Innovative Style Research Articles

The Religious Elements In The Poems Of Nazeer Akbarabadi

Nazeer Akbar abadi is a distictive poet in the history of the Urdu Poetry and his poems are considered a landmark on the verge of the Urdu poems exhibiting new meaningness. Nazeer was a versatle poet and had embedded true knowledge of various religions which were practiced in the Sub-continent. This is the reason that his poems embody a wide range of religious subjects ranging from Islam, Hinduism to Budhism. Nazeer has been bestowed with an overwhelmingly innovative style and wrote a many poems relating to the different matters of the abovesaid religons. This article is a key attempt to explore the religious elements of the poems of the Nazeer Akbarabadi.

DEVELOPMENT PROCESSES OF INNOVATIVE JEWELRY ART IN UZBEKISTAN

The article analyzes the innovative style and jewelry based on it, created in 2000-2022 on the basis of such trends as modern, non-traditional, modern, avant-garde in the work of young jewelers and their creations. It was analyzed that the creativity of representatives of the older generation and many other young talented jewelers in the innovative direction continue to strive to create innovative jewelry, as well as to produce high-quality original jewelry in jewelry factories, enterprises and brands.

Belatedness and innovation: Korean modernism

AbstractIf Japanese modernists, as Eric Hayot argues, conceived modernism and modernity as originating in the West, colonial Korean artists inevitably apprehended modernism from a double remove, through the mediation of Japanese literature and language. While they self‐consciously sought to develop a distinctive Korean modernist poetics (one not prefigured by Japanese modernism), the sense of belatedness remained inescapable among Korean modernist practitioners. With the ‘expansionism’ of the new modernist studies, as is well known, there has been substantial critical work to challenge and reject the belatedness and derivativeness attributed to ‘peripheral’ modernities and modernisms. However, to properly appreciate the singularity of Korean modernism, and its expressive efforts to place its colonial modernity in a global context, it is necessary to confront how these modernists understood, figured, and rearticulated their sense of belatedness. Taking a cue from Michaela Bronstein, I attend to the uses Korean modernists made of Western (and Japanese) modernisms and how these engagements enact the aesthetic and critical force of belatedness. Ultimately, I contend, Korean modernism's self‐reflexive, intertextual stagings of belatedness generate stylistic innovation, enabling writers to situate themselves within global modernism and disclose the fraudulence of colonial modernization and its imposition of second‐hand forms.

ВЛИЯНИЕ ТАРГЕТИРОВАННОЙ РЕКЛАМЫ НА ЗАВИСИМОСТЬ МЕЖДУ КОЛИЧЕСТВОМ ПОРАЖЕННЫХ МИШЕНЕЙ И ДОЗОЙ РЕКЛАМЫ

The article monitors the main preferential positions of the use of targeted advertising, which are indicated in scientific articles of well-known scientists and systematized. Marketing communications in the period of structural transformations are constantly updated and modernized and acquire an innovative style of the latest developments and promotion channels. Communications in the marketing activities of enterprises and organizations conduct a chain of relationships between the company and the consumer, by informing consumers about available products, goods and services, form mutually beneficial relationships and are aimed at meeting the needs of customers and getting the maximum effect from interaction. The principle of hitting the target using targeted advertising changes in the trajectory of bringing information to the consciousness of the consumer and potential client in the form of an advertising video. Such processes are described by the Poisson distribution, and the probability of a reaction is determined by the formulas presented in the article. The relationship between the number of affected targets and the dose of advertising when using targeted advertising based on the target principle has been studied. It was determined that even with a very large number of “shots”, a certain number of objects were not affected, i.e. an increase in the impressions of commercials practically does not lead to a consumer response and it is desirable to stop this advertising campaign due to reaching the limits of its effectiveness. The article shows the graphical dependence of the proportion of unaffected targets (i. e., non-responsive consumers) on the dose of the received advertising information.

Art as Inner Knowledge: Dino Valls

The marriage between painting and psychology is certainly propaedeutic to inner research as well as to artistic expression tout court. The contemporary Spanish painter Dino Valls falls within this perspective as his art is utterly bipolar and focused on the two sides mentioned above: on the one hand the expressiveness supported by an outstanding technique, a broad cultural background and a downright innovative style, on the other hand, the search for oneself through the Jungian tool of active imagination. Through the latter, the painter investigates his inner world, testing himself in an extremely original and fascinating “psychoanalysis through art”. The intent of this paper is twofold: firstly it intends to highlight the prominence of Dino Valls in the contemporary world art scene highlighting both his relationship with the Surrealist heritage, and his Jungian matrix, real foundation of his inspiration; secondly the paper aims to cast light on the concept of inner investigation, which turns to be the aim and the motor of his whole artistic commitment, giving art an utterly philosophical purpose.

