Types Of Humor Research Articles

СОЦИАЛЬНАЯ ПРИРОДА ЮМОРА

The article is dedicated to the study of humor as a sociocultural phenomenon, which is formed and developed in the context of social interactions and structures. The paper analyzes the conceptual nature of humor, its functions in society, and the perception of different types of humor depending on cultural, gender, and age factors. By exploring humor as a tool of social connection, the author examines its influence on group interactions, as well as its role in social transformation and adaptation.

The impact of verbal behavior on audience engagement in Chinese talk shows: Based on a novel mediation model

This study employs the Stimulus-Organism-Response (SOR) model to construct a new mediation framework, examining the impact of Chinese stand-up comedians' language on audience engagement from both quantitative and qualitative perspectives. Statistical analysis of data from 415 online viewers of stand-up comedy shows revealed that comedians' humorous language significantly enhanced audience engagement by positively influencing their enjoyment. Based on this, in-depth interviews were conducted with 8 viewers to understand their specific perceptions of different types of humor. The analysis results showed that Chinese audiences had a higher acceptance of affiliative humor, self-deprecating humor, and humor incorporating traditional cultural elements, while they had lower acceptance or even rejection of aggressive humor, political satire, and vulgar humor. This study enriches the research on the relationship between Chinese stand-up comedy shows and audience engagement, providing insights for improving the production of Chinese stand-up comedy shows and for Western entertainment programs entering the Chinese market.

Cartoon-based message strategies on vaccination in Romania and engagement behavior. A multimodal approach.

This study investigates the influence of Romanian cartoons related to COVID-19 vaccination on online engagement. Humor has been employed by (inter)national authorities in order to simplify complex issues and to encourage positive attitudes and behaviors toward certain health issues. Focusing our analysis on the cartoons employed by two Romanian authorities (CNCAV and European Commission’s Representation in Romania), the aims of this study are threefold: to determine how Health Belief Model constructs and humor types influenced the online users’ online engagement behavior towards the cartoons on vaccination in Romania; to identify how multimodal modes were employed in the cartoons on COVID-19 vaccination; to determine how knowledge resources help in the interpretation of humor in the overperforming multimodal cartoons. The findings showed that commenting was significantly triggered by cartoons embedding more cues to action than self-efficacy. Perceived barriers generated significantly more laughter than perceived benefits, more sad reactions and less angry reactions than cues to action. Despite the high frequency of irony and pun as humor types, aggressive humor (sarcasm or satire) triggered more Romanian users to interact with cartoons as a creative message strategy and the humorous representations of the anti-vaxxers and the undecided on both Facebook accounts scored higher in terms of engagement metrics.

Does a stronger moral identity lead to a more reserved sense of humor? The influence of moral identity on sense of humor and its underlying psychological mechanisms.

Three studies were conducted to examine the influence of moral identity on sense of humor, employing the benign violation theory (BVT) as a theoretical framework. Study 1 (n = 350), a questionnaire-based survey, aimed to establish a preliminary exploration of the relationship between moral identity and sense of humor. Studies 2 (n = 172) and 3 (n = 172) jointly examined the impact of activated moral identity on sense of humor (humor appreciation, humor sharing) through the recollection and writing task. The results of these studies indicated that the effects of (activated) moral identity on the sense of humor (humor appreciation, humor sharing) were moderated by the type of humor and social distance of the target. On the one hand, high levels of (or activated) moral identity can significantly and positively predict sense of humor (humor appreciation, sharing); on the other hand, when there is a moral violation in the humor, and the target involved is at a close social distance, activated moral identity decreases the humor appreciation and humor sharing, where benign judgment plays a mediating role. These findings enrich the understanding of the complex relationship between moral identity and sense of humor, and have significant theoretical and practical implications.

Influence of emotional states on incongruity-resolution and nonsense humour processing.

