence of dogma...One of the most charming features of Denis Donoghue's book is his appendix of 'afterwords,' brief quotations on beauty from sundry writers.--John Bayley, New York Review of Books Continuously fascinating, continuously readable, the book speaks of beauty, and of speakers of beauty, in its own calm, steady voice. You won't want to lay it down.--Hugh Kenner

Why Intensive Agriculturalists Have Higher Fertility: A Household Energy Budget Approach

Why Intensive Agriculturalists Have Higher Fertility: A Household Energy Budget Approach

History of International Broadcasting. Volume 1. James WoodHistory of International Broadcasting. Volume 2. James Wood

<i>History of International Broadcasting. Volume 1</i>. James Wood<i>History of International Broadcasting. Volume 2</i>. James Wood

Alice Munro by Coral Ann Howells (review)

YES,31, 200 YES,31, 200 space and on Atwood's revisionsof the conventions of popular romance, pastoral, Gothic, and classical myth, so that Canadian 'home ground' begins to look like 'foreignterritory'aswildernessrecedes into the spacesof a vanishedpast. In her opening chapters Roth goes over familiar ground as she retraces the traditions of English Canadian literary history and critical responses to Atwood's earlywriting,and it is in the centralchapterson the laterwildernesswritingthat the strengthof this studylies. Roth worksretrospectively,startingfrom the short story collection Wilderness Tips(i991) as the crucial point of collapse where the forest landscape 'tips'or slipsfrom its statusas Canada's definingculturalmyth. Looking backto the autobiographicalfiction Cat'sEye(1988), she tracessignsof a movement away from the northern wilderness as the geographical place of the narrator's childhood to the urban environments of adolescence and adulthood, where wilderness becomes fragmented or metamorphosed into the spaces of memory or painting, and where Toronto itselfbecomes a haunted urbanwilderness.Back one stage furtherto TheHandmaid's Tale(1985), the natural environment has virtually disappearedin theAmericandystopiaof Gilead, itselfthe consequence of ecological catastrophe. As Roth shows convincingly, in this environment where flowers are most often 'dried,printed, painted or embroidered' (p. I6o), the only naturalsites left to be managed by the totalitarian regime are women's bodies, where the potentially fertile Handmaids are 'a national resource'. Oddly, Roth does not mention the wilderness spaces on the border between America and Canada that constitute dangerousterritoryfor would-be escapees like the narrator,nor does she specify the location of Nunavit in the HistoricalNotes at the end, which is clearlya reference to the newly constituted Native territoryof Nunavut in Arctic Canada and wherewildernessstillexists. Roth's consistentemphasison spatialconcepts and related theories of the representationof space-time through narrativesof memory and fantasy offer significant insights not only into Atwood's recycling of the wildernesstheme but also, and perhapsmore importantly,into her constructionsof female narratingsubjectswith theirdistinctivedouble vision. This is a persuasivestudywhich with its close textual and intertextualanalysesof a group of Atwood's fictions would be very useful for student readers. However, Roth's wildernessargument does not look as new as she claims. Unfortunately for her, between the time when her thesis was written and the publication of this monograph, several studies of the topic of wilderness have appeared (Coral Ann Howells, Margaret Atwood (London:Macmillan, 1996), and W. H. New, LandSliding: Imagining Space, Presence, andPower inCanadian Writing (Toronto:Universityof Toronto Press, I997)). UNIVERSITY OF READING CORAL ANN HOWELLS AliceMunro. By CORAL ANN HOWELLS. (Contemporary World Writers) Manchester and New York: Manchester University Press. 1998. xv + I84 pp. [35 (paperbound ?9.99). Alice Munro is a writerwho is widely admired,yet therehas to date been relatively little critical discussion of her work. As James Wood puts it in a review quoted by Coral Ann Howells, 'Alice Munro is such a good writer that nobody bothers anymore tojudge her goodness [... ] her reputationis likea good address'(p. 137). Howells's book sets out to remedy this situation, offering a lucid and accessible guide which draws out the major themes and emphases of Munro's short fiction. Howells drawsattention to Munro'spreoccupationwith 'the other sideof dailiness', that is, with those vivid anticipations and fears that run alongside our apparently space and on Atwood's revisionsof the conventions of popular romance, pastoral, Gothic, and classical myth, so that Canadian 'home ground' begins to look like 'foreignterritory'aswildernessrecedes into the spacesof a vanishedpast. In her opening chapters Roth goes over familiar ground as she retraces the traditions of English Canadian literary history and critical responses to Atwood's earlywriting,and it is in the centralchapterson the laterwildernesswritingthat the strengthof this studylies. Roth worksretrospectively,startingfrom the short story collection Wilderness Tips(i991) as the crucial point of collapse where the forest landscape 'tips'or slipsfrom its statusas Canada's definingculturalmyth. Looking backto the autobiographicalfiction Cat'sEye(1988), she tracessignsof a movement away from the northern wilderness as the geographical place of the narrator's childhood to the urban environments of adolescence and adulthood, where wilderness becomes fragmented or metamorphosed into the spaces of memory or painting, and where Toronto itselfbecomes a haunted urbanwilderness.Back one stage furtherto TheHandmaid's Tale(1985), the natural environment has virtually disappearedin theAmericandystopiaof...

