en fait une nouvelle forme de tragédie pour l’idéal passionnel. À la Belle Epoque, la romancière Camille Pert l’accuse de compromettre les différences de genre et de classe. Témoignant d’une profonde érudition, apportant une grande attention aux contextes idéologiques et biographiques, cet essai sans équivalent, aux analyses perspicaces, aux enjeux précis, à l’écriture claire et non départie d’humour, offre une lecture aussi enrichissante qu’agréable. New York University Claudie Bernard Wild, Francine, éd. Le sens caché: usages de l’allégorie du Moyen Âge au XVIIe siècle. Arras: Artois PU, 2013. ISBN 978-2-84832-178-3. Pp. 248. 20 a. The reading of allegory, a hugely popular form of entertainment in the medieval period and beyond, is now something of a lost art. This volume includes readings of allegorical representations from a variety of literary genres spanning periods from the thirteenth through the seventeenth century. Huguette Legros walks the reader through a relatively little known medieval allegory by Raoul de Houdenc, Le songe d’enfer, with particular attention to the figure of the traveler who narrates his journey, and whom she identifies directly with de Houdenc. She argues that the allegory parodies the traditional genre on which it is modeled, and that de Houdenc subtly manipulates the allegory to validate his creative freedom and his status as ménestral. Chantal Liaroutzos, working, by way of illustration, with the sixth book of Amadis de Gaule (1545) highlights significant differences between the medieval period and the sixteenth century concerning the use of allegory, focusing especially on the merveille. This element, as she points out, is typically associated in medieval allegory with a mystical, religious signification. By the sixteenth century, the merveille has been desanctified, reduced to a special effect intended to dazzle, amuse, or entertain the spectator/reader. She sees Cervantes’s parody of allegory in Don Quijote as a logical extension of a process of demystification that is already well underway by the middle of the sixteenth century. While the first section of the study focuses on allegorical narrative of the medieval period through the sixteenth century,the second section concerns theatrical representations of an allegorical nature, mainly from the sixteenth century. Estelle Doudet discusses the jeux moraux, a genre that flourished between 1430 and 1560, with allegorical characters representing Vérité, Justice, Péché, Humanité, among others. These allegorical dramatizations serve the same didactic function as homiletic discourse, but are intended perhaps for a broader, less sophisticated audience, endowing moral abstractions with tangibility and, occasionally, even a certain humor. Doudet views these allegorical plays not as a stable, well established literary genre, but as an evolving, dynamic series of theatrical experiments. The third major section of the book brings the study of allegory into the seventeenth century, with the final chapter focusing on the ambitious, 11,000-verse work by Jean Desmarests, Clovis ou la France chrétienne 276 FRENCH REVIEW 89.1 Reviews 277 (1657). Francine Wild argues that allegorical representation is still alive by the middle of the seventeenth century, but, at least in the case of this particular epic poem, imitates the tragi-comédie and the novel, in terms of tone and length, in order to compete successfully against these popular genres. As a study in the evolution of allegorical representation through five centuries of French literature, reflecting a surprising diversity of genres,subtexts,and authorial intentions,this volume represents an important contribution. University of North Carolina, Greensboro David A. Fein Society and Culture edited by Zakaria Fatih Alexander, William. Flirting with French: How a Language Charmed Me, Seduced Me & Nearly Broke My Heart. Chapel Hill: Algonquin, 2014. ISBN 978-1-61620020 -6. Pp. 266. $15.95. This memoir was authored by a passionate 57-year-old American with a good sense of humor who embarks on a quest to learn French. This fun read starts with a declaration of love to the French language and culture and then traces the author’s tribulations as he sets out to accomplish the unrealistic goal of mastering French in just one year. The first half of the book deals with his exasperating attempts at...
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