IT is not my purpose to challenge the core of Pirenne's conclusions. Mahomet et Charlemagne, and Dopsch's Grundlagen however much one may disagree on point of details and on range of implications have helped historians to realize that their traditional division of ages was wrong: Germanic invasions did not mark the beginning of a new era; Arab invasions did.' This is undoubtedly true in so far as history of culture is concerned. The great push of the Germans had been preceded by long interpenetration, and was followed by thorough fusion of the newcomers into the mass of the conquered people. The followers of Alaric, Theodoric and Clovis neither wanted to nor could break the moral unity of the Western Empire, and its connections with the East. They only gave a political expression to those particularisms which were already cracking the surface of the old Roman edifice without breaking its deep foundations. The Latin language and Latin literature, however much their already advanced barbarization may have been precipitated by the impact of rude invaders, remained as the common background of European culture. The greatest achievements of the mediaeval 'Germanized' world, the Church and the Empire, were either a heritage or an imitation of Roman institutions. As soon as Europe was again able to produce something great and original, Roman peoples again took the lead. Niebelungennot and the wooden buildings of the Germans were forgotten for Romanesque and French ('Gothic') architecture, and for the Italian Divina Commedia. On the other hand, wherever the Arabs stepped on Romanic soil (except in Spain and in Sicily, outposts which they held for too short a time), they eradicated the classic roots forever. A slow but sweeping revolution won over the masses in Syria, Egypt, and North Africa to a new civilization, whose language and religion (these typical expressions of a people's soul) were the language and the religion of the conquerors. There was no Arab Romanesque architecture, and no Arab Imperium.2 Even where there was imitation, an original blend was formed out of three cultures Graeco-Roman, Persian, and Semitic.