After ten years of research on Black women and breast cancer, I have concluded that there are structural prohibitions against Black women being able to shape the national public health policy dialogue on breast cancer. Despite being the demographic most likely to die from this disease, stigma against Black women (Motsemme 2004, 2007, 2011; Jordan-Zachery 2008; Berger 2004; Cohen 1999) still shapes survival rates. In the struggle to survive in a context in which political institutions ignore their lives, Black women have taken their health into their own hands. Thus, in this paper, I have begun to examine the and collective alternative healing strategies and practices of Black women that constitute a wholly distinctive location for mobilization and collective action by Black women in pursuit of their health.According to the American Dance Therapy Association (ADTA), dance/movement therapy is the psychotherapeutic use of movement to further the emotional, cognitive, physical and social integration of the individual (www.adta.org). Psychological and physical interventions including dance and movement creative art therapies have been studied for use with oncology, orthopedic and mental health patients, to name a few, measuring a variety of outcomes including those relating to quality of life. In this paper, I will examine the Het Heru Healing Dance (2010) and the and Auset Aum Tam Qi Gong for women, to further explore the potential contributions of dance and movement as creative arts therapies for women’s wellness and improvement in overall quality of life. The increasing desire for alternative treatment options and the increasing popularity of dance/movement therapy opens the way for the Het Heru Healing Dance and Auset Aum Tam Qi Gong to increase the quality of life for women by providing (1) an accessible and fundamentally unique method of dance and movement therapy, (2) an opportunity for group support, and (3) a space for women to reflect on how they holistically understand and perceive their health, to ask questions, and to expand discussions on innovative new ways to enhance wellness. Unlike the ADTA dance/movement therapy based on the limited mind/body binary intervention, I argue the Het Heru Healing Dance and Auset Aum Tam Qi Gong create new possibilities for optimizing health and healing because they are holistic dance and movement forms rooted in the Metu Neter Paut Neteru methodology based on the complimentary, interdependent and unifying 11 Laws of Maat (Amen 1990, 2003). The Paut Neteru method is the cosmologic basis of behavioral change in Kamitic spiritual science. African worldview theory, therefore, provides the theoretical framework for this study, and scholarship on dance/movement therapy in Psychology, African Studies, Africana Studies, Women’s and Gender Studies and and Cultural Studies provides the historical context and contributes to the overall thesis.
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