Media ethics has long been haunted by the question of representing human beings’ vulnerability to violence. While journalism and photojournalism have an obligation to report on the realities of violence and suffering in the world, the “spectacle of suffering” is fraught with ethical dilemmas. In this essay, I seek to theorize the ethics of vulnerability to violence in media representation. As a starting point, I argue for the politics of embodiment as a generative process that constitutes differential vulnerabilities. I move then to consider the way embodied vulnerabilities play out in the media, as exemplified by recent events such as the Black Lives Matter and MeToo movements as well as in times of war, from Vietnam to, more recently, Ukraine and Israel/Palestine. This leads to considerations of spectatorship: who looks and who is looked at? How are these relations of gazing related to the vectors of social and geopolitical power? Are images of embodied vulnerability simply media spectacles that reinforce power hierarchies, or are they powerful prosocial messages that might mobilize humanitarian activism? To address these epistemic questions, I propose that the feminist ethics of care encompasses an invitational rhetoric that can guide media praxis. Care ethics is aligned with various religious epistemologies, and because of that, I argue for it as an umbrella framework that has application in a variety of national and cultural contexts.
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