Graphic Artwork Research Articles

Dampak Negatif Rokok sebagai Ide Penciptaan Seni Grafis Stencil Print

This final work aims to visualize the negative impact of smoking in graphic artworks using the stencil print technique. The idea of this work is the visualization of the negative impacts caused by smoking, ranging from health, environmental, and social impacts. The method in the process of making this graphic art work goes through several stages, namely: preparation, elaboration, synthesis, concept realization, and completion. Each work has a size of 40cm x 52cm with the title of the work, "nesting", "withering", "wasted coins", "the old", "claustrophobic and trapped", "smoke factory", "burning time", "burning self", "not a part", "irreplaceable". .

BUNGA MATAHARI DALAM KARYA SENI GRAFIS CETAK TINGGI

The purpose of creating this final work is as a form of aesthetic experience when the author needs calm in living his life. Sunflowers have a philosophy of always following the direction of the sun’s rays, which means being loyal, optimistic and enthusiastic so that sunflowers can be used as an inspiration for those who see them. The issues discussed are: 1) What is interesting about sunflowers as a source of ideas for creating high-print graphic art works, 2) How sunflowers become a theme in high-print graphic art works, 3) How to visualize sunflowers in high-print graphic art works . The objectives of creating this thesis work are: 1) Describe the interesting things about sunflowers, 2) Explain the choice of sunflowers as a source of ideas for creating graphic works of art, 3) Create a visualization of sunflowers as a work of graphic art. Sunflowers are packaged in high-print graphic art visuals with a flow of surrealism and color reduction methods. Presentation of works with figures using matte glass so as not to reflect light. The media used is mdf with a thickness of 3 mm with dimensions of 60 cm x 80 cm. The work is presented by placing it on the surface of the gallery wall using glass figures. Hopefully this work of art can be a reference, useful and enjoyable for the community.

Kehidupan di Tepi Sungai Batang Arau dalam Karya Seni Grafis

The purpose of the creation of this work is as social criticism and conveying messages about river pollution behavior that occurs in the Batang Arau river in Padang city by visualizing the impact of river pollution on humans. which is poured into graphic artworks. The creation of the work uses the art consortium method with five stages, namely, the preparation stage (observation and exploration), the elaboration stage (searching and collecting references), the synthesis stage (application of main ideas), the realization of concepts (making works), and the completion stage (artist report and final work exhibition).So that the realization of ten works that the author made with the theme of the impact of river pollution, the resulting works are 10 works with a size of 55 x 40 cm with titles including: Hal Baik yang Terganggu, Blind, Seiring Sejalan, Tanpa Sadar, Ingin Tapi Tak Bisa, Malam yang Sulit, Dimatanya, Meniru, Luapan, Dari dan untuk diri sendiri.

Nie tylko muzyka. Kolekcje dzieł sztuki Filharmonii Pomorskiej im. I.J. Paderewskiego w Bydgoszczy

During 1954-1958 the building of the Pomeranian Philharmonic was erected in Bydgoszcz. From the 1970s its interiors were decorated with sculptures, tapestries and graphic artworks by contemporary Polish artists. Sculptures additionally stood in front of the building and in the park, creating an outdoor gallery of virtuosos and composers. The originator of this collection was the long-time director of the Philharmonic, Andrzej Szwalbe (1923-2002). The idea of combining music with various fields of art was implemented consistently until the 1990s. For the “temple of music” in Bydgoszcz, works were prepared by artists such as Barbara Zbrożyna, Adam Myjak, Michał Kubiak, Józef Makowski (sculptures), Kiejstut Bereźnicki, Józefa Wnukowa, Magdalena Heyda-Usarewicz, and Tadeusz Brzozowski (tapestry designs). The “Collection of Painting and Graphic Art Tadeusz Brzozowski” includes works by – among others – Magdalena Abakanowicz, Jan Tarasin, Stefan Gierowski. The works not only decorate the interiors, but also document the achievements of Polish artists in the 1970s and 1990s. The art collection has been on the Register of Historic Places since 1990.