Playing catch-up

Critical QuarterlyVolume 42, Issue 4 p. 47-47 Playing catch-up James Wood, James WoodSearch for more papers by this author James Wood, James WoodSearch for more papers by this author First published: 24 January 2003 https://doi.org/10.1111/1467-8705.00325AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinked InRedditWechat No abstract is available for this article. Volume42, Issue4December 2000Pages 47-47 RelatedInformation

A forgotten paper on the fundamental theorem of algebra

In 1798, there appeared in the Philosophical Transactions of the Royal Society a paper by James Wood, purporting to prove the fundamental theorem of algebra, to the effect that every non-constant polynomial with real coefficients has at least one real or complex zero. Since the first generally accepted proof of this result was given by Gauss in 1799, Wood's paper deserves careful examination. After giving a brief outline of Wood's career, I describe the argument of his paper. His proof turns out to be incomplete as it stands, but it contains an original idea, which was to be used later, in the same context, by von Staudt, Gordan and others, without knowledge of Wood's work. After putting Wood's work in context, I conclude by showing how his idea can be used to prove the complex form of the fundamental theorem of algebra, stating that every non-constant polynomial with complex coefficients has at least one zero in the complex field.

Utilitarianism, Institutions, and Justice

This compelling book advances utilitarianism as the basis for a viable public philosophy, effectively rebutting the common charge that, as moral doctrine, utilitarian thought permits cruel acts, justifies unfair distribution of wealth, and demands too much of moral agents. James Wood Bailey defends utilitarianism through novel use of game theory insights regarding feasible equilibria and evolutionary stability, elaborating a sophisticated account of institutions that real-world utilitarians would want to foster. If utilitarianism seems in principle to dictate that we make each and every choice such that it leads to the best consequences overall, game theory emphasizes that no choice has consequences in isolation, but only in conjunction with many other choices of other agents. Viewing institutions as equilibria in complex games, Bailey negotiates the paradox of individual responsibilities, arguing that if individuals within institutions have specific responsibilities they cannot get from the principle of utility alone, the utility principle nevertheless holds great value in that it allows us to identify morally desirable institutions. Far from recommending cruel acts, utilitarianism, understood this way, actually runs congruent to our basic moral intuitions. A provocative attempt to support the practical use of utilitarian ethics in a world of conflicting interests and competing moral agents, Bailey's book employs the work of social scientists to tackle problems traditionally given abstract philosophical attention. Vividly illustrating its theory with concrete moral dilemmas and taking seriously our moral common sense, Utilitarianism, Institutions, and Justice is an accessible, groundbreaking work that will richly reward students and scholars of political science, political economy, and philosophy.

