Intangible Heritage Research Articles

강원도·불·강철이 -문화유산으로서 강철이 설화의 가능성-

Kangcheol-i is a legendary monster from the eastern part of Korea, known from the proverb “Wherever Kangcheol-i goes, autumn and spring are also spring.”, and has been recognized as a type of Imugi. However, according to oral traditions, Kangcheol-i appears as a corrupted Imugi in the Yeongnam region, whereas in the Gangwon-do, Kangcheol-i is a monster associated with fire, unrelated to Imugi. The earliest record of Kangcheol-I is found in Jibong Yuseol by Lee Soo-gwang. The oral folktale is centered in the Gangwon-do region, and Gangwon-do tale tends to use the name Kangcheol-i alone. The lore centered on Gangwon-do frequently includes references to “fire.” The difference between the Gangwon-do tales and those of other regions seems to stem from the distinct local perception of fire. There are two main socio-cultural characteristics of the Gangwon-do region. First, the Yeongseo region of Gangwon-do historically practiced slash and burn farming. The form of the rainmaker rituals in the folk tale of Kangcheol-i corresponds to those of “slash-and-burn” agricultural rainmaker rituals. Next is the geographical and climatic characteristics of Gangwon-do. Gangwon-do is a region prone to forest fires, and Yeongseo was a region prone to droughts and forest fires due to its dry climate. With these two backgrounds, steel tales in Gangwon-do tend to be more strongly associated with fire than those in other regions. For slash-and-burn agriculturalists in Gangwon-do would have created a different transmission pattern from other regions. In this way, the story of Kangcheol-i, which shows the regionalism of Gangwon-do in slash-and-burn agriculture and fire, has been passed down until the 21st century, and since it is a story that reflects the lifestyle of the local people, it may have some significance as an intangible cultural heritage.

K-means 알고리즘을 기반으로 한 야오족 자수 색상 추출 및 가상 캐릭터 의상디자인 응용

To promote the digital preservation and transmission of traditional cultural elements, this study focuses on Yao embroidery as a case study, combining digital technologies and algorithms to extract and analyze its color characteristics. These extracted color features were applied to the design of virtual character clothing. First, a bilateral filtering algorithm was used to preprocess the images of Yao embroidery, reducing noise while preserving intricate details. Subsequently, Euclidean distance was calculated in the Lab color space, and the OSTU adaptive binarization method was employed to separate the image from its background. Additionally, K-means clustering was applied multiple times to the color data, and the optimal result was achieved when the number of clusters was set to eight. Through this process, eight major colors of Yao embroidery were extracted. Based on these extracted colors, 3D point cloud analysis was conducted to study the three-dimensional spatial distribution of color points, and a color combination model based on hue, brightness, and saturation was constructed. The results revealed that the color composition of Yao embroidery predominantly consists of high-saturation colors, with strong color contrasts and distinct ethnic characteristics. Ultimately, this study demonstrated the applicability of integrating the color model and design patterns of Yao embroidery into virtual character clothing design, showcasing the potential for incorporating traditional embroidery into digital design. This contributes to the preservation and promotion of intangible cultural heritage and serves as a valuable reference for further research on the color systems of traditional ethnic costumes.

How Traditional Fishing Villages Move Towards Sustainable Management: A Case Study of Industrial Transformation and Multi-Party Governance Models

The purpose of this study is to explore the key roles and functions of institutions or organizations in the process of the spatial activation and industrial transformation of leisure fishing villages and to summarize this operating model. This study takes Xunpu Village, Quanzhou City, Fujian Province as the research object, which is well-known for its recreational fisheries. It mainly uses case study methods and uses on-site surveys and interviews to understand the formation time, spatial distribution, and business type information of the Zanhuawei shops in Xunpu Village. Zanhuawei, which refers to the traditional hairstyle of Xunpu women, was later applied for national intangible cultural heritage status in China. After the outbreak, the spread of Zanhuawei on the Internet inspired a large number of tourists to visit Xunpu Village to experience Zanhuawei. The study found that (1) Zanhuawei industry replaced traditional fishery and became the leading industry type in Xunpu Village. (2) The operating model led by the government and integrating public and private funds has had a stimulating effect on the revitalization of local commercial and residential space, and a large number of idle spaces have been reactivated. (3) The cooperation model between a large number of investors and local fisherwomen has completely changed the economic model of the village. Zanhuawei industry mobilized all official and media resources to promote spatial activation at various scales, including regions, settlements and commercial spaces.