Toward spectral continuum: Multimodal non-invasive analysis of historical pastels

The material study of fragile graphic artworks requires adapted analytical methodologies to extract representative information without resorting to sampling. In this paper, a multimodal approach combining non-invasive techniques was developed to specifically characterize the artistic materials used (paper, pigment/filler and binder) in 3 pastel portraits by the famous French pastellist, Maurice Quentin de La Tour (1704–1788). The combination of elemental analyses using X-ray fluorescence and reflectance spectroscopies covering the entire energy range from 25,000 to 400 cm−1, has provided new insights into the nature and state of conservation of the paper support, as well as the composition and application of the pastel materials. Bridging technical art history, conservation science and analytical chemistry, this research offers a unique perspective on the choice of materials of the renown pastellist, and sheds new light on an artistic technique understudied until now.

Typos in Addis Ababa: Analysis of typographical errors on posters and banners

Errors have long been taken as an important source of insights into understanding a user's performance of a task. Errors provide feedback; they tell publishers something about the effectiveness of their editorial process and give them evidence about the competence of editors. This study examined the typographical errors of posters and banners in Addis Ababa. It was with the view of developing an effective copy-editing framework by using inputs from the printing press organisations which have been engaged in graphic artwork designs and printing services, and their key customers. To arrive at the intended purpose, descriptive survey research was designed and four different instruments, i.e. documents (posters and banners with typos), interviews, focus group discussions and observation were employed. The results of the study reveal that the typos on posters and banners were related to omission, addition/insertion, transposition and lexical root errors. Of these typographical errors, lexical root errors occupied the highest position, followed by errors of omission. Errors of addition/insertion and substitution, however, occurred less frequently. Errors of transposition were the least frequent of all types of typos. A lack of copy editors' professional competence, a deprived systemic approach to publishing posters and banners, the absence of standards for publishing posters and banners and the duration of usability of posters and banners were also identified as the major causes of typographical errors. Finally, based on the findings, the study suggested possible intervention packages.

Fashionable sebagai Sumber Ide Penciptaan Karya Seni Grafis

The purpose of making this work is to visualize the negative impact of fashionable so that people know about the current trends that affect a person's life a lot in the form of graphic artwork u sing the Stencil Print technique. The creation method in this final work is carried out in stages, starting from the preparation stage, the elaboration stage, the synthesis stage, then the realization of the concept and finally the completion or finishing stage of the work. Ten works of graphic art using the stencil print method with a size of 50 x 40 cm with the titles "Obsession", "Beauty", "Addiction", "Wrong Direction", "Sacrifice", "Shouldn't", "Royal", " Free association”, “Aggression”, ”Update.

MY FASHION JOURNEY DALAM KARYA SENI GRAFIS LINOCUT

The experience of the journey process of finding a character in fashion is done with a sense of comfort, courage, happiness. The creation of this work aims to create works of art with sources of inspiration: The journey process of finding characters in fashion and Fashion Storytelling, explaining the concept, creation process, and description of graphic art works. The process of creating this work of art uses the L.H. Chapman, that in the creation of works there are three stages, namely Finding ideas, perfecting and Visualization The process of traveling in fashion is expressed in the work of Graphic Art by processing elements and principles of visual composition, through the study of the process and concept of the creation of the work, using high print or cut techniques in linoleum on paper with 2 techniques, namely puzzle technique and reduction technique.

(Retracted) Multidimensional graphic art design method based on visual analysis technology in intelligent environment

