Iconic Form Research Articles

CHILDREN'S UNDERSTANDING OF ENGLISH VOCABULARY THROUGH VISUAL SEMIOTICS IN THE MUSIC VIDEO OPPOSITES WORD POWER BY PINKFONG YOUTUBE CHANNEL

The lack of English language skills and understanding in Indonesian primary school children is caused by many factors such as, limited teachers, unfamiliarity, unsupportive environment, and various other things. This is a challenge for individuals to learn English and teachers as teachers. In addition to the seriousness of children in learning English, the accuracy of the teacher in choosing the learning methods given to children must also be appropriate. In the current era of digitalization, learning methods through YouTube videos can have an impact on children's knowledge and understanding of English if implemented properly. In this case, learning English can be obtained by listening to videos that apply visual semiotics in it. The application of visual semiotics can be applied in teaching English to children from a video. The form of application can be like in the music video [Opposites Word Power | PINKFONG Songs for Children]. In this music video, explaining the opposite meanings of eight English vocabularies visualized in the form of icons and symbols. This research is descriptive research using a qualitative approach. The data collection conducted by the researchers used random sampling technique with ten public elementary school children aged 8, 9, and 10 years old as respondents. The data collection activities are carried out by asking questions related to knowledge and understanding of vocabulary in the music video to each children after the researchers show the YouTube music video [Opposites Word Power | PINKFONG Songs for Children]. The result of this study is to explain the extent of understanding of English vocabulary by children through visual semiotics displayed in the video. The results show that the icons and symbols displayed in the video mostly help the children understand the meaning of the English vocabulary displayed. This research also proves that visual semiotics is a sign whose meaning is universal so that it can be used as a learning method used by educators in teaching English in public elementary schools in Indonesia.

Charles Sanders Peirce's semiotic analysis of human values in the film sound of freedom

This research focuses on semiotic analysis of the film Sound of Freedom. This semiotic analysis aims to determine the interpretation and meaning related to the life values of the film. In this research the author uses elements from Charles Sanders Peirce's semiotic analysis method, with the limit of semiotic studies to the semantic level. This research is based on the understanding that film is not only a work of art that aims to entertain but can also be a communication medium that indirectly conveys human values. This film is an adaptation of a true story that tells the story of a United States government agent, Timothy Ballard (Jim Caviezel), who uncovers a child trafficking network in Colombia. The research method used by researchers is a qualitative research method using data originating from the results of document analysis and observations of texts. Technical data analysis was carried out using Charles Sander Peirce's semiotic theory. Researchers took Peirce's formula regarding objects which are classified into three, in the form of icons, indexes and symbols which are applied to each scene of the film Sound of Freedom. The results of this research show the human values contained in the film Sound of Freedom semantically. The results of this research show that the film Sound of Freedom contains human values. These human values include Respect for Human Dignity, solidarity, and sucriface for humanity.

British Allotment to American Park: An Atlantic Crossing of the Garden Suburb Movement 1910–1930

Endorsement of open spaces internalized within residential blocks was an iconic concept promoted by the British garden city movement in the early twentieth century. Advancing various social goals, they were associated within a gendered ideology of domesticity, child safety, local food production, and community-centeredness. This article examines American responses through theoretical reformulation, endorsement, opposition, and uneven practical experiments situated against the maturing science of planned suburban development. Raymond Unwin included these spaces in a seminal morphological exposition, developing the concept of the quadrangle with a variety of uses including agricultural allotments, tennis courts, and playgrounds. Views of leading American community planners are canvassed, split between those promoting agricultural commons, landscaped gardens and playgrounds, and opponents citing upkeep and security concerns. Evolution of the interior park arguably peaked with Radburn which established a new iconic form and narrative of interior parks at a larger scale.

