Interactive Playback Experiments Research Articles

Anyone listening? No evidence for eavesdropping on male singing interactions in the great tit, Parus major

Observing interactions between others can provide important information to individuals. Male songbirds often engage in singing contests where they vary the type and timing of signals and provide eavesdropping individuals with information about their competitiveness. How this information is used and its effect on subsequent spatial behaviour and reproductive decisions of eavesdroppers is not well understood. Here we tested whether great tits use information gathered by eavesdropping on male singing interactions to assess rivals and (potential) mates. We used interactive playback experiments to engage territorial males in song contests with either a more (song overlapping and more persistent singing) or less challenging (song alternating and less persistent singing) intruder. We followed male and female movements by automated radiotracking, determined paternity using microsatellite analysis and maternal investment by quantifying egg weights and provisioning behaviour. We expected that mates of males exposed to the challenging treatment would subsequently foray more often off territory to assess other males and potential extrapair mates and invest less in their broods. Moreover, we expected that neighbours would adjust their foraying behaviour according to information gained by eavesdropping. Females, however, did not alter their foraying behaviour or brood investment and neither female nor male neighbours changed their visiting behaviour to playback territories. Our results provide no evidence that females used information gathered by eavesdropping on asymmetric song interactions in reproductive decisions or that song interactions affected movements across territories in the neighbourhood. Overlapping or singing for a longer time on an intruded upon territory may not always be perceived as a higher level of threat, and reproductive decisions and assessment of familiar individuals are likely to be based on multiple sources of information rather than on a single interaction.

The role of signature whistle matching in bottlenose dolphins, Tursiops truncatus

The addressing of individuals with learned signals is inherent to human social interactions. It allows individuals to solicit the attention of a particular social companion or to direct information towards an intended recipient. The ability to address individual conspecifics with learned signals is not limited to humans, however. In songbirds, the selective addressing of individuals is facilitated by song type matching but is very much a signal of aggressive intent. The matching of learned signals is also observed in bottlenose dolphins, which will match one another's highly individualized signature whistle. Copying in dolphins occurs between close associates, which suggests that it is an affiliative signal. It could, however, also serve to manage aggression. We investigated the valence of signature whistle matching by performing interactive playback experiments. We waited until an animal produced its signature whistle and then either played back a synthetic version of its own whistle (match) or a different signature whistle (control). A total of 110 playback experiments were conducted with seven different animals from two managed groups of dolphins. The responses to the playback treatments were significantly different. Animals produced a consistent vocal response to being vocally matched, by returning the match, with no associated signal of aggression and did not respond to control playbacks in the same way. There was also an optimum time interval (<1 s) in which a match was most successful in eliciting a vocal response. Our results show that signature whistle matching is an affiliative signal that allows bottlenose dolphins to address social companions. Furthermore, these matching exchanges are driven by temporal associations, which appear to be essential in allowing animals to direct signals to particular individuals in large communication networks.

Neighbour–stranger call discrimination in a nocturnal rail species, the Corncrake Crex crex

The acoustic signals of birds are commonly used for individual recognition. Calls or songs allow discrimination between parent and offspring, between mates and between territorial neighbours and strangers. In this study, we investigated vocal neighbour–stranger discrimination in a nocturnally calling rail species, the Corncrake, Crex crex. We conducted interactive playback experiments with 43 males. All males were tested twice on the same night, and their responses to the calls of a familiar neighbour and the calls of an unfamiliar stranger were measured. The Corncrake males responded more aggressively to the playback of a stranger’s calls. They approached the speaker more rapidly, spent more time close to the speaker and physically attacked the speaker more frequently. We found no significant differences between the vocal responses to the playback of neighbours’ and strangers’ calls. Thus, although calling plays an important role in Corncrake territorial interactions, it is only a first line of defence in which males signal aggression towards intruders by calling, similar to singing in passerines. The lack of differences in vocal responses and the presence of clear differences in other behavioural responses demonstrate that the absence of a differential vocal response does not imply the absence of discrimination. Although the individual nature of the Corncrake call has been mentioned in a few previous studies, this study provides the first experimental evidence that Corncrake males indeed use calls for neighbour–stranger discrimination. Notably, because of the Corncrake’s dense wet meadow habitat and its tendency to signal at night, it is probable that acoustic individual discrimination in the Corncrake is crucial for making correct decisions during aggressive encounters with rivals.