In the last few years, the artificial intelligence technology has provided unique methods for design analysis in the art field. With the development of China’s economy and cultural prosperity, graphic design has changed people’s lives greatly. Under the concept of modern scientific and technological creation, the variety, scale, and plasticity of graphic design art are constantly improving, and the diversification of design elements is becoming the development trend. We designed a graphic art element recognition model based on single shot multibox detector (SSD) method through deep learning of visual processing technology. This method can automatically identify various elements in multidimensional graphic art works, thus helping artists and learners analyze an art work better. In this method, we take the SSD structure as the main model backbone and use the improved attention mechanism module feature pyramid transformer to replace the original feature fusion module, inject long-distance dependency into the model, and improve the accuracy of object detection. In addition, we use the public dataset to make the relevant image target detection dataset. Different object detection evaluation metrics are used to evaluate the proposed methods, and several existing methods are selected for comparative experiments. Compared with YOLO V5 object detection model, our method improves 0.53%, 0.67%, 1.33%, and 1.28% on pixel accuracy, mean pixel accuracy, average recall, and mean intersection over union, respectively. The proposed algorithm has a great contribution to the performance improvement of object detection and the auxiliary analysis of multidimensional works of art.

Методи обробки та реставрації літографського каменя під виготовлення друкарських форм для творів графічного мистецтва

Методи обробки та реставрації літографського каменя під виготовлення друкарських форм для творів графічного мистецтва

KERINDUAN PADA NENEK SEBAGAI SUMBER INSPIRASI PANCIPTAAN KARYA SENI GRAFIS

The deep longing for the love and advice from grandmother, which is ingrained in the person, teaches a lot about the simple way of life as a Javanese. The purpose of creating this work of graphic art is to explain the concept, process, and visual description of a work whose inspiration comes from longing for one's grandmother. The technique used is the printing technique (Intaglio). The creation of this Final Project graphic artwork provides more insight regarding the tools, materials, techniques to work on a work. The result obtained from the creation of the work is a work of graphic art inspired by a sense of longing for grandmothers. In addition, empirical experience in creating works of art is also a deepening of the concept of longing for grandmothers.

Pelatihan Teknik Cetak Tinggi dengan Format Mini Sebagai Hiasan di Café-Café Kekinian Pada Komunitas Grafis Makmur Sukoharjo

The proliferation of contemporary cafes in the Surakarta area and its surroundings has added to the increasing wheel of the economy. It is recognized that during the Covid 19 pandemic these efforts were somewhat dimmed, but after or after the Covid 19 pandemic, these efforts continued to increase. Contemporary cafe businesses, especially those that open coffee shops, mostly require something artistic, it can be in the form of decoration, appearance in arranging the room to other things. Decorations or cool language, aesthetic elements are needed to make these cafes more attractive to visitors, especially young people. Young people or children today need places to gather or hang out as well as places for selvi or making stories. Seeing this very promising business opportunity makes the author quite intrigued by this problem. Business opportunities, especially those engaged in making aesthetic elements on the walls of contemporary cafes. Based on the experience gained by the author as a graphic artist, it encourages the author to find suitable partners to be trained in the creation of graphic art works in the form of aesthetic elements, especially those using high and mini-sized printing techniques. The author finally chose the Makmur Graphic Community. This community is a community engaged in graphic studios, exhibition venues and also a place for graphic art work. The purpose of this PKM is to train and assist the Makmoer Graphic Community so that they can produce high-tech graphic art products in a mini format, as an aesthetic element in contemporary cafes in the Surakarta area and its surroundings. The choice of the Makmur Graphic Community as a partner is because this community is inhabited by very young members, besides that this community is already very present in the graphic arts arena, especially in the Surakarta area and its surroundings. Many events have been held both online and offline, it's just that this community has shortcomings, especially in the products produced. For the methodology, Asset Based Community Development (ABCD). The impact is clear that the Makmur Graphic Community is now not only able to produce works of graphic art as a medium of expression, but can also produce decorative works or aesthetic elements. The second clearly produces a significant impact in the economy because the demand for these crafts from time to time has increased. And this is very supportive of the theme of this national seminar, namely the role of universities in community empowerment in supporting progress after the Covid 19 pandemic.

