The Han Dynasty was a prosperous period in Chinese history, during which dance art also made significant advancements. This paper focuses on the study of portrait stones from the Han Dynasty, conducting a classification, comparison, and regional distribution analysis of dance images on Nanyang and Shandong portrait stones. By integrating historical literature, archaeological data, and contemporary dance theory, the paper reveals the characteristics of dance culture in different regions during the Han Dynasty and their geographical differences. The research finds that the dances depicted on Nanyang portrait stones exhibit distinct regional features, showcasing a vivid, natural, and simple folk dance style. In contrast, the dances on Shandong portrait stones are influenced by Confucian culture, displaying a more splendid and standardized character. These differences reflect the diversity of regional cultures and the flourishing of folk dance during the Han Dynasty.