포스트모던 박물관 시대에 인터랙티브 미디어를 활용한 무형 문화유산 살아있는 전시 방안 연구

This study addresses challenges in the living exhibitions of intangible cultural heritage through interactive media, providing curators with clear design strategies. It outlines the characteristics of these exhibitions and the technical features of interactive media, summarizes the difficulties encountered, and proposes effective solutions. The results show that cross-platform data integration and cross-industry collaboration help curators accurately distinguish between the appearance and essence of living exhibitions. The development of mobile communication technology is transforming how interactive media is presented, and the integration of 5G provides stable support for dynamic displays across time and space. Participatory audience interaction platforms expand engagement channels and fundamentally shift the unequal relationship between museums and visitors.

Analysis of the Countermeasures of Intangible Cultural Heritage Music in Music Teaching in Primary Schools: A Case Study of Sichuan “Yang Tune” Bamboo Piano

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Digitization of Intangible Cultural Heritage in China – Visual analysis based on research themes from 2003 to 2023

Digitization of Intangible Cultural Heritage in China – Visual analysis based on research themes from 2003 to 2023

HERITAGE TOURISM: A BIBLIOMETRIC ANALYSIS OVER THREE DECADES (1994-2023)

This qualitative study explores the relationship between tourism and places recognized by UNESCO as World Heritage Sites, whether tangible (WHS) or intangible (ICH). In the last two decades there has been a growth in the number of resources with UNESCO recognition. It aims to fill the research gap in the analysis of heritage tourism using bibliometric techniques. Data were collected from 886 documents in the period 1994-2023 (December) from the Web of Science database. Using the VOSviewer software, scientific maps were created showing the current and future line of research in this scientific field. The results show evidence of related research on Tourism sustainability at UNESCO sites in China and Tourism sustainability of cultural heritage for the whole period. In addition, two new research topics from 2016 are identified: Motivation and satisfaction of heritage tourists and Authenticity of intangible heritage. The results help to visualise the structure and trends of heritage tourism research, which can help researchers, policy makers and destination marketing organisations (DMOs) to gain knowledge and understanding of existing studies and current research topics.

토속민요에 대한 1960년대 라디오 프로그램의 인식 -다큐멘터리 시리즈 『민족의 향기』(1967~1968)의 사례 연구-

From the Japanese colonial period to the early 1960s, most of the Korean folk songs broadcast on South Korean radio were popular folk songs. It was natural that radio, as a mass medium, favored popular folk songs that suited the public’s taste. However, in the late 1960s, radio began to pay attention to indigenous folk songs being passed down in rural areas. As the most widespread medium in South Korea during this time, radio exerted significant influence over both public and private spheres. In this regard, it is necessary to study how radio programs during this period perceived indigenous folk songs. This paper examines how the documentary series Minjok-ui Hyanggi, broadcast on the Dong-A Broadcasting System (DBS) from March 1967 to October 1968, approached indigenous folk songs and evaluated their value. The documentary series aimed to establish a national ideology and contribute to the development of national culture by exploring Korea’s traditional culture and the spirit embedded in it. Accordingly, this program examined various tangible and intangible heritages of Korea with special emphasis on folk songs. Initially, the series sought to trace the origins of popular folk songs and explore their meaning in relation to regional identity. After several unsuccessful attempts, it shifted its focus to indigenous folk songs, featuring songs from Wido, Gochang, Jeju, Haenam, Jindo, Somuuido, Andong, Goseong, and Yeongsan from July to October 1967. This program discovered a positive and resilient attitude toward life, warm-heartedness, and unique music untainted by foreign influences in the folk songs of these regions and shared their significance with listeners.

Practice of Shanghai's Marine Intangible Cultural Heritage in Universities from the Perspective of "Double Innovation

This article studies the construction of a university innovation and entrepreneurship practice platform through the creation of aesthetic education courses and on campus and off campus practical activities for Shanghai's marine intangible cultural heritage under the background of "double innovation". The significance lies in promoting the spirit of Shanghai's ocean, providing practical references for the infiltration of aesthetic education in universities, and promoting the innovative development and modern transformation of marine intangible cultural heritage.

Research on the Innovative Design of the IP Image Based on the Intangible Cultural Heritage of "Lord Rabbit"

Based on the inheritance and transformation of outstanding intangible cultural heritage, this paper analyzes the historical and cultural origins of "Lord Rabbit", the visual image cases and characteristics in various periods, actively excavates the typical features and artistic connotations of "Lord Rabbit", and is dedicated to conducting the fusion design of traditional and modern visual images by employing the design approach of three-dimensional in the plane. It refers to the creation methods of Disney and Japanese anime IP to enhance differentiation. While adhering to the creative transformation design, it promotes the cultural connotations of "Lord Rabbit", enhances the recognition of the visual image of "Lord Rabbit", and expands the thinking for the shaping of other intangible cultural heritage visual images.

