Indian Mythology Research Articles

Indian Mythology and Ecocriticism

According to Indian philosophy, human body is said to be formed of five elements – Panchtattva, namely earth (prithvi), water (apas), fire (agni), air (vayu) and aether (akasha). From the birth of an individual till his death, the Indian way of life is closely connected to nature. From home hearths to the funeral pyres, wood and fire are predominantly present. A newborn is consecrated with the holy waters of Ganges and the ashes of the dead are immersed in the same holy water. Indians have long had an intense connection with nature. This connection is clearly reflected in the Indian mythology. The two major Indian epics, Ramayana and Mahabharata, present nature in its various manifestations presenting it sometimes as a saviour, sometimes a protector and many times as a pioneer. The connection between Indian mythology and nature becomes conspicuous when we come across characters like Bhumija Sita, Suryaputra Karna, Vayuputra Hanumana and Shakuntala (the nature’s child) who is born and brought up in the lap of nature and whose beauty and innocence are as pure as nature itself. These writings and characters have deeply impacted the Indian psyche through ages. This paper will study such connection between Indian mythology and environment in detail and analyse how Indian mythology has contributed in preserving the nature keeping in mind the concept of eco-criticism.

Transformer-based Pouranic topic classification in Indian mythology

Transformer-based Pouranic topic classification in Indian mythology

A Perspective Study of Infamous Classic Women in the Novels of Vaishnavi Patel’s ‘Kaikeyi’ and Kavita Kane’s ‘Karna’s Wife: the Outcast’s Queen’

Abstract Indian Mythology has many complex characters that reflect contemporary issues. Vaishnavi Patel and Kavita Kane, renowned women writers, have reinterpreted the epic tales of the Ramayana and the Mahabharata through a modern perspective. This paper examines human behaviour using a psychological approach in Patel’s “Kaikeyi”and Kavita Kane’s “Karna’s Wife: The Outcast’s Queen”. Patel’s“Kaikeyi”explores the protagonist’s optimistic traits, her childhood longings, and her feminist qualities. Traditionally depicted as a villain in the Ramayana, Kaikeyi is recognized as Rama’s stepmother who instigates his exile. However, before assuming this role, she experienced a difficult and challenging childhood in the Kingdom of Kekaya. The novel sheds light on the darker aspects of Kaikeyi’s past, providing a deeper understanding of her character. Kavita Kane’s interest lies in unveiling the complexities of classic women in her literary works. In “Karna’s Wife”, Uruvi, the protagonist, is portrayed as the marginalized wife of Karna, who belongs to the Sutapura lineage. Uruvi, a princess from the Kshatriya family of Pukeya kingdom is depicted as an optimistic character with great skills, knowledge, and mental strength.These two novels focus on the lives of classic women, their behavioural changes, and their insecurities in different situations. Women are inherently multifaceted and encounter various challenges throughout their lives. Different approaches are required to address these challenges. According to Sigmund Freud, the human psyche consists of three aspects that interact and influence each other to create complex human behaviour. Freud’s psychological theory can be used to analyse the characters of Kaikeyi and Uruvi in these novels. The study attempts to highlight the need for women to overcome feelings of insecurity, emotional dependence, to achieve self-realization, and build resilience, which are essential qualities in the contemporary era.

Reading through the “Coloured Canvas”: Unveiling Cultural Graphics in Indian Mythological Graphic Novels

Reading through the “Coloured Canvas”: Unveiling Cultural Graphics in Indian Mythological Graphic Novels

Reading through the “Coloured Canvas”: Unveiling Cultural Graphics in Indian Mythological Graphic Novels

Reading through the “Coloured Canvas”: Unveiling Cultural Graphics in Indian Mythological Graphic Novels