Graphic Medicine as a Wake-up Call to Stand Against Female Genital Mutilation in Egypt

FGM, Female Genital Mutilation, is one of the most prevalent types of violence against girls and women in Egypt. Despite its horrific short- and long-term physical and psychological complications, according to UNICEF data reports, FGM remains widely practised against girls and women aged 15-49 in around 30 countries in Africa and Asia (UNICEF Egypt Data Snapshot, 2019). Non-medical, primarily, social and cultural beliefs that are associated with girls’ and women’s chastity, marriageability, hygiene and honour continue to control the lives of millions of them and, in some cases, lead to their death. November 25, 2021 marked the 30th anniversary of the global 16 days campaign of activism which was launched by the Centre for Women’s Leadership to raise awareness about violence against women worldwide. In Egypt, this year, among several events that commemorate the anniversary, Care Egypt Foundation in collaboration with the United Nations Population Fund (UNFPA) and the National Committee for the Eradication of Female Genital Mutilation (NCEFGM), launched a social media campaign against FGM entitled “My Story with Genital Mutilation” (Care Egypt, 2021). The campaign’s team gathered eight real-life stories of Egyptian women survivors and collaborated with artist Noran Fikri who drew the graphic artwork. In this research project, I argue that the aim of choosing graphic drawings for that campaign is twofold: 1) drawing real-life stories of Egyptian FGM survivors empowers thousands of girls/women to break their silence, and report about similar practices which may prevent potential victims from undergoing such abuse; 2) this campaign aims to reach large numbers of social platform users, to make FGM everyone’s problem in Egypt, in the hope of shifting the narrative from chiefly raising awareness about performing such violent practices into inspiring mainly not Non-Government Organizations, lawmakers or national officials but individuals—whether directly harmed or not—to take an action against FGM. I also suggest that this eight-graphic-stories collection is a representation of a graphic medicine movement in Egypt. Coined in 2010 by Ian Williams, Graphic Medicine is “the intersection of the medium of comics and the discourse of healthcare… a community where many people have found their voice” (Czerwiec et al, 2015, p. 1). The graphic form lends a fresh perspective on FGM survivors’ personal physical, psychological and mental suffering. It softly invites other women survivors to share their stories. Since it is a social media campaign, each of these eight very short stories is illustrated in a one-page graphic artwork, in a short, quick yet shocking and horrifying emotion-packed post. The graphic visual delineation of the memory of pain and hurt of such abuse which those women are forced to live with, subtly connect them to their fellow survivors in a manner that words cannot attain.

The problem of classification of graphic art of anarchist periodicals of the turn of the XIX–XX centuries.

The subject of the study is the existing classification of graphic art of anarchist periodicals of the turn of the XIX–XX centuries. The object of the research is publications devoted to the problem of compiling a classification of works of graphic art of anarchism. These are the works of R. and E. Herbertov, A. Dardel, L. Litvak, J. Godard-Davant, K. Ferguson - foreign experts in the field of anarchist graphics. There are no domestic publications on this topic. The author of the article pays special attention to the similarity in approaches to the classification of different authors and the existing gaps in this field of art criticism in order to determine further prospects for the study of the issues under consideration. The scientific novelty of the work is to clarify the classification trends not systematized in Russian historiography, proposed in the literature in English, French and Spanish, on the basis of which a methodological basis for the analysis of the topic is being developed. The methods used in the work are as follows: analysis of historiography in order to identify existing approaches to the study of graphics of anarchist periodicals; comparative analysis, which allows us to compare the two main trends (according to the thematic-iconographic and figurative-thematic principle) with each other, finding further perspectives of interpretation and existing gaps. The results of the study reveal the existing tradition of classification, the authors of which promote their methods, preventing the emergence of other approaches and types of classification that can shed light not only on the image of an anarchist, but also on the peculiarities of the dialogue between anarchist graphics and the artistic avant-garde.

Female Portraits from Long Ago. Graphic Artworks in the Collection of the National Museum

Among the multitude of (prevalently male) portraits from the graphic art collections housed by the National Museum of Transylvanian History, there is a small number of nineteenth‑century female portraits, most of which belong to the artistic world of those times. These creations often depict figures from social and aristocratic circles or heroines brought to the public’s attention by special events. The precise artistic investigation of the portraits accomplished in romantic or Biedermeier style is completed by the presence of some compositional portraits in the collections, which bring a note of delicacy and romanticism in an austere environment.

