Musical pitches can be perceived in broadband noise stimuli near frequencies corresponding to parameter changes along the frequency dimension. For example, monaural edge pitches (MEPs) are produced by noise stimuli with sharp spectral edges. Binaural edge pitches (BEPs) are produced by dichotic noise with interaural-phase changes at frequency boundaries (e.g., 0-pi), and binaural-coherence edge pitches (BICEPs) arise from boundaries between frequency regions with different interaural coherence (such as changes from correlated to uncorrelated noises). Perceived pitches are shifted slightly in frequency away from spectral edges: MEPs are shifted into noise bands, BICEPs are shifted into the incoherent region, and BEPs are shifted bimodally. This presentation proposes a temporal model for these edge pitches based on population-wide all-order interspike interval distributions (summary autocorrelations, SACFs), computed using the Zilany-Bruce-Carney 2014 model of the auditory nerve. Pitches were estimated from mean SACF values among lags at all F0-subharmonics (0–30 ms). Binaural pitches were estimated from computations based on corresponding left and right PSTs after a binaural delay and cancellation process. Model predictions agreed well with pitch judgments in both monaural and binaural cases. [Work supported by NIDCD (R01 DC00100 and P30 DC004663) and by AFOSR FA9550-11-1-0101.]