This paper explores the prehistory of industrial design in Greece, through original research on the Greek participation in the exhibition which took place in London in 1851, and is known as Great or as Exhibition of 1851. Although the participation of the young Greek state was very modest, at the same time it was a remarkable event which triggered numerous reactions, both positive and negative. This paper outlines the condition of the Greek state in 1851, presents facts about the Greek participation in the Great Exhibition, and discusses reactions by Greeks as well as relevant opinions expressed by foreigners. This research is situated in the context of an emerging local design historiography, which bears close links to economic and social history. Since this is research in progress, this text is meant to be an introduction to the subject.' To begin with, it must be stressed that, in 1851, the modern Greek state was only two decades old, and it was undergoing a phase of organizational and political development. Various internal factors constituted serious obstacles in the growth of the production and financial sectors.2 The production base remained archaic and the development rate was negligible. The country was still in a preindustrial, pre-banking, and even pre-property state.3 The country was devastated after more than a decade of independence war, it was very sparsely populated (seventeen inhabitants per square kilometer in 1839), the natural resources were underused, and urbanization was in an embryonic state. The majority of the population lived in villages, where exchange based on money was still unknown. The local economy was based on agrarian and self-sufficient ways of living. Before the take-off of the Greek industry in the late 1860s, there is no point in talking about industrialization, or even early industrialization. 4The first bank, the National Bank of Greece, was founded in 1841, and remained the only institution of this kind for more than two decades.5 The journalist and writer Stefanos Xenos, who attended the Great Exhibition as a correspondent for Greek newspapers, points out the difficulties of presenting the exhibition to the Greek audience, of describing and comparing objects and situations unseen by the majority of the local population: [We Greeks have] neither the things, nor the names, nor the shapes. 6 The British newspaper Morning Chronicle refers to certain historical conditions in an attempt to provide explanations for the underdevelopment of Greek industry in mid-nineteenth century. 1 An earlier version of this paper was presented in Mind the Map, 3rd