Analysis of Disseminating Intangible Cultural Heritage to ASEAN Countries Through AIGC: The Case of Chinese Tea Culture

Intangible cultural heritage represents a vital aspect of global cultural diversity, embodying historical wisdom and identity across various regions. Chinese tea culture exemplifies this heritage with its unique traditions of tea-making, teaware craftsmanship, and philosophical underpinnings. However, globalization presents challenges such as language barriers, inefficiencies in traditional transmission methods, and economic marginalization. Artificial Intelligence-Generated Content (AIGC) emerges as a transformative tool to address these challenges, utilizing machine learning and natural language processing to tailor cultural content and enhance its global dissemination. This paper explores the impact of AIGC on the promotion of Chinese tea culture in ASEAN countries, highlighting its role in broadening cultural influence through innovative technologies like virtual reality and augmented reality. The integration of tea culture into daily life in ASEAN nations, particularly in Singapore and Malaysia, underscores its resonance and acceptance, facilitated further by digital platforms and social media. As AIGC continues to evolve, future research should focus on ethical considerations and methodologies for preserving cultural authenticity while leveraging technological advancements.

Integrating Traditional Craftsmanship in Modern Product Design

In today's rapidly advancing globalisation, the protection and inheritance of regional culture is particularly important. Art design, as an important form of cultural expression, is responsible for transmitting and reviving regional culture. Han embroidery in the Jingchu region is one of the intangible cultural heritages in China, which is a display of skills and a carrier of emotions and philosophies of Jingchu culture. With this in mind, this study explores the specific case of Jingchu Han embroidery and analyses how regional culture expresses and transmits emotions in art design. By analysing the historical background of Han embroidery, its technical characteristics, and its application in modern art design, this paper reveals how regional cultural elements can achieve emotional penetration and stylistic influence in art design. The study also focuses on how the emotional aspects of Jingchu Han embroidery can be borrowed and innovated in modern design practice to enhance artworks' cultural depth and emotional resonance. Jing Chu is one of the important birthplaces of China's history and culture, with a rich cultural heritage and unique regional characteristics. Han embroidery is an important part of Jingchu culture. It is not only a kind of traditional handicraft but also a medium for the people in the Jingchu area to express their emotions and transmit their culture. In modern art design, elements of Han embroidery are widely used, showing its unique artistic charm and cultural value. However, academic and practical circles are still exploring how to express better and convey regional culture's emotions in art design.

Visualisation Design-Driven Research on Non-Heritage Dissemination and Digital Reproduction

This paper is entitled "Study on the Dissemination and Digital Reproduction of Non-heritage Driven by Visualization Design". Against the background of the rapid development of digital information technology in national development, the application of information visualization design in the dissemination and digital reproduction of intangible cultural heritage is discussed. Through the dissemination of digital media and the production and analysis of visualization, the dissemination and digital representation of intangible cultural heritage is promoted. The research in this paper focuses on the dissemination and digital reproduction of intangible cultural heritage, aiming to make readers pay attention to intangible culture through visualization design visual presentation and to guide the development direction for intangible heritage inheritance and development.

Exploring the Connotation and Function of Guqin Art from the Perspective of Origin

In 2003, UNESCO officially included the art of guqin in the second batch of the World Representative List of Oral and Intangible Cultural Heritage of Humanity, highlighting the extraordinary status of guqin in global culture. As the oldest plucked instrument in China, the guqin has always been an outstanding representative of excellent traditional Chinese culture, carrying rich cultural connotations and profound historical heritage. This article aims to analyze the production of guqin from its origin, explore its cultural connotations and functions, and understand the charm and value of ancient guqin art.

The Origin of Chinese Guqin Development

The guqin, with a history of more than 3,000 years, is one of the oldest plucked musical instruments in China, and has been regarded as “the instrument of the saints” by Chinese literati throughout the ages. As a “representative of the oral and intangible heritage of mankind”, the guqin unites the essence of Chinese culture and is not only the root of Chinese traditional culture, but also a symbol of Chinese civilization. This paper takes time as the axis, space as the surface, and historical materials as the evidence, and on the basis of fully studying the existing guqin literature and unearthed relics, it combs through and explains the developmental sources of the Chinese guqin, with a view to further clarifying the developmental sources of the Chinese guqin.