Refined Analysis of Spatial Three-Curved Steel Box Girder Bridge and Temperature Stress Prediction Based on WOA-BPNN

Bridges often improve the visual appeal of urban landscapes by incorporating curve elements to create iconic forms. However, it is noteworthy that curved bridges have unique mechanical properties under loads compared to straight bridges. This study analyzes a spatial three-curved steel box girder bridge based on an actual engineering case with a complex configuration. Initially, the finite element software Midas/Civil 2021 is utilized to establish a beam element model and a plate element model to examine the structural responses under dead loads in detail. Then, two different temperature gradient distribution models are employed for the temperature effect analysis. The backpropagation neural network (BPNN) optimized by the WOA algorithm is trained as a surrogate model for finite element models based on the results of temperature stress simulation. The results reveal that the bending–torsion coupling effect in the second span of the spatial three-curved steel box girder bridge is pronounced, with the maximum torque reaching 40% of the bending moment. The uneven distribution of cross-section stress is particularly significant at the vertices, where the shear lag coefficient exceeds 3. Under the action of temperature gradients, the bridge displays a warped stress state; the stress results obtained from the exponential model exhibit a 21% increase compared to BS-5400. Optimization of the weights by the WOA algorithm results in a significant improvement in prediction accuracy, and the convergence speed is improved by 30%. The coefficient of determination (R2) for predicting temperature stress can reach as high as 0.99.

The visual content of neural networks as a return to the third-order simulacrum

This article is part of a larger study of design as a cultural phenomenon. In this part of the study, the author examines the process that is currently taking place in the semiotic structure of design, associated with the active introduction of neural networks into the creation of visual content. Artificial intelligence products stylistically take the design away from the fourth-order simulacrum (from the flat design style) and return the design to using the third-order simulacrum as the main iconic form.The object of the research is the transformation of the semiotic design system. The subject of the study is a return to the third–order simulacrum in modern design. The purpose of the study is to show and try to explain how in modern design there is a return to the use of a third-order simulacrum. The research method is a semiotic analysis of modern design based on the methodology of R. Barth's semiotic analysis. The study is also based on J. Baudrillard's theory of semiosis in hyperreality and three orders of simulacra. The author sees the philosophical justification of the art of neural networks in the concept of flat ontologies. The study of the semiotic structure of design allows us to see that the logic of design development carries this phenomenon through successive stages of semiosis associated with a decrease in meaning and a diminution of being. In its development, the design consistently uses first index signs, a second-order simulacrum, then a third-order simulacrum as the main sign form. Nowadays, the main iconic form in design has become a fourth-order simulacrum. Next, design had to either end as a profession and phenomenon, or move into a new cultural paradigm that was not related to simulation. However, unexpected transformations have begun to occur in design, due to the active involvement of non–human agents - neural networks – in the creation of visual content. Neural network products are a typical example of a third-order simulacrum. Thanks to the use of neural networks, modern design finally acquires the vector of transhumanism and closes in simulation.

Jamaliyat al-Lughah al-'Arabiyyah wa al-Wasail al-Iliktruniyah wa Isykaliyat al-Adab al-Raqmi

: What has been mentioned in this article represents the elements involved in creating interactive digital text, the components that are verbal and non-verbal signs. The visual and audio components that accompany every poetic or prose text. The (interactive) recipient clicks the mouse button on a specific link, connection, or options. In the form of files, icons, or links that appear on the screen, and this matter cannot be implemented on paper together, then the animated effects and the text hypertext technique, especially in the poetic sentence. We then realize how much we have missed in terms of civilization, so we accept today what we rejected yesterday and on a wide table of interpretations, explanations, and defenses. Nearly four years ago, specifically in June 2004, a creative Iraqi writer, the poet (Salman Daoud Muhammad), launched an appeal in the Iraqi newspaper (Al-Adeeb), a distinguished cultural lung with an active presence in the contemporary Iraqi cultural scene, about the electronic book and the digital realist novel. Especially regarding the novel (Muhammad Sanajla) Shadows of the One / The Vision of Digital Realism, it awakens the questions of the present with an eye to the past about how to absorb this technical newness to replace the paper novel and what is the state of the next novel, imagination and language.