Humour processing is complex and may be influenced by an individual's emotional state. This study explores the differences in incongruity-resolution and nonsense joke humour processing between three groups with different emotional states (positive, neutral and negative). Each group consisted of 32 participants. The positive and negative emotion groups were asked to elicit positive and negative emotions, respectively, through autobiographical recall. In contrast, the neutral emotion group was asked to answer questions unrelated to emotions. Participants were also asked to rate their emotional valence, arousal and conformity with the provided emotion words. Subsequently, they were directed to rate their humour appreciation, humour comprehension and level of surprise at the jokes. The results indicate that these variables interacted with the level of amusement derived from the two humour types. The positive emotion group perceived nonsense jokes as funnier than the negative emotion group, while the negative emotion group perceived nonsense jokes as less amusing than incongruity-resolution jokes. No significant difference was found between the three emotion groups in terms of humour comprehension and surprise at the jokes. The results deepen the understanding of the correlation between emotional states and processing of different humour types.

Sanity through Insanity: The Use of Dark Humor among United States Veterans.

Humor is generally known to effectively help individuals manage distress. Yet a variety of ways exist to engage in humor, and not all of them may be equally associated with desirable outcomes. The purpose of this study is to examine the extent to which dark humor is associated with the subjective well-being of United States military veterans. An online survey was announced on several social media pages populated by US veterans, to which 93 fully responded. Our findings indicate that the use of dark humor does not appear to be associated with a sense of connectedness, but the reported use of self-defeating types of dark humor was associated with lower levels of life satisfaction. Our hypothesis that increased feelings of connectedness to civilian and veteran/active-duty friends would predict increased reports of overall subjective well-being was supported. The implications of these findings for understanding the functions of dark humor are discussed.

Verbally Expressed Humor Translation Strategy in Audiovisual Products: A Systematic Literature Review

Verbally Expressed Humor (VEH) is a form of humor that through language, written or spoken, to create comic effects. VEH translation in audiovisual products has been a great challenge due to the cultural and linguistic gap in target culture, and the translation inaccuracy and bias bring confusion to audience. Besides, though various methods have been utilized in investigating VEH translation strategies in subtitling and dubbing, no agreed-upon strategy suggestion for each category of VEH. In the present study, systematic literature review methodology is applied to examine related studies published until 1 January 2024, sourced from Web of Science (WoS) collection and Scopus. 35 articles are selected under the guideline of PRISMA 2020 and eligibility criteria. In general, the study aims to examine research status on VEH translation in audiovisual products. Specifically, it tends to clarify what translation strategies are used in translating VEH. The review indicates that: 1) English has been explored most frequently as the source and target language in studies of VEH translation in audiovisual products. 2) The major humor type examined in the selected studies is wordplay. 3) The VEH translation can be guided by various translation strategies taxonomies, while the slight adaptation or change is usually required. 4) Gottlieb’s (1992) taxonomy of translation strategies has been extensively utilized in the translation of VEH. However, there remains an absence of a standardized set of translation strategies that can be universally applied to any specific category of VEH. The findings can discover research gap and future trends for researchers, providing VEH translation advice for translators.

TIPE HUMOR DALAM CERITA-CERITA PENDEK GUNAWAN TRI ATMODJO

Gunawan Tri Atmodjo's short stories are considered by many readers present humour. Many impressions are written by readers on the humorous aspect, but there is still no study that describes the humour aspect in these stories. Therefore, this study examines the types of humour in Atmodjo's stories based on a number of humour theories in literary works as presented by Louis Hasley and Matthew Kotzen. From the results of the study, it was found that there are three types of humour in Atmodjo's short stories, namely play, the formation of new words and expressions, and irony in the story. In compiling the story Atmodjo often uses the principle of deviation in normal situations. This can be seen from how he punctuates the names of the characters and the title of the work, the formation of words and expressions, and the irony in the story. These three things are built in conditions that are far from normal, both in terms of ethics (names and titles are messy and irony in the stories) and grammatical (on how words and expressions are formed). In this way, Atmodjo managed to free his readers from the emotional aspect that had been limited by ethics and grammar. Atmodjo thus consciously carried out the selection process (choosing characters and titles to play on), arranging (forming new words and expressions and arranging ironic plots), and using style (in summarizing these three things) so that the humour can be experienced and enjoyed by the reader. without leaving a message to be conveyed. The three types of humour in Atmodjo's short stories are not separate, but they support each other to build humour in the minds of the readers.