Editorial

Shakespeare’s interest in ancient Rome spans the whole of his dramatic career, from Titus Andronicus to Cymbeline, while Roman history and Latin culture permeate the whole of his work, well beyond the explicitly ‘Roman’ plays and poems. Critical interest has to some extent shifted from the historicist Roman plays based on Plutarch, Julius Caesar and Antony and Cleopatra, and the pseudo-historical Coriolanus, to the outlying Roman plays that evidence greater generic diversity and stylistic innovation, the early Senecan tragedy Titus Andronicus and the late ‘British’ romance Cymbeline. In these latter plays, the complex interactions between past and present, that are the main subject of the formal histories, are presented with even more aesthetic flexibility and creative improvisation than the ‘Roman plays’ proper.

Review: Air-Conditioning in Modern American Architecture, 1890–1970

Review: <i>Air-Conditioning in Modern American Architecture, 1890–1970</i>

Media Education as an Effective Perspective on the Formation of Ideology in Society Through the Influence of Self-Consciousness

The study identifies the trends of media education in the post-industrial period, marked by the development of information and communication technologies in the integration and globalization processes. Society needs competent specialists who develop and strive for self-realization in society. The educational process is a phenomenon that covers different spheres of human activity and determines the main aspects of the regulatory and legal framework. The article illustrates innovative styles of media education that are an effective perspective on the formation of ideology in society through the influence of self-consciousness in educational activities. In order to identify the main aspects of media technology in the educational process, we investigated the basic methodological and theoretical foundations based on the generalizations of researchers and scientists. The meaning of the concept of media education and media technology was studied, the evolution of education from the introduction of information and communication technologies in the learning process to the formation of critical thinking and analysis of the information space was investigated. The method of synthesis, analysis was used to define the main concepts of the study. Descriptive method, research and scientific method was used to compile and summarize the results of the implementation of media education as a prospect for the formation of ideology in society through the influence of self-consciousness.

Regulatory focus and creativity: Adaptive‐innovative cognitive style as a mediator and school climate as a moderator

AbstractThis study examined the relationship between regulatory focus and creativity in combination with adaptive‐innovative cognitive style and school climate. A total of 687 middle school and high school students (Mage = 13.98 years; 52.8% males) completed a creative task and questionnaires concerning regulatory focus, adaptive‐innovative cognitive style, school climate, and creativity. Structural equation modeling (SEM) revealed that promotion focus positively predicted creativity through innovative style and negatively predicted creativity through adaptive style, and prevention focus negatively predicted creativity through adaptive style. SEM also showed that school climate strengthened the positive association between promotion focus and innovative style and inhibited the positive association between prevention focus and adaptive style. Furthermore, conditional process analysis suggested that school climate moderated the mediating effect of adaptive‐innovative cognitive style in the relationship between regulatory focus and creativity, that is, the negative prediction of promotion focus for creativity through adaptive style occurred only when school climate was at a low level. Adaptive‐innovative cognitive style mediated the association between regulatory focus and creativity. School climate moderated not only the association between regulatory focus and adaptive‐innovative cognitive style but also the mediating effect of adaptive‐innovative cognitive style in the association between regulatory focus and creativity.

Primitive, Exotic, and Australian

This article analyzes the main themes in the critical reception of John Antill’s orchestral ballet Corroboree (1944), a musical representation of Indigenous culture by a non-Indigenous composer widely regarded as the most prominent piece of Australian classical music composed before the 1960s. In the historiography of Australian music that developed in the 1960s and 1970s, Antill’s work occupied a foundational position as the moment when Australian composition purportedly caught up with developments in international musical modernism. The reception history demonstrates, however, that Corroboree was rarely described in reviews as “modern,” “contemporary,” or “new,” especially in the two decades after its 1946 premiere. I argue that Corroboree’s positioning as Australia’s attainment of musical modernity was a retrospective interpretation by modernist writers associated with the compositional “new wave” of the 1960s and reflected their rethinking of Australian music history as a modernist teleology. In both international and Australian reviews, responses most frequently reference tropes and concepts associated with primitivism and exoticism. Primitivist language occurs throughout the whole course of the work’s reception, whereas exoticizing terms such as “weird” and “bizarre” are more frequent in the early years, before its modernist reinterpretation. Importantly, this early reception corresponds with recent analyses of Antill’s compositional aims and Nicholas Thomas’s notion of settler primitivism. Thomas described a type of primitivism broadly distinct from modernist primitivism’s aesthetics of formal innovation, cultural renewal, and emulation of the “primitive.” Settler primitivism is instead a type of representation and identity-work in settler societies based on the nationalist desire of settler artists to create a sense of belonging through identification with local Indigenous cultures. In the case of Corroboree, as understandings of the work in exoticist terms waned, the reception shifted and its primitivism tended to be framed in relation to modernism’s concern with stylistic innovation and formalism.