Визуальная теология икономии

The concept of oikonomia, which brings together cosmology, anthropology and jurisprudence is characteristic of iconic culture in the Byzantine tradition. Drawing on the political ideas of Leo Strauss and the interpretation of icons in the theories of the visual by Paul Virilio, Jean-Luc Marion, and Marie-Josée Mondzain, we reconstruct the applicability limits of this concept in visual programs. Oikonomia is a principle of legal regulation that converts legal conflicts into economic ones. It helps to understand the world economy as a global system that has an eschatological dimension. The oikonomia of salvation, with its dogmatic meaning, is realized in practical life and in practical mind as a professionalization of econ-omy in a broad sense. In the structure of oikonomia, the distinction between theoretical and practical reason is ultimately fulfilled, so that the concept should be understood not as a mode of adaptation to the current situation, but as a symbiosis in the sense of Graham Harman’s Immaterialism. Therefore, we can say that oikonomia constitutes an alternative to Protestant ethics, and regularizes the elaboration of iconic forms as teleological, building an architecture of designs and their realizations. This kind of approach to oikonomia encourages us to adopt a new viewpoint on the achievements of Russian religious thought: to see it not as a dogmatic creativity but as a requisite ethical reflection or practical eschatology. The iconic can then be described not as a balance of representation and solemn construction, as it is usually done when specific visual techniques of icon-making are presented, that is as a necessary solemn liturgical entrance of the heavenly into the earthly. Another, equally consistent description is possible, a balance of solemn politics and eschatological sincerity, where politics represents its own self, while sincerity appears as an aspect of solemn appeal and an implementation of higher- level plans in relation to aesthetic and ethical decisions. This will explain the development of the icon in Modern era and show how various practical interpretations of oikonomia can be applied non-discursively, but only within the manifestation of eschatological experience.

СИНТЕЗ ЗНАНИЯ КАК ЦЕННОСТЬ НАУКИ

The article seeks to answer whether it is legitimate to assert that «synthesis of knowledge» is the value of science. The identification of the value content of the process and result of synthesis of new knowledge determines the actual development of human civilization. However, there is a reasonable assumption that the explanation of the nature of values goes beyond the methodological possibilities of modern science since value covers the area of both the known and the unknown, which limits the possibility of constructing a sufficiently complete model of the development of humanity within the framework of the worldview of its life form. The article explores the possibilities of axiological constructivism for constructing logical and semiotic structures describing synthesis of knowledge and making it possible to objectify its value bases. The context of the reasoning is given by the decomposition of the basic statement that synthesis of knowledge is the value of science. The article shows the process of transformation of the understanding of value in various axiological approaches (axiological normativism, subjectivism, normativism). The ontological, epistemological, and logical foundations of the development of the theory of values are considered. The study substantiates the need to rethink the logical-semiotic approach to reading cultural texts as a type of synthetic knowledge, up to the necessary reconstruction of iconic forms and semiotic structures, while taking into account the value aspects of meaning- and text-generation. The research is based on the methodology of synergetics of complexity, the model-theoretic approach is used to describe the nature of value, the method of ontosemiotic modeling — to provide understanding of the value-driven boundaries of cognition. The introduction of the element «feeling» into the structure of the semiotic construction — a modal sign, allows us to identify the boundaries of extra-textual and extralinguistic areas of scientific knowledge. To do this, the text model has been expanded to the sphere of the dynamic subject’s activity, which is set in the form of a three-level cultural text (pre-linguistic, linguistic, and post-linguistic levels). The modal sign forms a space of semiosis and text generation, based on the «idea» of communication and the activity of the subject of cognition. The idea, as a generative element of the text, has a personality-colored character, can be represented as a unit of «implicit knowledge» according to M. Polani. The article shows that, unlike solvable problems, unsolvable problems that are significant for the subject affect the value domain of knowledge construction, activating archetypal manifestations, unconscious, mythological thinking and attitudes. Embodied, value-based thinking introduces nonrational relationships into the resulting constructs, ensuring its coherence through personal knowledge.

Laboratory investigation of shock-induced dissociation of buckminsterfullerene and astrophysical insights

Fullerene C60 is one of the most iconic forms of carbon found in the interstellar medium (ISM). The interstellar chemistry of carbon-rich components, including fullerenes, is driven by a variety of energetic processes including UV and X-ray irradiation, cosmic-ray (CR) bombardment, electron impact, and shock waves. These violent events strongly alter the particle phase and lead to the release of new molecular species in the gas phase. Only a few experimental studies on the shock processing of cosmic analogs have been conducted so far. We explored in the laboratory the destruction of buckminsterfullerene C60 using a pressure-driven shock tube coupled with optical diagnostics. Our efforts were first devoted to probing in situ the shock-induced processing of C60 at high temperatures (≤ 4500 K) by optical emission spectroscopy. The analysis of the spectra points to the massive production of C2 units. A broad underlying continuum was observed as well and was attributed to the collective visible emission of carbon clusters, generated similarly in large amounts. This proposed assignment was performed with the help of calculated emission spectra of various carbon clusters. The competition between dissociation and radiative relaxation, determined by statistical analysis, alludes to a predominance of clusters with less than 40 carbon atoms. Our laboratory experiments, supported by molecular dynamics simulations performed in the canonical ensemble, suggest that C60 is very stable, and that high-energy input is required to process it under interstellar low-density conditions and to produce C2 units and an abundance of intermediate-sized carbon clusters. These results provide some insights into the life cycle of carbon in space. Our findings hint that only J-type shocks with velocities above ~100 km s−1 or C-type shocks with velocities above 9 km s−1 can lead to the destruction of fullerenes. Observational tracers of this process remain elusive, however. Our work confirms the potential of shock tubes for laboratory astrophysics.

