Reviews 255 Southwest’s best-known anti-ist writer. Edited by James Hepworth and Gregory McNamee, this group of essays is no conventional set of critical opin ions, no boxable package of pedantic assessments (when they asked me to contribute and I couldn’t think of anything nonacademic to say, I didn’t sub mit anything at all), no twentieth-century view. Instead, it matches its man. The selections include both formal and informal interviews with Abbey himself, somewhat serious looks at a couple of his books, personal bits of imaginative correspondence, some thoughtful musings, some gentle chidings, and two or three essays that bounce off the wall. That is, Resist Much, Obey Little echoes the strengths, the weaknesses, even the characteristics of its sub ject (and Abbey’sstrengths alwaysprevail). So I liked it. Some of the pages (Berry’s, Barry Lopez’s, the interviews) I liked better than others (Mairs’s and Houston’s, for example), but on the whole I found the collection not only provocative but fun to read. There is no pattern to my likes and dislikes, either, for my favorite essays included both the wildest and the tamest. The slim volume could have been (maybe should have been) longer, but I have only people like myself to blame. Because Resist Much, Obey Little is the kind of book to which one responds personally, it’s also the kind of book hard to review. Just as a reader either enjoys or misunderstands Abbey’s works, so he or she either will appre ciate or be annoyed by the eclecticism of this miscellany. “I love Edward Abbey,” says Sam Hamill at the end. “He’s a high-class quarrel.” I agree. And that’s what the editors who put together this book’s loving quarrels are trying to say, too. ANN RONALD University of Nevada Reno The Solace of Open Spaces. By Gretel Ehrlich. (New York: Viking/Penguin, 1985. 131 pages, $14.95.) In 1976, Ehrlich, a documentary filmmaker, left the cockroaches and carbon monoxide of Los Angeles to make a film in Wyoming. She finished her first book after eight years of herding sheep in the Big Horn River Basin, pulling calves in rainstorms in the Beartooths, fighting off lecherous hermitcowboys in town, and waiting out long Wyoming winters alone in her cabin. The manuscript, originally a journal sent to a friend, sings a lovesong to the West in a hard, lean, yet feminine prose. Ehrlich writes about the men and women of the Wyoming range with the same passion that Hemingway wrote about the aficionados of Spain, painting a coarse, raw picture of the person alities that drew her into the Basin’s world—a world where summers are dry and the winters’ winds howl. It is a land, writes Ehrlich, where wind reigns, sweeping out the big room of space daily, “leaving a bone yard of fossils, agates, and carcasses in every stage of decay. . . . Wind is the meticulous gardener, raising dust and pruning the sage.” 256 Western American Literature The values of the Basin, according to Ehrlich, crystallize quickly. People are strong on scruples but tenderhearted about quirky behavior. It is a place, she writes, which is “darkened only by the small-mindedness that seals people in. Men become hermits; women go mad.” Ehrlich highlights her book with piercing images of the sheeptown of Lovell, the Basin’s fierce summers and winters, the fading Indian customs, and the details of losing a lover and gaining a husband. She is a keen watcher of symbols and the harmony between man, animal, and the land, and writes only about events that have truly changed her life. JANET BENNION CANNON Utah State University This isDinosaur: Echo Park Country and Its Magic Rivers. Edited by Wallace Stegner. (Boulder: Roberts Rinehart, 1985. 93 pages, $24.95 hardcover, $8.95 paper.) This book, first published in 1955 by Alfred Knopf, figured prominently in the great Echo Park controversy of 1954-1955, when Dinosaur National Monument was threatened with two Bureau of Reclamation dams that would have dramatically altered the primitive setting of that spectacular region. It is reprinted now with a new foreword by Wallace Stegner, a note from...
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