Humorous nature of carnival culture

Despite the widespread use of humour in carnivals, research in this area is limited. Therefore, this research seeks to address this gap and uncover the humorous nature of carnivals from a scientific perspective. The purpose of this research is to conduct a scientific analysis of the humorous nature of carnival culture, to clarify its origins and impact on society. The following methods were used to achieve the research purpose: observation, interviews, questionnaires, statistical method, and content analysis method. The research established that carnival is a significant mechanism for expressing social, political and cultural problems of society. This event is a kind of forum where citizens have the opportunity to express their thoughts, feelings and opinions on various aspects of life. The research confirmed that humour at carnivals is an essential means of communication and expression. It can acquire different forms, such as satire, parody and irony. These types of humour are used to expose social, political and cultural aspects through using ridicule, distortion and transformation of reality. Carnival humour has the potential to highlight the severity of problems and highlight the shortcomings of society. The research makes a significant contribution to the scientific understanding of the humorous nature of carnival culture. The results of the research will contribute to a deeper analysis and testing of concepts related to the impact of carnival and humour on modern society

An investigation on the types of humour in English Language Teaching among Malaysian lecturers in higher education

Humour in English Language Teaching (ELT) is known to be beneficial for both the educators and students. However, the literature addressing the types of humour used by Malaysian lecturers in higher education on this matter are yet to be explored. To address these issues, the study focusses to explore on the types of humour used in ELT by Malaysian lecturers in relation to the four types of humour: verbal, visual, auditory and figural humour. The research design is a qualitative study which implements two instruments; classroom observation and semi-structured interviews. Thematic analysis will be used to analyse the data. The results from the study show that there are three types of humour commonly used: verbal humour, visual humour and auditory humour. The data analysis indicates that there are four factors which influence the types of humour used in the classroom: humour used for content delivery, humour to build rapport, humour to attract attention and humour to instil discipline.

Is it funny or a trend?: Examining US news humor on TikTok

ABSTRACT Humor is foundational to American politics and online culture. However, the content and effects of political humor vary greatly depending on the type of humor and context in which it is deployed. TikTok is particularly known for its humorous content, and US news organizations have capitalized on TikTok’s popularity by creating accounts. Using digital affordances and relief theory as theoretical lenses, we qualitatively content analyze US news organizations’ TikTok videos (WaPo, NYT, WSJ, ABC, CBS, NBC, CNN, NPR), asking how US news humor manifests on TikTok and how TikTok affordances impact US news humor on the platform. We find that US news organizations’ TikTok content ranges from no humor (ABC, CBS, NBC, and CNN) to explicit humor (WaPo). News organizations also incorporated small attempts at lighthearted content using TikTok features and norms.

Multimodal joint fantasising as a category‑implicative and category‑relations‑implicative action in online multi‑party interaction

Abstract Drawing on interactional pragmatics and membership categorisation analysis, with a focus on (un)accomplished intersubjectivity, categories and social action, this paper explores some new aspects of multimodal joint fantasising in online interaction. The data for this study comes from the public Facebook event page regarding the ‘ski field opening’ in Brisbane, a sub-tropical city in Australia. The first part of the analysis examines how intersubjectivity is accomplished through joint fantasising co-constructed among the posters, serving entertainment purposes. Invoking their membership in the category ‘fantasisers’, this is done in two ways: (1) flat co-construction gradient; and (2) upgraded co-construction gradient. The second part focusses on the instances wherein intersubjectivity in relation to the fantasy world is unaccomplished. It is indexed through (1) metapragmatic labels of humour types; (2) treating the event as real; and (3) doubting the authenticity of the event and challenging the joint fantasising posts. As a result, additional categories emerge, thereby constructing category relations, namely, oppositional categories such as ‘fantasisers’-‘the gullible’ and ‘fantasisers’-‘sceptics’. This in situ change, I argue, creates a shift in the pragmatic function of joint fantasising, moving from a category-implicative action (serving entertainment) to a category-relations-implicative action (serving jocular criticism). This paper adds to the research on joint fantasising, categorial work and social action, and broadly contributes to our understanding of how members of the society orient to contexts and categories in and through talk-in-interaction.