A Science Education for Textural Creation and Iconic Forms of Infrastructure at Medan

Medan City, as the center of the Deli Malay Sultanate and the colonial administration in the past, boasts numerous iconic forms. The distinctive characteristics of these iconic forms hold significant potential for development as references in creating contextual texture painting art. Unfortunately, this potential remains largely unexplored. Therefore, this research aims to explore the potential of iconic forms in Medan City with the goal of developing them as references for the creation of textural painting art as a tourism product for Medan City. This study employs a descriptive qualitative approach, conducted both in the field and in the studio. The methods employed include surveys and creative creation, applying Graham Wallas' theory of creativity. Research data is collected from various sources using relevant techniques, subjected to data triangulation, and analyzed following an interactive model: data reduction and presentation, verification, and drawing conclusions. The research results indicate that the potential of iconic forms as references for abstract textural painting art emerges from their representation of Medan City's character, alongside the dynamic nature they embody. The exploration of abstract textural art becomes tangible during the painting process, which, in this study, involves deformative processes, particularly simplification and stylization. Abstract textural painting art is explored based on the principles of visual art and tourist art, resulting in artworks that possess both aesthetic and technical qualities as tourism products.

STUDY OF INTRINSIC ELEMENTS IN THE NOVEL DEAR ALLAH BY DIANA FEBI (A SEMIOTIC STRUCTURAL REVIEW)

This study aims to explain: (1) the intrinsic elements of the novel Dear Allah by Diana Febi, (2) the relationship between setting, plot, and characterizations tied to the theme in the novel Dear Allah, and (3) the form of the relationship between signs and references in the form of indexes, symbols, as well as icons in the novel Dear Allah. This research uses the content method with a qualitative description approach. The validity of the data is obtained through observation, perseverance and thoroughness of the reader in reading and understanding the contents of the novel, as well as the triangulation method. The results of the study explain that the novel Dear Allah has a forward plot with three stages, namely the first stage is an introduction, then the middle stage is the emergence of a conflict or problem, and the last stage is a resolution. The novel Dear Allah by Diana Febi ends with happiness for the main characters, namely Naira and Wildan. They both can finally live together happily and they are grateful to have been blessed with a child. The story of this novel is set in a mosque, room, Wildan's house, hospital, living room, operating room, and hall of the nursing center. All intrinsic elements are interrelated and tied to the theme. The form of the relationship between signs and references can be found in the novel Dear Allah in the form of icons, which consist of diagrammatic icons, topological icons, and metaphorical icons. Then, there are also indexes and symbols. Keywords: Novel, Intrinsic, Structural Semiotic.

Pengembangan Sistem Prediksi Waktu Penyiraman Optimal pada Perkebunan: Pendekatan Machine Learning untuk Peningkatan Produktivitas Pertanian

Modern agriculture relies heavily on technology, especially in irrigation management and crop watering. Several previous studies have applied field data-based predictive techniques to improve crop yields. This research aims to develop a prediction system for optimal watering time in plantations and agriculture using a machine learning approach. The rigorous methodology includes data capture, pre-processing, model evaluation and testing, validation, and visualization. High accuracy demonstrates the system's reliability in determining optimal watering needs to improve resource efficiency and crop yields in agriculture. The data obtained from the automatic weather station (AWS) via thingsboard is processed sequentially, starting from data retrieval in json format using postman to transformation into csv files with proper timestamp adjustment. The pre-processing stage includes data cleaning, variable selection, data integration, and generating a clean dataset. In the evaluation stage, the dataset is divided into training data and test data, with the application and comparison of logistic regression, random forest and decision tree models applied as classifiers. Furthermore, the validation and results stage includes prediction, performance testing using the confusion matrix, and visualization of prediction results in the form of text and icons that aim to increase interpetability for users through Google Collaboratory. The results of this research provide an overview of the optimal watering time based on the dataset from the automatic weather station. Further analysis shows that the implementation of machine learning models significantly improves the prediction accuracy, proving the effectiveness of the system in providing more precise watering time recommendations to increase agricultural productivity. The main objective is to develop a machine learning-based watering time prediction system using data from the automatic weather station and evaluate various classifier algorithms to select the best model.