Gendun Chopel: Tibet's First Modern Artist

Gendun Chopel: Tibet's First Modern Artist

Application of Polypyrrole Cellulose Nanocrystalline Composite Conductive Material in Garment Design

The Chinese nation has a long cultural history and has deep attainments in food, clothing, art, and other cultural fields. With the development of science, technology, economy, and culture, new materials continue to appear, providing new ideas for clothing design. Polypyrrole is a common conductive polymer. The pure pyrrole monomer presents a colorless oily liquid at room temperature, slightly soluble in water and nontoxic. Nanocrystals, also called nanoscale crystals, use high-energy polymer spheres to pack calcium, magnesium ions, and bicarbonate in water to produce a water-insoluble crystal structure. Conductive composite materials mainly refer to composite conductive polymer materials, which are composed of polymers and various conductive substances through a certain composite method. This article aims to study the application of polypyrrole cellulose nanocrystalline composite conductive material in clothing design. Starting from the structural characteristics of the polypyrrole cellulose nanocrystalline composite conductive material, this article uses case analysis to study deeply the suitable polypyrrole cellulose nanocrystalline composite conductive material. This article can effectively use the innovative application method of its appearance style, so as to realize its application in clothing design. Starting from the functional properties of the polypyrrole cellulose nanocrystalline composite conductive material, the specific application of the polypyrrole cellulose nanocrystalline composite conductive material in different clothing designs is analyzed. Combining the postmodernist clothing style characteristics, aesthetic habits, and the characteristics of polypyrrole cellulose nanocrystalline composite conductive materials, this paper studies the innovative style design of polypyrrole cellulose nanocrystalline composite conductive materials. The experimental results in this paper show that when the reaction time is 2 min, the reaction rate at this time is zero, indicating that this time is in the initial stage of the reaction. After 4 minutes, as the reaction time increases, the reaction rate shows an increasing trend; when the reaction time is longer than 10 minutes, the reaction rate increases slowly and has a downward trend, which indicates the end of the reaction. The highest average reaction rate is about 7.5 mg/min.

Innovation and Research of Digital Artwork Design Based on Big Data and Integrated Media

We are in the era of big data, and art, which has developed along with human history, has been given new vehicles and forms of creation with the use of integrated media technology. This study first introduces artwork and its definition and classification, then briefly describes the definition and development of digital art, and focuses on the development, contribution, and drawbacks of digital artwork NFT (nonfunctional token). This study divided the design model into four layers based on the neural network calculation of factorization machine to build, and the data of each layer was analyzed and processed to build the FNN algorithm model. It was found that the largest proportion of NFT artworks circulating in the trading market is in paintings, at 55%. The HSV color space was selected as the color perception model, and then the picture pixel positions were determined, and redundant pixels were eliminated. To avoid data overflow, the spatial memory occupied by the pixels of the painting was calculated. The results showed that the growth of pixel space complexity was smooth and converged to a straight line, indicating that the original pixel data extracted in this experiment was stable. The circle was selected as the basic guideline for the creation of four digital art paintings with an overall uniform but innovative style.

VOLUME 52 (2022)

VOLUME 52 (2022)

TROPIC AND SEMANTIC DISPLACEMENT AS MODERNIST COMPLEXITY IN WALLACE STEVENS POETRY

The American symbolist Wallace Stevens (1879-1955) is widely accepted as one of the most complicated poets of twentieth-century modernism. Due to his contribution to poetry through a genuinely innovative style that has inspired many, he has been recognized as one of the most notable and revered American poets. The present study aims to attempt a discussion on Stevens’ poetics by focusing on a number of poems that exemplify its semantic and linguistic complexity in terms of symbolic structures, imagery, and other tropic qualities. It limits itself to a number of poems that apparently accommodate Stevens’ favorite theme—the relationship between imagination and reality—and simultaneously reconstruct and deconstruct their own aesthetic delineations. Moreover, this study rests on the idea that Stevens’ body of work is itself deconstructive and that poststructuralist philosophy and deconstructionist criticism may come to aid when one attempts to demonstrate how those semantic and linguistic complexities become the coinages of modernist poems in their attempt to present themselves as organic and coherent entities, organized around a unifying principle. Keywords: Wallace Stevens, Modernist Poetry, Deconstruction, Symbolism, Jacques Derrida, J. Hillis Miller

Nepali Art: Thoughts &amp; Musings by Madan Chitrakar Review

Madan Chitrakar's Nepali Art: Thoughts &amp; Musings presents a mosaic of Nepali art including research articles on Nepali paintings, sculptures and architecture. He has traced the native cultural roots and myths in the artworks including the connection of traditionand modernity. Thematic undercurrents along with stylistic innovation have been presented in flowing language of the veteran art writer and critic. The work points out the different dimensions of Nepali aesthetics. The essays are representative of certain genres, forms and issues. To have the view of holistic picture of Nepal art, more explorations in the uncovered issues are expected from the author.