From Handicraft to Intangible Heritage: A Study on the Historical Change and Development of Batik Culture in Anshun

In the process of historical development, Anshun batik has experienced three development stages under different social and economic backgrounds, which are daily necessities in agricultural society, commercial handicrafts in the reform and development period, and Intangible Cultural Heritage technology in modern society. As a kind of traditional handicraft with strong practicability, even though it has the new identity of Intangible Cultural Heritage, Anshun batik, like other handicrafts, is also subject to the great impact of social changes and is facing the crisis of inheritance and development. Under the tide of Intangible Cultural Heritage protection, how to enhance the survivability of Anshun batik so that it can be integrated into contemporary life and better inherited and developed is the issue that this research attempts to explore.

Journey towards unlocking intangible heritage’s tourism potential: supply-side perceptions, involvement and dynamics

ABSTRACT This research addresses the challenges and opportunities in integrating Intangible Cultural Heritage (ICH) into Cultural Heritage Tourism (CHT) offerings. Despite the growing interest in ICH, comprehensive research on its effective incorporation into CHT is lacking. Qualitative research was used employing interviews with 13 representatives from four case study areas known for their significant ICH offerings in the Dutch-speaking regions of Belgium and the Netherlands. Three research questions were formulated and tested to understand stakeholder collaboration, knowledge levels, and the complexities surrounding the term ‘ICH.’ The findings reveal a deficiency in stakeholder cooperation and varying levels of knowledge among supply-side stakeholders. The term ‘ICH’ itself was found to be complex but manageable through education and ethical sensitivity. The study recommends the involvement of an impartial mediator to facilitate stakeholder collaboration and suggests that heritage communities should be actively engaged in the process. Limitations include focusing on specific cultural and linguistic groups and incomplete stakeholder representation. The research has practical implications for policy formulation and Destination Management Organisations (DMOs) and offers a nuanced understanding of the challenges and solutions for integrating ICH into CHT.

Shenzhen’s Policies on Intangible Cultural Heritage Inheritance and Practices of Digital Dissemination

This paper examines the protection and transmission of intangible cultural heritage in sports dance within Shenzhen, focusing on specific practices such as the Longgang Dragon Dance, Bao'an Qilin Dance, Longgang Qilin Dance, and Nanshan Yi Dance. Through comprehensive field investigations and direct interviews, it explores the current state of intangible cultural heritage preservation and transmission in Shenzhen. The analysis details the implementation of relevant policies and identifies that the potential contributions of online communities and grassroots organizations in promoting the conservation and inheritance of these cultural forms remain underexploited. The study proposes that heritage custodians more systematically leverage digital technologies to enhance the propagation of intangible cultural heritage. This, in turn, will foster the high-quality development of Shenzhen's cultural heritage.

Music Characteristics and Regional Differences in (SHE) Ethnic Minority Folk Songs: A Comparative Analysis of Ningde and Eastern Fujian Regions

Tucked away in the stunning province of Fujian in southeast China, the region has a cultural tapestry as varied and vibrant as its breath-taking scenery. Through the analysis and coding of folk songs from four different geographical regions in China (Fujian and Ningde), this paper aimed to determine the degree of mutual interaction and integration of the musical cultures of the Shen and Han nationalities into modernity. It did this by developing a new musical characteristic density map for machine music classification. The nationality known as (SHE) is a small ethnic group in the area. The traditional cultural heritage as well as the growth of the (SHE) nationality have lagged behind the rapid advancement of modern times. This study investigates how to incorporate the culture of the (SHE) nationality into modern culture in order to fully realise the goal of "going out," starting from the conventional cultural heritage and creative growth of the (SHE) nationality. This paper discusses the formation of the (SHE) Minority folk songs in the context of protecting intangible cultural heritage. It does this by using the methods of literature research, field investigation, and comprehensive analysis to gather first-hand fresh field data from the components of historical evolution, protection process, inheritance method, development dilemma, and countermeasures. Questions of development and inheritance. The world will recognise the allure of the traditional culture of the (SHE) nationality as it is continuously enhanced and vibrant.

All-round robots inherited from intangible cultural heritage

This study aims to deeply explore the application and impact of the intangible cultural heritage all-purpose robot and its supporting APP in rural tourism. Through case analysis, theoretical discussion and data statistical analysis, it is expected that the smooth implementation of this project can bring significant economic benefits to rural residents. Increase revenue while promoting and inheriting intangible cultural heritage, improving tourists’ travel experience, and thereby enhancing the reputation of the local tourism industry. This study will provide useful reference and reference for the innovative development of rural tourism.