ABSTRACT Lemonade (2016) is a genre-blending text that imports cultural and fantastical devices in order to revise, interrogate, and re-examine history–specifically, the traumas inherited from enslavement. In its analysis of history, Lemonade immortalizes Afrodiasporic spiritual practices and enshrines Black women-healers and magic-users as folk heroes. This work advances that the Afrodiasporic spiritual practices and gynocentric connections are used to form Black female collectives. It draws largely on Black and Africana feminist and womanist scholarship to frame an expanded discussion of spirituality and Black motherhood in the American South, and to demonstrate how collectives–sacred, transhistorical communities–are critical to Black female healing. It contextualizes Lemonade’s “chapters,” visuals, and wider narrative, and it examines the Southern psychic and epistemological resources that Beyoncé, as protagonist, consults. In doing so, this work ultimately intends to create new intellectual space for readers to revisit questions of collectivity in Lemonade and consider the indispensability of community for Black women and girls.
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