“DAUNTLESS” BUSANA DENGAN SUMBER IDE PAVILION CENGHUANG

The process of creating this artwork is explored as a cultural topic, and ideas are sourced from the Chenghuang Pavilion. The inspiration for this artwork comes from the pavilion, which has a strong Chinese cultural identity. The iconic form of the pavilion and the bold colors present in it add a sense of power, representing a strong and characteristic pavilion. The process of creating this artwork involves several analyses, starting from the mood board, design, calculation, selection of materials and techniques, and design simulation. The process of creating the artwork begins with the search for ideas and concepts from a similar pavilion, which has a similar architectural style and texture to the Chenghuang Pavilion. Until a mature concept is found, the selection of ideas, design, techniques, and creation of the pavilion clothing is carried out. Thus, a suitable artwork is obtained that aligns with the purpose, reasoning, and analysis of why the product was created.

A First Look at Dark Mode in Real-world Android Apps

Android apps often have a “dark mode” option used in low-light situations, for those who find the conventional color palette problematic, or because of personal preferences. Typically developers add a dark mode option for their apps with different backgrounds, text, and sometimes iconic forms. We wanted to understand the actual provision of this dark mode in real-world Android apps through an empirical study of posts from Stack Overflow and real-world Android app analysis. Using these approaches, we identified the aspects of dark mode that developers implemented as well as the key difficulties they experienced in implementing it. We performed a quantitative analysis using open-coding of more than 300 discussion threads to create a taxonomy regarding the aspects discussed by developers with respect to dark mode in Android. Our quantitative analysis of over 6,000 Android apps highlights which dark mode features are typically provided in Android apps and which aspects developers care about during dark mode design. We also examined four app development support tools to see how well they aid Android app development for dark mode. From our analysis, we distilled some key lessons to guide further research and actions in aiding developers with supporting users who require such assistive features. For example, developers should be aware of the potential risks in using unsuitable dark mode design schema and researchers should take dark mode features into consideration when developing app development support tools.

Literary Semiotic Studies in the Novel Ringin Kurung

This study aims to analyze and describe the semiotic system that refers to the elements of icons, indexes, and symbols in Pak Mett's novel Ringin Kurung. The novel is a Javanese language novel that has a romance genre. It is a novel that has prominent elements, both intrinsic and extrinsic. The novel is interesting to study because it has elements of signs and implied meanings. The problem of understanding meaning in a complex literary work full of language games and elements of the author's creativity is not easy. So, this kind of study is needed. Analyzing the novel is a novelty that has never been done before. This study used a descriptive qualitative method. To be able to describe and analyze text in the form of words or sentences. The qualitative in question places more emphasis on the element of meaning. The approach used is Charles Sanders Pierce's semiotic theory. Literary semiotic theory interprets signs through icons, indexes, and signs. Sources of data from the novel Ringin Kurung by Pak Mett, journals, and books as references that support studies in research. The data collection technique is observation, namely observing and recording, followed by searching, reading, understanding, and concluding. The data analysis is thorough. From this research, it was found that there are signs in the form of icons, indexes, and symbols in Pak Mett's novel Ringin Kurung. There are icons, including plants (banyan trees), food (tempe and arem-arem), and places (square and hospital). The index is in the form of subordinate behaviour to the employer, polite behaviour index, firefly index, sultry index, and strategic index. As well as symbols, namely Ringin Kurung, vehicles (cars), goods (reclining chairs), blushing, fast breathing, and katresnan.

Изменение способов коммуникации и использования знаковых систем при обучении в условиях цифрового общества

The article highlights an important social problem: it traces the change in the ways of communicative activity in the field of education from antiquity to the emergence of a digital society. The study of this phenomenon by specialists of various profiles proves that it has reduced motor activity – humanity has become addicted to sitting in electronic networks, the Internet, as a result of which communication has become passive. The article discusses various iconic forms of virtual communication that lead to a number of negative consequences: psycho-emotional changes, information overload, the appearance of a person’s internal closeness, unwillingness not only to perform useful purposeful actions, but also to move.