The Broken Estate: Essays on Literature and Belief (review)

Reviewed by: The Broken Estate: Essays on Literature and Belief Neil Arditi The Broken Estate: Essays on Literature and Belief, by James Wood; xvi & 270 pp. New York: Random House, 1999, $24.00. James Wood’s title refers to that moment in cultural history when the Bible began to be read as a literary fiction and literature itself took on a religious aura. “This is when the old estate broke”—when religion lost its status as “a set of divine truth-claims” (p. xv). Wood’s discussions of Melville, Gogol, Ernest Renan, Arnold, and Flaubert directly address this break, and this blurring. Other chapters are more obliquely related to the subject of his title. The Broken Estate fleshes out a variety of essays and reviews which appeared first in The Guardian, The London Review of Books, The New Republic, and The New Yorker. It includes spirited attacks, qualified detractions, and unqualified celebrations. The authors under discussion range widely, from Sir Thomas More (spirited attack) to Toni Morrison (qualified detraction). But the cumulative effect is hardly that of a ragbag, in part because Wood’s thesis can be heard throughout in the form of a leitmotif, and in part because everything Wood writes is unified by his independent critical sensibility and his relentlessly inventive prose. The distinction Wood draws between literature and belief can be understood as a revision of Coleridge’s famous phrase, “suspension of disbelief,” particularly in its application to narrative fiction. Coleridge coined the phrase out of his troubled desire to hold literature and faith together. Wood, who shares Nietzsche’s antagonism for Christian theology, has the opposite desire. The literary suspension of disbelief, he argues, is actually an imaginative form of surveillance, a play of belief and skepticism. For when we read narrative fiction we never entirely suspend our disbelief, and this difference makes all the difference. “Once religion has revealed itself to you, you are never free,” but fiction is “a special realm of freedom”; it “moves in the shadow of doubt, knows itself to be a true lie, knows that at any moment it might fail to make its case” (p. xiv). From this “licensed freedom” (p. 181) flows the celebrated realism of the novel, which Wood regards as a form of secularism. Indeed, for Wood, novelists are the unacknowledged legislators of our secular culture. “For it was not just science but perhaps the novel itself which helped to kill Jesus’ divinity, when it gave us a new sense of the real, a new sense of how the real disposes itself in a narrative—and then a new skepticism toward the real as we encounter it in narrative” (p. xvi). But fiction and belief are more than antithetical modes of cultural authority for Wood. They are inescapable categories of aesthetic judgment. He locates the distinction between literature and belief within literature itself—within the novels he discusses—relying upon it the way earlier critics relied upon the distinction between imagination and fancy, or the sublime and the beautiful. Belief, in this sense, is any given novel’s shortcoming, and Wood’s deployment of theological metaphors is often subtle and suggestive. He takes issue, for [End Page 439] instance, with Thomas Pynchon’s “lumpy deployment” (p. 175) of his cultural polemic in narrative art. Pynchon’s political allegory flattens his characters. He attempts to compensate them for their lack of inwardness by granting them a zany vitality (“the principle of Pynchon’s comedy is the principle of the stage musical. Everyone gets to sing his or her song” [p. 173]). But his characters remain “theatrical, not free”—“serfs to allegory” (p. 174). In one of those metaphorical riffs that characterize Wood’s prose, he regards Pynchon’s fiction as “a system whose vents, whose partialities and flaws, seem only to make it stronger, like medieval astronomy. Pynchon’s world is a planetarium devised by a myope” (p. 176). Wood is nothing if not critical, and he has a particular genius for defining an author’s limitations. He writes against allegory in Pynchon, against political paranoia in DeLillo, against magical realism in Toni Morrison. These writers are not theological in any conventional sense of the term, but...