STUDY ON ANATOMICAL CHARACTERIZATIONOF EXOTIC SPECIES AMHERSTIA NOBILIS WALL

Amherstia nobilis, known as the Pride of Burma and colloquially referred to as Simshipa-vriksham, is a remarkable and rare tropical tree celebrated in Indian mythology, especially within the context of the epic Ramayana. Often dubbed the Queen of Flowering Trees. The species was named in honour of Lady Sarah Amherst, an early collector of Asian plants, and it stands as the sole representative of its genus. This study involves microscopic examination of various parts of the plant, revealing intricate details about its cellular structure, vascular arrangements, and overall morphology. Mature leaves of A. nobilis, for instance, have been analyzed micro-morphologically, with an average leaf area calculated. The leaves are characterized by numerous rubiaceous stomata, as hypostomatic. In the leaf midrib, the vascular area appears oval and vascular elements are U-shaped. The leaf lamina flanked by highly cutinized upper and lower epidermis layers. The palisade tissue is bi-layered, while the lower leaf lamina features loosely packed spongy layers with numerous vein bundles and large air spaces and contains starch grains. Histological examination of the rachis reveals an oval shape with a slightly thick-walled epidermis and hypodermis containing air cavities. The vascular region is well-differentiated withxylem elements in linear multiples. The secondary phloem elementspossess numerous prismatic crystals and patches of phloem fibers. In the mature stem, periderm formation, with a highly reduced cortical region containing chlorenchymatous cells. The vascular region comprises phloem tissues with patches of phloem fibers. The xylem is with large vessels arranged in linear multiples. The pith is highly reduced with included phloem elements. Wood anatomy reveals the vessels displaying paratracheal parenchyma distribution, appearing as aliform or eyelet type. The vessel elements are arranged in linear multiples, and the radial longitudinal section shows large vessel elements with bordered pits separated by end plates. The bark showed uni- and multi-seriate ray cells, long and narrow phloem parenchyma, and prismatic crystal deposits in phloem ray-parenchyma cells. The parenchyma cells are traversed by numerous phloem fibers, with starch granules deposited in phloem parenchyma. In conclusion, Amherstia nobilis, the Pride of Burma, exemplifies a unique combination of aesthetic appeal and complex anatomical structure, making it a subject of significant interest in botanical and horticultural research. Detailed histological and anatomical studies provide crucial insights into the species unique adaptations and structural features, underscoring the need for continued conservation efforts to protect this majestic and rare tropical tree.

From Epics to Enterprises: The Applications of Indian Mythology in Higher and Management Education

From Epics to Enterprises: The Applications of Indian Mythology in Higher and Management Education

Gender Parity in Indian Mythology: A Feminist Reading of the Texts on Shiva

Several measures are often taken to minimise the molestations and crimes faced by women. Female feminists are actively seen taking cudgels opposing the unjust behaviour being conducted against women. However, the accounts of males promoting the notion of feminism are still lacking or hardly find any pertinent in contemporary society. Some characters from Indian mythology too are portrayed as strong believers of gender uniformity. Feminist studies have already been conducted on female characters, for example, Ahalya, Sita, Draupadi, etc. This paper focuses on the character of Shiva, who being in the somatic body of patriarchy stood up for the rights of women and affirmed the idea of gender parity. He sets an example for contemporary men, encouraging gender equality. By the dint of his various life incidents, the way he treats his consort and values the individuality of women around him, this paper analyses Shiva through the lens of feminism.

Concept of Third Eye in Indian Mythology

Revelation of significance of metopic suture in medical science is a big leap forward. Persistence of that suture gives communication in between Olfactory, Trigeminal and Facial nerves. Olfactory has direct connection to forebrain without the intervention of thalamus. This makes the show of ‘rapid fire’ so popular in TV where questions are asked and answered in jet speed. In Hindu mythology, the Nasion concept was known and they drew Lord Shiva with a third eye and Yoga practitioners focus their attention to Nasion for better cerebral introspection provided metopic suture persists and previous nerves communicate with each other over there.

A Literature Review of the Integration of Ancient Indian Mythology in Clinical Medicine: A Holistic Approach to Health and Healing.