Memory-dependent adjustment of vocal response latencies in a territorial songbird

Vocal interactions in songbirds can be used as a model system to investigate the interplay of intrinsic singing programmes (e.g. influences from vocal memories) and external variables (e.g. social factors). When characterizing vocal interactions between territorial rivals two aspects are important: (1) the timing of songs in relation to the conspecific's singing and (2) the use of a song pattern that matches the rival's song. Responses in both domains can be used to address a territorial rival. This study is the first to investigate the relation of the timing of vocal responses to (1) the vocal memory of a responding subject and (2) the selection of the song pattern that the subject uses as a response. To this end, we conducted interactive playback experiments with adult nightingales (Luscinia megarhynchos) that had been hand-reared and tutored in the laboratory. We analysed the subjects' vocal response latencies towards broadcast playback stimuli that they either had in their own vocal repertoire (songs shared with playback) or that they had not heard before (unknown songs). Likewise, we compared vocal response latencies between responses that matched the stimulus song and those that did not. Our findings showed that the latency of singing in response to the playback was shorter for shared versus unknown song stimuli when subjects overlapped the playback stimuli with their own song. Moreover birds tended to overlap faster when vocally matching the stimulus song rather than when replying with a non-matching song type. We conclude that memory of song patterns influenced response latencies and discuss possible mechanisms.

Does age matter in song bird vocal interactions? Results from interactive playback experiments.

The song of oscines provides an extensively studied model of age-dependent behaviour changes. Male and female receivers might use song characteristics to obtain information about the age of a signaller, which is often related to its quality. Whereas most of the age-dependent song changes have been studied in solo singing, the role of age in vocal interactions is less well understood. We addressed this issue in a playback study with common nightingales (Luscinia megarhynchos). Previous studies showed that male nightingales had smaller repertoires in their first year than older males and males adjusted their repertoire towards the most common songs in the breeding population. We now compared vocal interaction patterns in a playback study in 12 one year old and 12 older nightingales (cross-sectional approach). Five of these males were tested both in their first and second breeding season (longitudinal approach). Song duration and latency to respond did not differ between males of different ages in either approach. In the cross-sectional approach, one year old nightingales matched song types twice as often as did older birds. Similarly, in the longitudinal approach all except one bird reduced the number of song type matches in their second season. Individuals tended to overlap songs at higher rates in their second breeding season than in their first. The higher levels of song type matches in the first year and song overlapping by birds in their second year suggest that these are communicative strategies to establish relationships with competing males and/or choosy females.

Antiphonal call timing in marmosets is behaviorally significant: interactive playback experiments.

Studies of primate vocal communication systems have generally focused on vocalizations and the information they convey to conspecifics. But the vocalizations are not the only sources of information. Aspects of each species vocal behaviors are likely to be communicatively rich as well. During vocal interactions, for example, the latency delay between the calls could communicate an important message to the signal receiver, such as an interest and willingness to socialize. Here we employed novel, interactive playback software to address this issue in the antiphonal calling behavior of common marmosets. In these experiments, we parametrically varied the latency delay of antiphonal call stimuli and measured its effects on subjects' resultant vocal behavior. Results showed that marmosets produced successively fewer antiphonal call responses during test conditions with increasing latency delays. Moreover, although subjects produced significantly more antiphonal than spontaneous calls in conditions with antiphonal call timing delays up to 9 s, a longer delay resulted in a significant decline in calling. These data suggest that antiphonal call timing is a salient cue for maintaining antiphonal calling interactions and may be used by marmosets to determine whether a subsequent call is produced in response to or independently of their own.

Corn bunting (Miliaria calandra) males respond differently to alternating and overlapping playback of song

Interactive playback experiments were used to study the signal value to the corn bunting, Miliaria calandra, of alternating and overlapping singing. We subjected 15 males to two stimuli that differed in the temporal pattern of song playback (alternating or overlapping). We measured eight characteristics of the males’ response in two categories—song output and movements. Overlapping and alternating playback elicited a similar song response, characteristic of highly aroused males. Song response correlated positively with males’ singing activity before playback, irrespective of stimulus. There were significant differences between latency of approach to the loudspeaker and number of flights. Birds approached the loudspeaker more quickly and spent more time close to it when playback alternated with their songs. The results suggest overlapping song could be interpreted as a stronger threat but elicits a more cautious, rather than stronger, response than the alternating pattern. Males were found to shorten songs during the playback compared with songs sung before and after stimulation. The only predictor of degree of song shortening was song activity before the playback began. It should, therefore, be regarded as a signal which is related to escalated, close-distance counter-singing.