Utilitarianism, Institutions, and Justice. James Wood Bailey

<i>Utilitarianism, Institutions, and Justice</i>. James Wood Bailey

International Academy of Freedom of Religion and Belief

The International Academy of Freedom of Religion and Belief was formed in July 1985 in England as a result of the meeting of the International Working Group on Religious Freedom in UNESCO with representatives of various religious traditions from different countries. The composition of MASRP includes, in the first place, experts and scientists from the departments of state-church relations of universities of different denominations and from different countries of the world - the USA, England, Italy, Spain, Greece, Belgium, Germany, etc. Currently, among the members of the MSDP, there are already scholars and public figures from Ukraine, Russia, Bulgaria and other post-socialist countries. The head office of MASRP is located in Washington, DC (4545, 42nd Street, NW, Suite 201 Washington, DC 20016, USA). The President of the Academy is James Wood - Professor at Baylor University (Waco, Texas). The function of the head of the section on the organization of international scientific conferences on freedom of religion is organized by Cole Durem, professor at Bringam-Young University (Provo, Utah). From Ukraine, the academician of the MSDP is Doctor of Philosophy, Professor Kolodny AM

Utilitarianism, Institutions, and Justice. By James Wood Baily. New York: Oxford University Press, 1997. 203p. $49.95.

Utilitarianism, Institutions, and Justice. By James Wood Baily. New York: Oxford University Press, 1997. 203p. $49.95.

James Wood Wins 1998 Howells Prize

James Wood Wins 1998 Howells Prize

Human Variation and Biocultural Adaptation in Papua New GuineaHuman Biology in Papua New Guinea: The Small Cosmos.Robert D. Attenborough , Michael P. Alpers

Human Variation and Biocultural Adaptation in Papua New GuineaHuman Biology in Papua New Guinea: The Small Cosmos.Robert D. Attenborough , Michael P. Alpers

Cycles of sex examined for environmental influences.

Participants from around the world gathered to discuss Human Reproductive Ecology: the Interactions of the Environment Fertility and Behavior on May 21-24 1993 in Research Triangle Park North Carolina. This paper summarizes the topics discussed: swinging sperm counts according to season the seasonal cycles of births and the relationship between female body fat and menstrual cycles. Findings were presented by Richard Levine on the high concentration of sperm in the summer and a peak of 10% above the average in February and March. There is low concentration of sperm in the summer and a peak of 10% above the average in February and March. There is low concentration in late summer which corresponds with low birth rates in April and May. Anthropologist James Wood reported evidence which showed that reduced sperm counts were not related to a longer waiting time before conception. Levines findings also showed that heat was not a factor. Births also follow a seasonal pattern. In the US there are birth peaks in September and birth lulls in April and May. Other seasonal patterns are evident around the globe but as seasonal patterns change so do birth patterns. Demographer David Lam investigated the heat hypothesis as an explanation for birth patterns and found not relationship between heat controlling for air conditioning and birth patterns 9 months later. Accepted understanding of the relationship between body fat and amenorrhea was challenged by findings of endocrinologist David Cummings who showed that low caloric intake was the cause of amenorrhea among female athletes. Cummings remarked that it was easier to accept a simple falsehood over a complex truth. The exact relationship between nutrition and menstruation is not known.

Why We Still Need Public Schools: Church/State Relations and Visions Of Democracy