EARTH'S CREATION STIMULUS: CREATION OF GRAPHIC ARTS WITH USED PLYWOOD MEDIA

Natural phenomena, especially climate change, are increasingly worrying lately. Graphic art can be used to express concern for the environment in response to climate change. The creation of this graphic art work uses the concept of the earth's creation stimulus. The creative methods used include: experimentation, contemplation, and formation. Abstract Expressionism was chosen as the style of personal expression in the creation of this work. The creative technique used is high printing technique with used plywood media. The results of the creation process show that the visualization of the concept of the earth's creative stimulus produces the forms of circles and lines. These forms are the main motif in the creation of graphic art with the stimulation of this earth's creativity

PELATIHAN PEMBUATAN MINIPRINT DENGAN MENGGUNAKAN MEDIA TRIPLEK DI KOMUNITAS MAKMOER ART PROJECT SUKOHARJO

Abstract Miniprint is one of the print size formats in graphic arts that is not yet very popular in Indonesia. Miniprint format prints in small sizes both matrix and paper. Printing in small sizes is fun. Small format requires patience and technical skill in visualizing the artist's ideas and ideas. Considering that miniprints have many features apart from a small format, they can also be carried everywhere and can also be used as an aesthetic element or room decorator and have good selling power, encouraging the author to hold a workshop or training on making miniprints in the Makmoer Art Project Sukoharjo community. The selection of the training venue in the Makmoer Art Project Community is because this community is indeed engaged in the arts and humanity. A community that always provides free workshops to people in need. Community service methods, problem identification, training and mentoring, evaluation. The works produced in this training after completion are then framed in a minimalist way. The miniprints produced are small-sized works of graphic art, using a matrix of plywood. These works are used as aesthetic elements of the house or as room decoration. Works for the aesthetic element of the house are currently popular among the public so that they have a selling value and can be used as an alternative in entrepreneurship.

Review: ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now, by E. Carmen Ramos, Tatiana Reinoza, Terezita Romo, and Claudia E. Zapata

Review: <i>¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now</i>, by E. Carmen Ramos, Tatiana Reinoza, Terezita Romo, and Claudia E. Zapata

TARI RANGGUK KOTA SUNGAI PENUH DALAM KARYA SENI GRAFIS

Today, the Rangguk Kota Sungai Penuh dance was no longer developed in the current generation because it was often neglected and there was no attention to dance that has long been born in society. The creation of this final work aims to visualized the expression related to the Kota Sungai Penuh rangguk dance in a graphic art work, presenting the rangguk dance movement which was still traditional and still exists today. The method in creating this work used the relief print technique, namely the wood cut type with the reduction print coloring technique and the work process used in the creation of this graphic art work through several stages: (1) preparation, (2) Elaboration, (3) Synthesis, (4) ) Concept Realization, (5) Completion.The results of the visualization of the Kota Sungai Penuh rangguk dance in this graphic art work were in the form of 10 works with the titles: (1) shingles fell, (2) sitting sympathetically, (3) respect, (4) virtuous, (5) meet, (6) facing bamboo, (7) basil flower, (8) apologize, (9) merges, (10) array of fingers.Kata kunci: tari rangguk, tradisional, seni grafis.

IBU DALAM KARYA SENI GRAFIS

This work aims to visualize the sacrifice of a mother as well as a reminder to every child that the importance of being devoted to parents, especially mothers. The methods in the creation of this artwork are: (1) preparation, (2) Elaboration, (3) Synthesis, (4) Concept Realization, (5) completion. The result of the artwork is to visualize the portrait of the mother in the form of graphic artwork to be displayed, ten titles of the work are displayed as follows: 1) God's Deposition 2) Two Best Years 3) The Most Beautiful Anughrah 4) First Teacher 5) Sincerity 6) Responsibility 7) Hope 8) Companions 9) Way Home 10) Gifts.Keywords: Mother, Artwork, Graphics