ABSTRACT Television writers’ work is considered women’s work in the context of the South Korean broadcasting industry in that almost nine out of ten of the more experienced writers in this industry are women. Using a feminist political economy approach, this article investigates how women became the overwhelming majority of television writers in South Korea during the 1980s and 1990s, and how this gendering process is connected with the precarization of labour in the South Korean broadcasting industry. The article describes how, by the end of the 20th century, the South Korean broadcasting companies reorganized and expanded a writing workforce that formerly wrote scripts for fiction programs into a gendered, precarious workforce that performed diverse duties across genres. This research further develops the concept of feminization of labour for understanding the precariousness workers have experienced and contributes to our understanding of the intersection of gender and labour issues in cultural industries.
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