Baroque opera reached a high point in Vienna during the reign of Karl VI as the result of simultaneous developments in the fields of poetry, music, and spectacle. Three successive court poets, Pietro Pariati, Apostolo Zeno, and Pietro Metastasio shared the endeavor of their contemporaries to enrich Italian poetry with a combination of “sonatia verba et antiqua,” and “gravis et decora constructio.” They found operatic libretti particularly well suited for this creative experiment, and Vienna provided the ideal atmosphere of musical sophistication, indispensable for such development. Musical life had flourished under the late Joseph I, who had been an outstanding musician, and the new Emperor was also an able pianist, composer, and occasional conductor.
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