Previous articleNext article No AccessThe Ass and the HarpHelen AdolfHelen Adolf Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Speculum Volume 25, Number 1Jan., 1950 The journal of the Medieval Academy of America Article DOIhttps://doi.org/10.2307/2850003 Views: 14Total views on this site Citations: 5Citations are reported from Crossref Copyright 1950 The Mediaeval Academy of AmericaPDF download Crossref reports the following articles citing this article:Lydia Goehr “— wie ihn uns Meister Dürer gemalt! ”: Contest, Myth, and Prophecy in Wagner's Die Meistersinger von Nürnberg, Journal of the American Musicological Society 64, no.11 (Apr 2011): 51–118.https://doi.org/10.1525/jams.2011.64.1.51Matthew M. Reeve The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture, Journal of the British Archaeological Association 163, no.11 (Jul 2013): 72–109.https://doi.org/10.1179/174767010x12747977921047Jack Cheng A Review of Early Dynastic III Music: Man’s Animal Call Cheng, Journal of Near Eastern Studies 68, no.33 (Jul 2015): 163–178.https://doi.org/10.1086/613988 Mark Griffith Horsepower and Donkeywork: Equids and the Ancient Greek Imagination. Part Two Griffith, Classical Philology 101, no.44 (Jul 2015): 307–358.https://doi.org/10.1086/519182 Mark Griffith Horsepower and Donkeywork: Equids and the Ancient Greek Imagination Griffith, Classical Philology 101, no.33 (Jul 2015): 185–246.https://doi.org/10.1086/511015
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Mar 1, 1968
Thurston Dart 