Functions of duetting in the tropical boubou, Laniarius aethiopicus: territorial defence and mutual mate guarding

Duetting, found in many animal taxa, is still a poorly understood form of signalling behaviour despite numerous hypotheses to explain its function. One contentious issue is whether duetting is a cooperative endeavour or signals conflict between the sexes. We studied the function of duetting in the tropical boubou, using interactive playback experiments. We staged encounters by presenting paired birds with four variants of each of four duet types (neighbour and stranger solos and neighbour and stranger duets). Multiple lines of evidence suggest that both joint territorial defence and mutual mate guarding are important functions of duetting, and that both cooperation and conflict between males and females have shaped duetting behaviour. Of a repertoire of 12 duet types, eight were used for joint territorial defence. Two of these eight duet types were probably also used for mutual mate guarding, suggesting that individual duets can have multiple functions. We found an unusual response for duetting birds in that females often synchronized notes with male solo playback to form precise duets. In turn, males attempted to jam the song of rivals when females joined the song of male solo playback, providing further evidence for the importance of acoustic mate guarding. Song jamming by males has not previously been described for duetting species. Finally, we suggest that the repertoire of duet types is used to fine-tune territorial encounters in a network environment of multiple interactants.

Signal value of alternating and overlapping singing in the Yellowhammer Emberiza citrinella

Interactive playback experiments were used to study the signal value of alternating and overlapping singing in the Yellowhammer Emberiza citrinella. We carried out interactive playback experiments in which 13 males were subjects of two treatments that differed in temporal pattern of playback song delivery (alternating vs overlapping). We measured 12 parameters of males' response, belonging to three categories: song output, call output and mobility (distance from loudspeaker and flights). The results do not confirm the hypothesis that the overlapping pattern is a signal of stronger threat, as compared to the alternating pattern. Overlapping and alternating playbacks generally elicited a similar response, characteristic for highly aroused males. The only significant difference found concerned latency of approach to the loudspeaker during the playback stage. When playback alternated with songs of males, the birds gained higher scores on the axis of that response measure. Such a result was linked to differences in how the alternating and overlapping playbacks affect detection and localisation of simulated rivals, rather than to the signal's threat value itself. The strong response of Yellowhammer males is consistent with the high intrusion rate and possibility of extra-pair copulation in this species, which probably simplifies close-range communication towards more aggressive and unequivocal repelling of rivals irrespective of the temporal patterning of song.

Synchronized interdigitated calling in the Kuvangu running frog, Kassina kuvangensis

Male Kuvangu frogs show repetitive calling of pulsed advertisement calls in which up to seven calls are repeated in short succession. Recordings of pairwise interactions between males showed that calls were highly synchronized, with individual calls interdigitating with each other. Males frequently switched between the leader and follower role with neither male dominating the interaction. Interactive playback experiments using synthetic calls revealed that males slightly but significantly increased the number of calls per call group with increases in stimulus call number. Males also significantly increased call rate with the number of calls in the playback stimulus. Furthermore, when presented with shortened intercall intervals, males increased their own intercall intervals, thus ‘skipping’ a call and avoiding overlap with the playback. The low degree of call matching suggests that repetitive calling, apart from maintaining a male's attractiveness to females relative to rival males, may mediate male–male competition. In addition, synchronized interdigitated calling may serve to reduce predation, while maintaining species-specific temporal features of advertisement calls important to females. Kuvangu running frogs may have reduced the costs associated with synchrony and alternation by using a signal timing scheme that allows them to do both simultaneously.Copyright 2003 Published by Elsevier Science Ltd on behalf of The Association for the Study of Animal Behaviour.

