This study comprises Fatima Mernissi's discourse analyses on the Islamic ethos and examines how these narratives can be traced in history, providing an archaeological method of research. It explains the conditions under which Islamic normative attitudes, which are replicated through ancient narratives like 1001 Nights Tales, Hosrev and Shirin, Kerem and Asli, become effective. Mernissi challenges the mindset of Western Orientalists' understanding through her observations on the Islamic Middle East in Moroccan culture. The Islamic Middle East, with harem nights and concubines, has always been an element of fantasy for Westerners. However, when the harems are reconsidered through Mernissi's analyses, far beyond what is assumed, harems were a field of exchange where women were not passive but active agents displaying various forms of resistance. The Islamic Middle East defines male-female dynamics with reference to the holy book, the Qur'an, and hadiths of Islam while maintaining its close contact with modernity. Mernissi highlights the search for power resources within the context of gender roles by both men and women in their engagement with modernity. This study examines Mernissi's Scheherazade Goes West: Different Cultures, Different Harems through her arguments on how Scheherazade, the character of 1001 Nights Tales, is instrumentalised to reproduce Islamic normative attitudes in the context of gender roles.
Read full abstract