ABSTRACT Scholars of public space continue to debate its role as a setting for social and cultural activities, on the one hand, and for democratic processes, on the other. Public space is conceptualized in these discussions either as an already-made container for social interaction or a site created through insurgent activities. This paper offers an alternative starting point for the study of public space. Instead of approaching public space as a container for social interaction built by institutions, this paper conceptualizes public space as emerging through collective, public-minded activity, which has a limited duration. While such activity may appear through antagonistic politics claiming a right to the city, for example, it also takes shape through grassroots activities for collaborative placemaking and collective care. The paper elaborates on this conceptualization through a case study applying rhythmanalysis perspectives to analyze how ordinary spaces in the city of Saint Paul, Minnesota, emerged as public spaces in June 2020 through collective social action following the murder of George Floyd. The paper concludes that conceptualizing public space as a spatially- and temporally-ordered event advances inquiry into how public spaces support democratic ways of life.
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