Responses to Playback of Local vs. Distant Contact Calls in the Orange‐Fronted Conure, Aratinga canicularis

AbstractWe conducted interactive playback experiments on foraging flocks of orange‐fronted conures, Aratinga canicularis, using loud contact calls that had been recorded at sites ranging from 0 to 30 km from the playback site. Responses were scored on the basis of the proximity of approach to the speaker, the number of different vocalizations produced by the responding flock, and the duration of respondent vocal interactions with the playbacks. Overall response strength decreased significantly as distance between playback and recording sites was increased up to 9 km, and remained at a steady low level for greater distances. As 9 km is the upper limit of conure home ranges measured in this study site, this nonlinear effect of response with distance suggests that response strength is partly determined by familiarity with calls of local birds. An additional and independent amount of the variation in response strength was explained by the structural similarity between respondent and stimulus calls. This correlation could be caused by a preference to interact with known stimulus birds whose calls have converged during prior associations. However, our data suggest that responding birds subtly changed their call structure during longer trials to more closely match the stimulus call. If subsequently verified as a common phenomenon, this finding could provide an important explanation for the remarkable imitative abilities of parrots.

Latent song type memories are accessible through auditory stimulation in a hand-reared songbird

The production of learned vocalizations such as in birdsong is often used to judge whether stimuli had been memorized upon their presentation. However, failures in the imitation of certain song patterns may also reflect impaired development of motor programmes or impaired memory retrieval rather than failures in stimulus memorization during auditory acquisition. To study this issue, we confronted adult hand-reared nightingales, Luscinia megarhynchos, with interactive playback experiments and used vocal matching as a behavioural tool to investigate their song type memories. Vocal matching is a common pattern-specific response that songbirds use in territorial countersinging. We distinguished two forms of pattern-specific matching: (1) song type matching (i.e. a bird replied with the same song type as the stimulus song), and (2) song group matching (i.e. the bird replied with a different song type which was, however, sequentially associated with the playback song presented earlier, i.e. during the tutoring). Some subjects used both song type and song group matching in response to song types they had not imitated from the tutor programme prior to the playback experiments. Our results indicate that nightingales store more song types in their sensory phase than they spontaneously recall from memory as adults. That is, memories of song types that were not performed in overt behaviour could be activated by vocal interactions, here induced by the interactive playback. Copyright 2002 The Association for the Study of Animal Behaviour. Published by Elsevier Science Ltd. All rights reserved.

Responses to playback of whistle songs and normal songs in male nightingales: effects of song category, whistle pitch, and distance

In most species of song birds, males develop song repertoires of several different songs. Among this variety, different songs may be used differently in communication and, thus, may have different functions. Here we studied vocal responses to playback of structurally different songs in male territorial nightingales (Luscinia megarhynchos). Nightingales have enormous vocal repertoires of about 200 song types. Among these songs, one category, whistle songs, sticks out syntactically and acoustically. Here we tested whether or not male nightingales match whistle songs with whistle songs and, if so, whether they also match the pitch of the broadcast whistles. Furthermore, we also tested if nightingales treat whistle songs as a separate category of songs. We conducted interactive playback experiments on nocturnal song in which each male received three playback treatments that differed in the number of whistle songs broadcast. Males responded differently during playbacks by singing significantly more whistle songs when the playback tapes contained many whistle songs than when they contained no whistle songs. Males also frequently matched the pitch of the broadcast whistle songs. In contrast to responses during playback, after the playback terminated males sang more whistle songs when no whistle songs were broadcast than when many whistle songs were broadcast. These findings suggest that whistle songs have a specific signal value and that nightingales treat them as a special song category. Electronic supplementary material to this paper can be obtained by using the Springer Link server located at http://dx.doi.org/10.1007/s00265-002-0511-1.

Songbird cheaters pay a retaliation cost: evidence for auditory conventional signals.

Conventional signals impose costs on senders through receiver retaliation rather than through investment in signal production. While several visual conventional signals have been described (mainly 'badges of status'), acoustic examples are rare; however, several aspects of repertoire use in songbirds are potential candidates. We performed interactive playback experiments to determine whether song-type matches (responding to a song with the same song type), repertoire matches (responding to a song with a different song type, but one in the repertoires of both singers) and unshared song types serve as conventional signals during male-male territorial interactions in banded wrens, Thryothorus pleurostictus. Our results demonstrate that these three signals incite varying levels of receiver aggression: song-type matches induce faster approach than do repertoire matches, and repertoire matches induce faster approach than do unshared song types. Production costs do not differ, while the receiver response does. Because territorial banded wrens approach opponents who signal aggressively, such opponents risk attack. This system will punish and prevent cheaters, as weak males signalling aggression will be subject to escalation by stronger or more-motivated opponents.

Is song-type matching a conventional signal of aggressive intentions?

