Reviews 151 detailed account of Cather’s days, including her struggles and successes as a young writer, teacher, magazine editor and novelist. Although quotation from Cather’s letters is forbidden in her will, Woodress’ careful paraphrase evokes her rich expression, ambition, love and humor. His vivid description combined with ninety well-reproduced photographs recreates her settings in America, Canada and Europe, and he incorporates perspectives from her fiction into the biography. In the process, he significantly expands and corrects the record of her life, which suffered from her own exaggerations as well as distortions by others. Among the new information is the text of Cather’s high school gradua tion speech, never before reprinted in full. Woodress also explores her early reading and first adventures abroad. He examines her editorial principles during the McClure’s years and reveals that during her first year as managing editor, circulation expanded by sixty thousand, increasing further the next year. The milieu of her less familiar stories also emerges from these pages. Woodress notes, for example, that “Behind the Singer Tower,” set following a hotel fire, was written while McClure’s was publishing a series of articles on the lack of fire escapes in New York apartment buildings. In addition to expanding the background for Cather’sfiction, Woodress traces the composition of each novel, quotes contemporaneous reviews and incorporates the important critical insights of Susan Rosowski, Sharon O’Brien and others. He connects Alex ander’s Bridge to Cather’s other works and provides especially impressive discussions of A Lost Lady, My Mortal Enemy, and Death Comes for the Archbishop. Beyond Woodress’ emphasis on Cather’s literary achievements, however, the biography remains, by his choice, a life rather than a reinterpretation. Yet as he portrays her relationships with family and friends, with publishers and readers, we increasingly glimpse Cather’s view of herself—one of the best con tributions a biography may make. In this respect he leaves the artist free to speak for herself, once again opening her world to a growing audience. CHAPEL PETTY-SCHMITT University of New Mexico Willa Cather in Person: Interviews, Speeches and Letters. Edited by L. Brent Bohlke. (Lincoln: University of Nebraska Press, 1987. 202 pages, $17.95.) This collection of primary material gathered by the late L. Brent Bohlke reinforces the impression and expands the knowledge of Willa Cather gleaned from the careful scholarship of Bernice Slote and the standard biographers. Bohlke divides his collection into three sections—interviews, speeches and letters—each arranged chronologically. The editor’s headnotes set the scene, provide pertinent biographical detail and cross references, and offer short 152 Western American Literature biographies of the interviewer or author if available and noteworthy, but they do not intrude with criticism of the article or the subject. Those who have been frustrated by the codicil in Cather’swill that forbids publication or direct quotation from her letters will welcome this oblique look at the private Cather. Her physical appearance (supported by inclusion of a number of published portraits), mannerisms, voice and daily routine—especi ally her writing schedule and her love of the art of cooking—come through vividly in the interviews she gave after her reputation was established so that the country-girl-turned-writer angle could be abandoned, but before she had gained the Eminent Author status that obligated an interviewer to focus on her literary career. Especially memorable isan interview byOmahan Eva Mahoney in 1921. The collection offers no sensational revelations but rather a series of windows, rather like the Dutch window scene Cather herself was fond of using as an illustration, into Cather’s personal and professional world. Where biog raphers have offered us one or two details to support a passing point, Bohlke’s collection provides a fuller picture, due in part to repetition in the sources, but also to the luxury of quoting a source in full. Scholars and casual readers of Cather alike will welcome this last legacy from the careful scholarship of Rev. Bohlke. DIANE D. QUANTIC Wichita State University On Mark Twain: The Best from American Literature. Edited by Louis J. Budd and Edwin H. Cady. (Durham, NC: Duke University Press, 1987. 312 pages, $33.50...