Reviewed by: La terre des morts by Jean-Christophe Grangé Nathalie G. Cornelius Grangé, Jean-Christophe. La terre des morts. Albin Michel, 2018. ISBN 978-2-226-39209-1. Pp. 553. One of the few French authors of suspense to gain recognition in the United States, Grangé, author of Les rivières pourpres (1998) and L'empire des loups (2003), once again makes his mark in detective fiction. His thirteenth novel's tightly woven plot, punctuated by violent action sequences and nightmarish scenarios populated by a gallery [End Page 233] of tortured individuals, makes for a top-notch thriller. In this dark world, the reader's anchor is Police Commander Stéphane Corso, whose rough childhood in Paris's worst neighborhoods makes him as dangerous and unpredictable as the criminals he tracks. On learning that the identification and capture of a violent murderer would help boost his image in a painful custody battle for his son, Corso uses his connections in the police force and his knowledge of underground society to home in on a probable suspect for the brutal torture and murder of two exotic dancers. Philippe Sobieski, a reformed criminal who has successfully channeled his lurid urges into a fascination for Francisco Goya's dark paintings, has become a talented artist and a model for civic rehabilitation. Despite multiple strong alibis, a lack of motive, and the former prisoner's assertions of innocence, Sobieski's arrogance and taste for provocation convince Corso of the ex-convict's guilt. As the investigation and litigation proceed, incriminating discoveries and circumstantial evidence alternately condemn and exonerate Sobieski. Readers find themselves equally questioning the law enforcer's reliability and the accused's sincerity. The resulting literary game, although highly entertaining, should come with the caveat"reader beware." Even someone habituated to Grangé's penchant for graphic violence should be cautioned that Corso's foray into the world of bondage and hardcore pornography gives rise to an explicit (and mostly unnecessary) catalogue of acts that can make even a stalwart reader cringe. Still, the raw language in the novel and the high suspension of disbelief required of the reader by the plot's twists heighten awareness of Grangé's writing skills. The author's study of biological and social determinism in a society whose conservative views prescribe repression but instead push individuals, marginalized because of their origins or lifestyle, toward transgressive acts, is convincing. Justice, innocence, and culpability are social constructs where wealth and social connections overshadow the quest for truth and vindication. Social commentary and entertainment value aside, the thriller's merit lies in the imagination and literary craft that propel its storyline. Characters that initially seem clichéd later reveal complex layers of personalities and motivations, alternately soliciting empathy and revulsion, interest more than judgment. Artful descriptions of the diverse architectural facades of Paris's arrondissements poetically symbolize the rift between appearances and hidden realities. Intriguing passages, such as the sensory impressions of a deep-sea dive and a digression on the historical origins of the Japanese art of shibari (rope bondage), pique the reader's curiosity. Finally, the explanation for the crimes and their motive in the novel is brilliant and original. [End Page 234] Nathalie G. Cornelius Bloomsburg University of Pennsylvania Copyright © 2019 American Association of Teachers of French