Unraveling Implicature in Racial Humor Stand-Up Comedy on YouTube

Humor is a form of communication with the intention to implicitly express meaning by exposing a sense of comedy. The primary focus of this thesis is to investigate implicatures in stand-up comedy, which are then categorized according to the type of humor and to observe how stereotype racial issue depicted through implicatures in stand-up comedy. This thesis examines the implicatures found in stand-up comedy with the underlying topic of racial humor on YouTube. This thesis is a qualitative research using documentation techniques and data cards as a research instrument. It utilizes Yule's implicature theory and David Hector Monro’s Theories of Humor. This thesis is limited to only 4 comedians with different backgrounds; Maz Jobrani, Hasan Minhaj, Jimmy O. Yang, and Gabriel Iglesias. The study found three categories of humor: superiority, incongruity and release. Incongruity is a major finding because it aligns with the characteristics of stand-up comedy which is to express genuinely miserable concepts while combining them with humor. This thesis discovered that the comedian's punchline indicated the existence of stereotypes regarding specific racial groups. The racial stereotype humor found is dominated by the Middle East, such as Iran, Arabia, and Indian. In addition, another finding in this thesis is the construction of Chinese identity. It can be inferred from the findings that humor belongs for particular occasions. People can use humor to express implicit meaning and to define their identity.

Brand avatar present or absent? Investigate brand avatar and consumer forgiveness in public apology

PurposeThe rising occurrence of digitally driven public consumer complaints has made it necessary for enterprises to obtain consumer forgiveness. However, existing research has provided little understanding regarding how to obtain consumer forgiveness effectively. Thus, the present study examined how brand avatars can improve consumer forgiveness in the context of public apology.Design/methodology/approachThis study tested the mechanism of a brand avatar on consumer forgiveness using three studies. Specifically, we explored the direct and mediating effect of empathy toward a brand (Study 1); we identified the moderating mediating effect of humorous responses (Study 2) and product type (Study 3). Data for these studies were collected on Credamo. We analyzed the data using SPSS (26.0) for the primary analysis and PROCESS (3.5) for the mediating and moderating mediating analysis.FindingsThe results indicate that brand avatars enhance consumer forgiveness. Moreover, empathy toward a brand plays a mediating role in the effect of brand avatars on consumer forgiveness. Additionally, when a humorous response is present, a brand avatar can enhance customer forgiveness through empathy toward that brand. Compared to utilitarian products, hedonic products can also increase the impact of a brand avatar on empathy toward the brand, thus enhancing consumers' forgiveness.Originality/valueFrom the perspective of emotion, this study explored the impact of brand avatars on consumer forgiveness via empathy toward a brand. It augments the research on brand avatars and consumer forgiveness. The study also verified the moderating mediating effect of humor response and product type while expanding the brand avatar research boundary.

Jesters of Well-Being: Examining the Relationship between Clown Doctors and Patients.

Clown doctors play a crucial role in enhancing the well-being of patients through the use of humor. However, little is known about how the use of humor by clown doctors changes in relation to the developmental age of patients. This research explores the interplay between the type of humor used by clown doctors, their experience (in terms of years of clowning and type of clowning), and the developmental age of the patients (children, adolescents, adults, elderly). Data for this cross-sectional study were collected through an online survey distributed to 210 Italian clown doctors (143 females, 67 males), aged between 18 and 75 years (M = 47.34, SD = 12.31), affiliated with different Clown Care Units. The survey included the Comic Styles Markers, questions on the patients' developmental age, type of clowning (Auguste vs. Whiteface), and years of experience. The findings enhance our understanding on how clown doctors interact with patients of different developmental ages. The discussion draws connections to previous studies conducted on groups of clown doctors, providing a broader context for understanding the implications of humorous interactions in this unique healthcare domain.

"You're the only thing he comes out [of his room] for": A qualitative study of engagement between Laughter Care Specialists and families of people with dementia in long-term care.