The fusion of mythology and ancient Indian medicine, particularly Ayurveda, is a fascinating synthesis of cultural heritage and scientific endeavor. Ayurveda encompasses a wide range of practices, including pharmacology, anatomy, physiology, surgery, and obstetrics, and integrates the rich tapestry of Hindu mythology, providing a comprehensive understanding of health and disease. The inclusion of mythological figures and narratives in the discourse of ancient Indian medicine offers a unique perspective on the integration of spiritual and empirical knowledge, highlighting the role of mythology in shaping the foundational principles of clinical medicine. The discourse explores the profound impact of Ayurveda and its mythological underpinnings on contemporary clinical practices, underscoring the timeless wisdom embedded in ancient narratives. These stories represent the bedrock of holistic medical practices, emphasizing the parity between mind, body, and spirit that is increasingly validated in modern therapeutic paradigms. The philosophy and methods detailed in the age-old texts of Sushruta and Charaka, coupled with the allegorical tales of Dhanvantari and Bharadwaja, contribute significantly to the foundational principles underpinning today's holistic medical approaches. The enduring legacy of Ayurveda and its mythological narratives continues to influence and inspire a holistic approach to health care, underscoring the indelible connection between ancient wisdom and modern medical practices.

Mythology Meets Modernity: Urban Settings and Mythological Characters in Indian English Literature

This paper explores the intricate relationship between ancient Indian mythology and contemporary urban settings in Indian English literature. It examines how authors such as Ashwin Sanghi, Amish Tripathi, Samit Basu, and Chitra Banerjee Divakaruni reimagine mythological characters within modern contexts. This trend not only revitalizes traditional narratives but also addresses pressing societal issues, acting as a cultural bridge between India’s mythological past and its urban present.

Retelling of Indian Mythological Stories Through Gender and Multi-Cultural Perspective and Analysis of Retelling

The research delves into exploring Indian mythology through gender and multicultural perspectives, employing a multidisciplinary approach to analyse contemporary retellings of myths. It evaluates how these retellings reinterpret traditional narratives, characters, and themes from diverse cultural and gender viewpoints. Data collection involves secondary analysis of literary works and primary data through interviews, using a purposive sampling method. The study aims to uncover socio-cultural, psychological, and ideological implications within these retellings. By examining diverse perspectives, the research argues that such reimaginations enrich cultural heritage and foster a more inclusive society. This exploration serves as a springboard for further discussions on storytelling’s significance in shaping societal norms. In conclusion, analysing retellings of Indian mythology through gender and multicultural lenses challenges traditional narratives, fostering inclusivity, and shaping a progressive understanding of our shared cultural heritage.

The Grammar of the Disabled-Able Agency Construing ‘Hindu Studies’: Perusing the Ashtavakra Gita

The Ashtavakra Gita is a metaphysical treatise by Rishiraj Janaka and the able-disable Sage Ashtavakra in Indian mythology. It spans 20 chapters and 285 shlokas, focusing on the post-human and the disabled-able agency. The text is influenced by Hindu Studies and Indian knowledge systems, and its interconnection of ideas, cohesion, consistency, and logic are key research questions. The study explores themes such as the impact of Hindu Studies on Western literature, tangible and intangible identities, and the concept of province and region. The text also explores themes of femininity, iconography, nationalism, time, and regional poetics. The study also explores cultural paraphernalia, mythology, knowledge, detachment, liberation, and the Adwaita philosophy. The paper will examine how the text constructs and conveys concepts of ability and disability through its narrative and philosophical discourse. Additionally, the paper will analyze the linguistic and grammatical frameworks employed to understand the interactions between disabled and able-bodied characters in the context of Hindu religious and philosophical traditions.