Song-type matching is a singing strategy found in some oscine songbirds with repertoires of song types and at least partial sharing of song types between males. Males reply to the song of a rival male by subsequently singing the same song type. For type matching to serve as an effective long-distance threat signal, it must be backed up by some probability of aggressive approach and impose some type of cost on senders that minimizes the temptation to bluff. Western subspecies of the song sparrow exhibit moderate levels of song-type sharing between adjacent males and sometimes type match in response to playback of song types they possess in their repertoires. Interactive playback experiments were used in order to examine the subsequent behaviour of type-matching birds and to quantify the responses of focal birds to type-matching versus non-matching stimuli. Birds that chose to type match the playback of a shared song type subsequently approached the speaker much more aggressively than birds that did not type match. Moreover, birds approached a type-matching stimulus much more aggressively than a non-matching stimulus. These results and consideration of alternatives suggest that type matching in song sparrows is a conventional signal in which honesty is maintained by a receiver retaliation cost against bluffers.

Acoustic Competition in Physalaemus pustulosus, a Differential Response to Calls of Relative Frequency

The response of the male túngara frog (Physalaemus pustulosus) to conspecific whines of different frequencies was examined. In the first series of playback experiments (fixed frequency), three types of synthetic stimuli were used, corresponding to calls of high frequency (HFF; x + 2 SD), mid-frequency (MFF; x), and low frequency (LFF; x− 2 SD) for the study population. In the second series of interactive playback experiments (relative frequency), whines of frequency relative to that of the male subject were used: male frequency + 2 SD (HRF), male frequency (MRF), and male frequency −2 SD (LRF). In the fixed frequency experiments, male vocal response did not vary among treatments. However, in the relative frequency experiments, males responded with more whines, and above all, with more chucks, to stimuli of similar or higher frequency than to stimuli of lower frequency than their own. In other words, male vocal competition escalates when competitors have whines with similar or relatively higher frequencies to their own, but does not increase when competitors have call frequencies that are at the mean or higher for the population. This differential response might result from competition between males of different sizes, since the frequency of the whine and male size is significantly correlated.

Is the Signal Value of Overlapping Different from That of Alternating during Matched Singing in Great Tits?

Interactive playback experiments to singing male Great Tits Parus major were used to compare the effects of overlapping their songs with alternating playback which avoided such overlapping. The results showed that the means of measures of approach response and amount of song sung did not differ significantly between the two treatments. However, the variation in song length (phrases/song) differed significantly, being largest during overlapping. The lack of overall differences in average response between the two treatments is evidence against the idea that males may escalate threat by changing from an alternating to an overlapping pattern of singing. On the other hand, the difference in variation in song length supports the idea and is in accordance with classical ethological theory that an escalation of threat will not necessary result in an increased counter threat, but rather in an increased variation of the counter threat. The variation in song length during overlapping may have resulted from test males using a number of different ways of responding to the escalated threat of overlapping.

The signal value of matched singing in great tits: evidence from interactive playback experiments

The signal value of matched singing in great tits: evidence from interactive playback experiments

The signal value of matched singing in great tits: evidence from interactive playback experiments

Male songbirds engaged in song duels can interactively vary a number of aspects of their song output to match one another. Evidence is presented from playback experiments that allow interactive signalling between the experimenter and territorial male great tits, Parus major. There were two main results. First, the singing behaviour elicited by interactive playback differed from that elicited by non-interactive (loop) playback, but measures of approach response showed no significant difference. Second, the changes in singing behaviour were consistent with the idea that matching provides successively more precise indications of the intended receiver, from relatively imprecise when just matching song type, to very precise when matching song type, strophe length and delay.

A PORTABLE DIGITAL SOUND EMITTER FOR INTERACTIVE PLAYBACK OF ANIMAL VOCALISATIONS

ABSTRACT A new portable digital sound emitter (DSE) for normal and interactive playback of sound signals in the field and in the laboratory is described together with two examples of applications of the DSE in interactive field experiments. The DSE may be loaded with a broad spectrum of digitised sounds, e.g. artificial signals or natural animal vocalisations, and it is controlled via the keyboard of a portable PC running a dedicated program. This program, which can be tailored to support a vast number of different demands, enables the experimenter to start and stop the analog output from the DSE at any time and to choose freely between the available sounds and playback modes. The use of the DSE for interactive playback experiments therefore is only limited by the ability of the operator to perceive the vocalisations of the participating animal and to operate the keyboard of the PC.