Cognitive complexity, stylistic innovation and performance: A preliminary study of small Taiwanese design firms

&lt;p&gt;This preliminary study investigates cognitive complexity, or an individual’s cognitive structure for his or her social world, and its role in stylistic innovation, particularly changes of design in the appearance or symbolic meaning of products, for five Taiwanese small design firms. The results reveal that cognitive complexity is useful to understand the stylistic innovation processes of Taiwanese entrepreneur-designers. The entrepreneur-designers use cognitive complexity to determine the structural prerequisites of aesthetic products. The domain-specific cognitive complexity of the entrepreneur-designer influences the selection of relevant and appropriate dimensions in stylistic innovation. Entrepreneur-designers’ strategic decisions to target a customer-oriented market or designer-driven market will affect the selection of stylistic orchestration and agile synchronization in the process of stylistic innovation.&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;

RELIGIOUS SYMBOLISM IN THE WORKS OF GRAPHIC ARTIST-NARENDRA SRIVASTAVA

Religious symbolism implies the use of unique symbols by a particular religion, that describe anything pertaining to its culture and psyche, including archetypes, events, natural phenomena or even the art that evolved in that land over a period of time. All religions of the world, irrespective of how ancient or modern they are, use symbols to help create a resonant ethos, which in turn, reflects the moral values, teachings and culture of that society. The concept of religious symbolism is very ancient and may well have had its roots from the start of mankind itself. This can be seen in the series of paintings with the word ‘DHARMA’ painted in 1984, done basically for calendar, depicting six great religions of world Hinduism, Buddhism, Christianity, Islam, Confucianism, and Judaism by renowned graphic designer, eminent artist, and art educationist, Narendra Srivastava. By seeing these drawings it seems that artist must be highly religious which is not true because he had used the word graphically only. He did it for his pleasure of creating something new out of it, which makes his artworks very creative. These paintings do have some religious symbolism in it, which the artist had graphically depicted in a very innovative and impressive style.

Social Change through Financial Innovation: Evidence from Donor-Advised Funds

Abstract I draw on new data to examine how donor-advised funds (DAFs), a fast-growing philanthropic option, relate to social progress. DAFs are distinguished by flexibility such as their ability to transform complex assets and separate the timing of tax breaks from giving decisions. While DAFs are often classified by their sponsor type, I introduce a new classification scheme that reflects their economic purpose, including the users targeted, style and features offered, and focus of grant making. This classification reveals that growth is fastest among DAFs that offer fintech tools, liquidity transformation, and grant making focused on diversity, equity, and inclusion. Conditional correlations show that DAFs with an innovative style of service distribute more grants to charities serving areas with high inequality, in times of greatest financial need, and with more efficient operations. (JEL D64, K34, L31, G23, J15, O35)

VIOLENCE AND BIGOTRY: REGRESSIVE INNOVATION IN KEVIN BARRY’S CITY OF BOHANE

Kevin Barry’s City of Bohane is one of the most celebrated recent works of Irish fiction. It is set in 2053, and tells the story of a people living in an environment of constant conflict where senseless acts of violence and bigotry are prevalent. This surprisingly negative imagining of Ireland in the future cannot be ignored considering the modern history of the country. The contemporary history of Ireland is fraught with a long and desperate struggle against the English Empire and its colonial forces as they tried for centuries to take over their neighboring island and completely colonize Ireland and its people. The English used two main weapons to further their goals in this matter: brutal military force and cultural sabotage. The cultural sabotage that the English brought to Ireland was mainly done by replacing Gaelic with English as the language of the Irish, and portraying them as culturally inferior and uncivilized in comparison to their English neighbors. Irish literature of the past few centuries has struggled to come to terms with this history of violence and dehumanization perpetuated by the English. Surprisingly, Kevin Barry in his novel callously repeats and escalates most of these negative stereotypes that have plagued Irish literature for years. The following study takes a closer look at the history of colonial violence and negative Irish stereotypes, and argues that City of Bohane is regressive in its depiction of Ireland as culturally ignorant and violent. That is to say, while the story is set four decades into the future, the author inexplicably insists on moving back in time to unearth and repurpose major colonial stereotypes that portray the Irish as uncivilized and backwards, to the great detriment of his innovative style and creative use of language in this novel.