Joker Movie Poster Advertisement: The Semiotic Analysis

This study employed semiotics to establish connections among the elements utilized in advertising. The focus of the research was analyzing Joker poster advertisements using semiotic studies based on Pierce's theory. Pierce's Theory was employed to identify and categorize various types of signs, as well as analyze and describe their meanings. The objective of this study was to identify semiotic signs present in Joker Poster advertisements and interpret their meanings. The research design was descriptive and qualitative, involving document analysis. Each sign within the poster advertisements was identified and classified into three types: index, icon, and symbol. The meaning of each sign was then analyzed and explained using a triadic process model. The findings revealed that the advertisements contained semiotic signs in the form of symbols, icons, and indexes. There were 14 icons, 12 indexes, and 42 symbols identified. Symbols were more commonly used compared to indexes and icons, with text often serving as a symbol in the Joker posters. Additionally, the researcher observed that posters (icons) played a crucial role in providing initial direction to the meaning, followed by the language used in the advertisements.

Bentuk dan Makna Tuturan Upacara Pelulukng Suku Dayak Benuaq di Kalimantan Timur

This study aims to understand the form and meaning of speech in the Dayak Benuaq tribe's Pelulukng (Traditional Marriage) ceremony. The method used in this research is the semiotic method which is used to understand the form and meaning of speech, especially icons, symbols, and indexes. Data collection methods used include observation and interviews, as well as using tapping techniques. From the research results, it was found that eleven utterances in the form of icons, twelve in the form of an index, and twelve words in the speech in the form of symbols. First, the speech in the form of an icon is a form of action from the Pemeliant because it has similarities or similarities between the speech and the actions taken. Second, speech in the form of an index shows that the utterances spoken by Pemeliant have a cause-effect relationship or contain a causal relationship with the signified. Third, the words in the speech in the form of symbols are the result of the agreement or convention of the Dayak Benuaq community.

Iconicity in Georgian Sign Language (GESL)

In sign languages, there are the signs reflecting some characteristic features of the semantics of a given part of speech (mostly nouns or verbs). This circumstance shows the proven connection between the sign and the signifier in sign languages. These types of signs are called iconic. They are easy to recognize, and thanks to these iconic signs, the rate of mutual understanding in the communication of Deaf and hard of hearing people who do not have knowledge of a common sign language is quite high. Thus, the iconicity of signs reflects the fact that two deaf people can understand each other more easily than two speaking people if they do not have the knowledge of a common spoken language for communication. Different sign languages ​​can have different number of iconic signs. In Georgian sign language (GESL), according to the GESL dictionary, iconicity is 75-80%. In general, the higher the level of education of the Deaf community, the more metaphorical and abstract gestures are used. It should also be noted that due to non-professional activities, unfortunately, in the last period the vocabulary of GESL is filled mainly with iconic forms. I have developed a formula by which we can calculate the iconicity rate in sign texts (signing communication): N mean a coefficient of iconicity, T is the duration of the sign text, IS - is the number of iconic forms in the given signing text. Iconicity coefficient is equal to the number of iconic forms in a given text divided by the duration of this text. &nbsp

Analisis Semiotik Puisi “Kematian Dan Makam Mistik” Karya Jalaluddin Rumi

This research was motivated by the author's admiration for Maulana Jalaluddin Rumi's work and the author's interest in analyzing one of the poems as extraordinary material because there are many meanings and implied signs that need to be studied for meaning. The purpose of this study is to examine meaningfulness based on signs contained in one of Jalaluddin Rumi's poems entitled "Death and the Mystical Tomb" using a semiotic approach. The semiotic approach is an approach by examining literary works based on their signs, these signs represent other things, not actual things. Therefore, the semiotic approach in poetry will clarify the meaning that has been a sign in the expression of a poet. . The research method used in this study is a qualitative descriptive method, which is a method that explains and describes the results of poetry analysis based on the data obtained. This study focuses on the discussion of the marks that appear in the poem "Death and the Mystical Tomb" by Jalaluddin Rumi which is then analyzed, so as to show signs that represent the meaning of the poem. The poem entitled "Death and the Mystical Tomb" by Jalaluddin Rumi is closely related to self-awareness of love for God. In the poem it can be concluded that there are many meanings implied through signs and signs in the form of symbols and icons only, which in its meaning leads to the existence of God's love which manifests in the beauty of the heart as a sign of life.