Two cornerstones of American democracy - separation of church and state, and public schools - are under increasing attack. As this collection of essays, written by some of America's leading educators, political figures, and advocates of religious liberty shows, universal public education and the separation of church and state are related. The eminent contributors to this book argue that we need to defend both institutions against increasing onslaughts by the Religious Right and other self-proclaimed arbiters of societal behavior, who seek to dictate public policy and who are labeling the public schools themselves as immoral institutions. At issue here is not whether public schools need to be improved. It is assumed that improvement is necessary. Part One of this volume testifies to the need for separation of church and state, explores the intent of our nation's founders on the subject, and deals with issues of separation within education. Several historical examples are given of battles between the upholders of strict separation and those who would ignore this constitutionally mandated principle. Part Two discusses the dangers of heeding the current call - under the banner of school choice - to ingore the principle of separation by allowing public tuition subsidies of private schools, the great majority of which are parochial. This drive to underwrite school tuition via vouchers, tax credits, or tuition tax deductions would create not only a dangerous entanglement of government with religion but could lead to the eventual demise of America's public schools. Contributors to this important collection are Robert Alley, Ann Bastian, Charles Bergstrom, Robert Bullough, Michael Casserly, Edd Doerr, Arnold Fege, Florence Fast, Donald Frey, Colin Greer, Herbert Grover, T. Jeremy Gunn, Bill Honig, Shirley McBay, Al Menendez, Michael Oleska, Sam Rabinove, William Rioux, William Schulz, Eugenie Scott, August Steinhilber, John Swomley, Oliver Thomas, Julie Underwood, and James Wood.

James Wood's ‘Stoicheia’ and ‘Oreion’

Although James Wood has been in the forefront of contemporary music as both choral conductor and percussionist, directing the New London Chamber Choir in many new works, and organizing the Darmstadt Summer School Percussion Course for several years, his own compositions have little in common with the mainstream of postwar European music. It might be assumed that his interest in ancient Greek rhythms, together with their Indian and Chinese equivalents, stems from his association with the music of Xenakis; but he has never shown any inclination to use complex mathematical formulae, and has probably been less concerned than almost any other contemporary composer with the organization of pitch.

RECORDINGS

RECORDINGS Get access Josquin Desprez MISSA PANGE LINGUA MISSA LA SOL FA RE MI The Talks Scholars, directed by Peter PhillipsGimell 1585 (rec 1986) Josquin Desprez MISSA HERCULES DUX FERRARIAE. NIMPHES DES BOIS Pierre de la Rue MISSA PRO DEFUNCTIS New London Chamber Choir, conducted by James Wood Amon Ra SAR 24 (rec 1985) Josquin Desprez MOTETS La Chapelle Royale, directed by Philippe HerrewegheHarmoma Mundi HMC 1243 (rec 1986) Daniel Leech-Wilkinson Daniel Leech-Wilkinson Search for other works by this author on: Oxford Academic Google Scholar Early Music, Volume XV, Issue 3, August 1987, Pages 419–421, https://doi.org/10.1093/earlyj/XV.3.419 Published: 01 August 1987

The UPIC System: A User's Report

No doubt one of Europe's major events in contemporary music in 1985 was the seven-week gathering of composers, instrumentalists, and students from all over the world at the Centre Acanthes in honor of lannis Xenakis. The Paris-based Centre Acanthes, a nonprofit organization founded 10 years ago, moves to Aix-enProvence in South France once a year to host a summer session with composers of our time, which in former years have been Stockhausen, Berio, Ligeti, and Xenakis himself. Last year, the center was chosen by its sponsors (the European Parliament and the French Government, among others) to take part in the European Year of Music. During the months of July and August, it extended its usual session, traditionally based at the Milhaud Conservatory in Aix, by travelling to the New Mozarteum in Salzburg, Austria (Fig. 1) (upon the invitation of Rolf Liebermann, whom some may also remember for his compositions for mechanical instruments during the 1950s), and finally to the European Center in Delphi, Greece. The three sessions, which could be visited individually or successively, averaged approximately 70 students. The sessions were dedicated wholly to the works, theories, and ideas of lannis Xenakis, therefore encompassing instrumental music as well as computer and electronic music. Topics were discussed in seminars held by a staff of approximately 15 (including Xenakis) of the foremost European musicians in contemporary music. On the instrumental side were Elizabeth Chojnacka (harpsichord), Sylvio Gualda (percussio), James Wood (choir), Claude Helffer (piano), and the Arditti String Quartett. On the electronic side, which focused on the UPIC sysThe UPIC System: A User's Report