Jung Personality Complexes: Evidence from Mahabharata Characters

Purpose: The research paper is an interesting blend of social science and mythology. The researchers explain how Jung personality complexes to Professional & Psychology students with the help of characters from Mahabharata. As the personality grows person develops some complex in their personality and which guides person’s behavior and aspirations in life. Each individual has different personalities and different type of complexes in them with different level of intensity. Thus, the outcome of the research helps individual personalities to discover them as well as to understand basic individual personality complexes. Objectives: The researchers have set the following primary objective and the current study investigates 1 broad research question: To interpret characters from Mahabharata to explain Jung personality complexes. Design/Methodology/Approach: The study is based on both secondary & primary evidence. Hypotheses are stated for the various variables selected and analyzed to prove or disprove the same without any errors. Findings/Result: There were correlations between Jung personality complexes & from Mahabharata characters to individuals with the ancient Indian texts. As much as individuals behave differently in different situations, our behavioural reactions can be clubbed into personality complexes as similar reactions across ages and cultures. To conclude, we can say that each one of us is uniquely different yet distinctively similar as well. Research Limitations/Implications: In the present research an attempt is made by the researchers to understand the research gap in the area hence a conceptual idea is proposed and the research goes further to advance significance to discover the degree of relationship to interpret characters from Mahabharata to explain Jung personality complexes. Originality/Value: Many of the earlier studies have proved the soul of Indian mythology is beyond simple good and evil. If one cares to dig deep, there’s an interesting story at each and every step. Psychologists explain this by segregating personality into a private and public persona. Private is the ‘real’ inner person, while public is the way that the individual presents themselves to the outside world. We may be confident and outgoing in some situations and less sure of ourselves and more retiring in other situations. A case where a shy reserved person joins an organization but eventually becomes an arrogant and stubborn boss. This fits the explanation of how our personalities differ situationally. Paper Type: The study is based on both secondary & primary evidence. There are many characters in the Mahabharata, with each one having good and bad qualities. Many characters are similar in personality complexes but differ in their ethical characteristics. Hence researchers have tried to identify and give the major characters in the research. However, this is not a definitive list.

Reimagining Epic Tradition: Intertextuality and Mythical Resonances in "The Forest of Enchantments'' by Chitra Banerjee Divakaruni

Chitra Banerjee Divakaruni's novel, ''The Forest of Enchantments,'' offers a compelling reimagining of Indian mythology, particularly focusing on the character of Sita from the Ramayana. Through skillful intertextuality and a feminist perspective, Divakaruni challenges traditional depictions of Sita as a passive figure, instead portraying her as a resilient and empowered woman. By weaving together mythological and real-life events, the novel creates a rich narrative that explores timeless themes of gender equality, empowerment, and the human condition.

Palmyrah (Borassus flabellifer L) Tuber in India: Present Status and Scope

Palmyrah palm, is also an important multipurpose tree having great utility of each part of it have economic value right from fruit to root and hence the palm is equated to the “Kalpa Vriksha” in the Indian mythology meaning the tree that gives everything for life. The Palmyra palm can be found in Tamil Nadu, Telangana, Andhra Pradesh, Orissa, and Bihar. The palms in South India are seldom used to the full potential, but the natural regeneration through seeds increases the number of palms in the territory. Very few growers use the young fruits although the delicacy is known to the people. The ripe fruits are not used either for juice or for tuber production, whereas, the tubers are sold in the markets for fresh consumption. Palmyrah tuber flour is used as raw material for various products of starch in food industries and bakery and confectionary items.

Unveiling the Untold: A Retelling of Sita in Modern Literature with a Special Focus on Chitra Banerjee Divakaruni’s Feminist Rendition in The Forest of Enchantments

Within the context of the world's mythical heritage, Indian history is a priceless find, with a rich legacy marked by the potent influence of revered goddesses and mythological women. Indian tradition has elevated its women in classical and sacred history more than any other civilization, thus enhancing the appreciation of Indian culture across the world. Indian mythology's outstanding female figures have made a lasting impression by standing for courage, tenacity, and profound understanding. These extraordinary women have stood the test of time and become symbols of female empowerment, and future generations are motivated by their incredible tales. Their traditional pursuits, which are deeply rooted in a sense of obligation, morality, and altruism, show a rich cultural tapestry of generosity. The most highly venerated character in Hindu mythology, Sita is the main character in the epic Ramayana. Her remarkable degree of dedication is demonstrated by her everlasting devotion to Lord Rama during the exile, as well as by her remarkable resilience and diligent work throughout her days in Ashok Vatika. From Sita's perspective, the story of The Forest of Enchantments is told. She communicates her happiness and sadness as a human. Nature plays an important role in Sita's journey. Both the natural environment and herself are healable. The work presents a harmonious portrayal of the symbiotic interaction between nature and the obstacles encountered by women. The story depicts Sita's life in Mithila, her love for Ram, their marriage, her life in the Ayodhya palace, her days in exile, her feelings and yearning for motherhood, her agony during her days in captivity, and, in the end, her sadness.

