As scholarship moves us to question the classic dichotomies of Russian historiography-state and society, city and countryside, peasant and proletarianthe social map of imperial Russia is being redrawn. The three studies under review add an important new dimension to this revision. All three, in different ways, are searching for an active populace: a force broader and more diverse than the select company of intellectual and civic leaders, more complex and purposeful than the undifferentiated folk mass. They identify this force not in socioeconomic or juridical terms (by class or estate, however modified) but in relation to cultural systems: high culture, popular culture, and folk culture. The virtue of Marker's study is to provide detailed information on the workings of the eighteenth-century printing business, thereby emphasizing the impact of material and institutional constraints on the struggle over ideas. Most original and daring in its claims, Brooks' work tackles a question neglected by modem scholars: What did the common reader read and how did this popular cultural experience help shape political attitudes on the eve of 1917? Eklof, for his part, traces the growth and impact of popular education and, like Brooks, has produced a book of remarkable depth and imagination. If Brooks and Eklof focus primarily on the consumption of culture, Marker deals with the supply side, arguing that printing helped call to life a public sphere, or civil society-extending beyond the tight circle of learned and literary men who aimed to set the cultural standards. Jurgen Habermas has used these concepts to explain how the German bourgeoisie exercised civic authority through the medium of cultural expression while remaining outside
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