Family involvement in the lives of people who have dementia and live in long-term care is important, but family members may face challenges communicating and connecting with their loved one as dementia progresses. A type of therapeutic humor (Laughter Care) delivered by trained specialists aims to engage people with dementia who reside in long-term care through creative play and laughter. This study aimed to explore the perceptions of Laughter Care Specialists (LCSs) regarding families' engagement with the program. Semi-structured interviews were conducted with LCSs (n = 8) and analyzed inductively using thematic analysis. Family members were reported to initially have varied degrees of openness toward Laughter Care, but often become more accepting after observing positive engagement with the person with dementia. Family members were perceived to benefit from the program through witnessing the person with dementia enjoy joyous and light interactions, learn new ways of communicating and connecting with the person with dementia, and engage in positive interactions at end of life. Laughter Care may provide family members with novel ways of communicating and connecting with people who have dementia at end of life as well as comfort into bereavement.

Cringe humor in Egyptian TokTok: multimodal critical discourse analysis of selected comic strips

Abstract After the January 2011 revolution, Egyptian artists had the opportunity to express their ideas more openly. One of the major productions that started in 2011 in Egypt was TokTok, a comic magazine for adults. During the period of 2011–2015, TokTok issued fifteen issues that incorporated a collection of comics and comic strips created by different Egyptian artists. The purpose of this paper is to explore whether cringe humor has been an integral part of the drawings and stories presented in TokTok and how this type of humor reflected the socio-cultural and political scene in Egypt during that period. For this paper, Kress and Van Leeuwen’s (2006. Reading images: The grammar of visual design. Routledge) model of multimodal analysis was applied to selected comics from the fifteen issues of TokTok to investigate possible elements of cringe humor as depicted in this Egyptian graphic magazine. Major results show that elements of cringe humor are not evident in all analyzed comics.

Using Humor in the Health/Physical Education Classroom to Create an Enjoyable Learning Environment

The purpose of this article is to show that health and physical education (HPE) teachers who implement humor in the classroom intentionally create a more relaxed classroom environment, build stronger relationships with students, and engage students in the learning process. Humor used as an instructional strategy eases teacher stress and engages students, leading to a comfortable and welcoming classroom climate. Students feel connected, relaxed and calm when humor is implemented in the classroom. Three theories of humor are briefly described, with Incongruity Theory identified as the primary way to conceptualize using humor in the classroom as a teaching practice. Different kinds of humor are introduced that can be implemented in the classroom. This article also identifies the types of humor considered inappropriate for the classroom. Strategies for implementing humor as a pedagogical practice are discussed to help HPE teachers reach the laugh-into-engagement effect.

"That's some positive energy": how social media users respond to #funny science content

Many scientists make use of social media and take various approaches to humor in their posts to encourage online public engagement, yet little is known about how publics respond to particular types of online science humor. This study investigates the behavioral effects of the presence of different types of science humor, specifically anthropomorphism, wordplay, and the two combined, shared by a scientist on Twitter. Individuals who experienced higher levels of mirth after exposure to humorous science content were more likely to leave a comment on the social media post. Additionally, individuals' need for cognition moderated the relationship between humor exposure and mirth, as well as the relationship between mirth and leaving a comment. These results and future research are discussed.

Comedy for Racial Justice? The Mediating Roles of Narrative Mechanisms and Perceived Humor Types on Persuasive Outcomes Related to Racially Biased Policing

ABSTRACT Despite the greater attention brought to systemically racist policing practices through protest movements in recent years, police in the United States continue to target racial minorities with aggressive tactics at higher rates than White people, while White people are more likely to show high levels of support for police. This study uses an online experiment to examine whether three different comedic television narratives about racially biased policing, compared to a serious nonfiction news depiction and a no video control condition, can persuade White viewers to feel more emotional about racial injustice, to take future actions to contest racist policies, and to develop attitudes that are less racist and more critical of police. This study also investigates whether these persuasive outcomes may be mediated through narrative mechanisms (perceived entertainment value, narrative transportation, emotional involvement) and perceived types of humor (critical, harsh, light-hearted). Results indicate that a comedic depiction of racially biased policing can be just as persuasive as a nonfiction news treatment, particularly when the narrative is experienced as emotionally involving and the humor is perceived as critical.