A Cross-Cultural Examination of Chayanov's Theory

Previous articleNext article No AccessA Cross-Cultural Examination of Chayanov's TheoryMichael ChibnikMichael Chibnik Search for more articles by this author Corrections to this articleErratumPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Current Anthropology Volume 25, Number 3Jun., 1984 Sponsored by the Wenner-Gren Foundation for Anthropological Research Article DOIhttps://doi.org/10.1086/203141 Views: 6Total views on this site Citations: 13Citations are reported from Crossref Copyright 1984 The Wenner-Gren Foundation for Anthropological ResearchPDF download Crossref reports the following articles citing this article:Carol Scott Leonard Chayanov: The Reception of an Early Soviet Agricultural Economist, (Oct 2022): 249–265.https://doi.org/10.1007/978-3-030-99052-7_12James W. Wood The Biodemography of Subsistence Farming, 10 (Apr 2020).https://doi.org/10.1017/9781139519700Michael R. Coughlan, Ted L. Gragson An Event History Analysis of Parcel Extensification and Household Abandonment in Pays Basque, French Pyrenees, 1830–1958 AD, Human Ecology 44, no.11 (Jan 2016): 65–80.https://doi.org/10.1007/s10745-016-9808-yWilliam A. Longacre, Taylor R. Hermes Rice farming and pottery production among the Kalinga: New ethnoarchaeological data from the Philippines, Journal of Anthropological Archaeology 38 (Jun 2015): 35–45.https://doi.org/10.1016/j.jaa.2014.09.005Shinsuke Tomita, Daniel M. Parker, Julia A. Jennings, James Wood, Kathleen A O'Connor Household Demography and Early Childhood Mortality in a Rice-Farming Village in Northern Laos, PLOS ONE 10, no.33 (Mar 2015): e0119191.https://doi.org/10.1371/journal.pone.0119191Dougald J.W. O’Reilly Increasing complexity and the political economy model; a consideration of Iron Age moated sites in Thailand, Journal of Anthropological Archaeology 35 (Sep 2014): 297–309.https://doi.org/10.1016/j.jaa.2014.06.007Edward J. Hedican Ways of Knowing in Anthropology: Alexandre Chayanov and the Perils of “Dutiful Empiricism”, History and Anthropology 20, no.44 (Dec 2009): 419–433.https://doi.org/10.1080/02757200903219621Stephen G. Perz, Robert T. Walker, Marcellus M. Caldas Beyond Population and Environment: Household Demographic Life Cycles and Land Use Allocation Among Small Farms in the Amazon, Human Ecology 34, no.66 (Jul 2006): 829–849.https://doi.org/10.1007/s10745-006-9039-8Edward H. Hagen, H. Clark Barrett, Michael E. Price Do human parents face a quantity-quality tradeoff?: Evidence from a Shuar community, American Journal of Physical Anthropology 130, no.33 (Jul 2006): 405–418.https://doi.org/10.1002/ajpa.20272E. A. Hammel Chayanov revisited: A model for the economics of complex kin units, Proceedings of the National Academy of Sciences 102, no.1919 (May 2005): 7043–7046.https://doi.org/10.1073/pnas.0501987102Charles Stanish The Hydraulic Hypothesis Revisited: Lake Titicaca Basin Raised Fields in Theoretical Perspective, Latin American Antiquity 5, no.44 (Jan 2017): 312–332.https://doi.org/10.2307/971820Michael D. Schulman, Patricia M. Garrett, Barbara A. Newman Differentiation and survival among North Carolina smallholders: An empirical perspective on the Lenin‐Chayanov debate, The Journal of Peasant Studies 16, no.44 (Feb 2008): 523–541.https://doi.org/10.1080/03066158908438405Scott Cook, Leigh Binford Petty Commodity Production, Capital Accumulation, and Peasant Differentiation: Lenin vs. Chayanov in Rural Mexico, Review of Radical Political Economics 18, no.44 (Aug 2016): 1–31.https://doi.org/10.1177/048661348601800401Related articlesErratum19 Oct 2015Current Anthropology