Breaking The Shadowy World Of Courtesans: Women, Myth, Music In Kavita Kane’s Menaka’s Choice

Mythologies are primarily male-centered stories representing, upholding, and idealizing patriarchal norms and aspirations. Patriarchy regulates and controls women's sexuality through mythological stories. Females are frequently treated as property to be transferred or enjoyed by men. The objectification of women's bodies is a recurrent issue in mythologies throughout the world, including India. In Indian mythology, Apsaras, the eternal seductresses of Indra's court, are clear references to female objectification. Apsaras, despite their greater importance and might, are mentioned only as passing characters in Indian mythology. They were never allowed to speak on the main platform and tell their story. However, in her novel Menaka's Choice, Indian-English novelist Kavita Kane breaks this tradition by projecting the most beautiful and brilliant apsara of Indralok, Menaka as the protagonist.

Tripathi's Sita: A Symbol of Feminist Revisionist Nationhood

Amish Tripathi's novel Sita: Warrior of Mithila (2017) is the second installment in the Rama Chandra Series, offering a reimagined portrayal of Lord Rama and other key figures from the Ramayana in a modernized context. Through its exploration of human nature, politics, and morality, the series captivates readers both in India and internationally. Tripathi's adept fusion of Indian mythology and history has garnered widespread acclaim, with his books consistently ranking as bestsellers. The title, Sita: Warrior of Mithila, aptly reflects the central character's portrayal as a formidable female warrior. While the narrative begins with Sita's demonstration of courage during her abduction, it evolves to delve deeper into her transformation into a warrior princess. Sita embodies a form of feminist nationalism, championing altruistic warrior ideals. Guided by her mother's wisdom, she emerges as a symbol of this novel feminist nationalism, challenging traditional gender roles within the political sphere. Through Sita's journey, the narrative dismantles gender-based political norms, offering a fresh perspective on nation-building and the role of women within it. In contrast to conventional mythology, the revisionist approach taken by Tripathi actively engages with the development of women's political identities, highlighting their significance in the broader context of nationhood. The research question for the current study is: How does Amish Tripathi's novel Sita: Warrior of Mithila depict the development of Sita's feminist ideology, challenge traditional portrayals of Sita in the Ramayana, and explore the connection between Sita's transformation and the concept of feminist nation-building?

The Zeitgeisty Erection of Hindu Mythology in Amish Tripathi’s The Shiva Trilogy

The fundamental theme of Amish Tripathi’s writings is spiritual realism. The portrayal of his creations only serves to promote human symbolism toward God. The universe’s morphological alterations are a result of a soul’s link to the universal force. Myths are stories that describe the way of life, habits, and culture of ancient people, which are frequently reflected in the gods they worship. India is well-known around the world for having a rich and diverse cultural legacy. Indian mythology consists of religious and cultural tales that are handed down through the generations with several variations. According to Indian spiritual academics, its suggested meaning is similar to contemporary western philosophy, which holds that there are multiple truths. Amish Tripathi reimagines the entirety of Hindu mythology in order to make it more appropriate for the contemporary era of reasoned decision-making. A mythology is a body of stories or myths concerning a specific person, culture, religion, or any group of people who hold certain beliefs. The majority of people take mythology seriously in terms of their religious beliefs, even when they don’t believe it to be entirely genuine. The goal of this study is to investigate the various aspects of Hindu mythology and philosophy that may be well-suited to leadership-related activities.