Genre Analysis Research Articles

Headlines as illocutionary subacts: The genre-specificity of headlines

This study investigates if headlines in journalism are genre-specific. Taking a starting point in Austin's concept of illocutionary act, Searle's development of the concept, and the adaptation of the concept to texts within rhetorical genre studies (Bazerman, 1994; Miller, 1984) and pragmatic text linguistics (Borchmann, 2005, 2010, 2014), the study assumes that the texts of a specific genre comprise various subordinated illocutionary acts which must contribute to the fulfilment of the typified purpose that the textual macro-act serves. Accordingly, headlines are considered to be subacts, i.e. illocutionary acts whose conditions of satisfaction are determined by the typified purpose of the text they form a part of. This functional account suggests that headlines are genre-specific. The present study tests this hypothesis by means of two analyses: a comparative pragmatic analysis of 300 headlines from three different genres, and a comparative pragmatic analysis of 90 texts from three different genres. The material used in both surveys are texts of the genres news, analysis and column in the Danish omnibus newspaper Politiken.The result of the comparative analysis of headlines is that it is possible to identify genre-specific pragmatic features of headlines. The results of the comparative analysis of texts are that there are functional relations between pragmatic features of headlines and the accepted purpose of the textual macro-act they form a part of, and that there are genre-specific rhetorical relations between headlines and the body of the texts. On this basis, the distinctive conditions of satisfactions of each of the three illocutionary subacts news headline, headline of analysis and headline of column are stated.

Vincent Toro’s Hurricane Formalism

Abstract Vincent Toro’s poetry and essays critique the ways that US actions in the wake of natural disasters damage Puerto Rican ecologies and culture. The entwinement of colonialism and natural disaster is the subject of Toro’s two collections, Stereo. Island. Mosaic. (2016) and Tertulia (2020). These collections instruct readers to toggle between close reading of language and formal analysis of genre and shape. In Stereo, Toro produces a geo-formal poetics that takes a Taíno hurricane zemi as its central organizing form, an aesthetic choice that foregrounds non-Western literary forms in communicating Puerto Rican economic and ecological atmospheres. In Toro’s collections, the air and atmosphere are sites where anti-colonial critique and aesthetic innovation merge.

COVID-19 Crisis Management in Newspaper Articles: A Diachronic Analysis

Abstract The present study focuses on how the COVID-19 crisis was dealt with and represented in newspaper articles in the period January 2020-February 2022. To this end, a corpus of articles was compiled from the Times using Sketch Engine (https://www.sketchengine.eu/), in order to manage and investigate the corpus quantitatively; discourse and genre analyses were applied for the qualitative approach. After providing a definition of the coronavirus timespan and the term crisis, the paper explores how the language used changed over successive periods of crisis management and communication (Coombs 2010). It also shows how the unpredictable development of the pandemic had an effect on communication flows, which in turn affected how the crisis unfolded. Different types of information were conveyed through the media that played a crucial role in selecting what to convey (and what not to convey) to the readers and how to represent it. This significantly contributed (and continues to contribute) to the development of the readers’ opinions and sentiments, fuelling their worries and feelings of uncertainty, weakness and risk (Denti 2021; Wodak 2021). Future research will focus on metadiscursive features and the changes in rhetorical persuasion (Hyland 2005), and on the politicisation of the crisis (Musolff et al. 2022; Thielemann and Weiss 2023).

Yritysten joukkorahoituskutsut genrehybrideinä koronapandemian ja Ukrainan sodan aikana

Crowdfunding campaigns are a form of digital fundraising in which anyone can participate as a supporter (backer). The central genre of crowdfunding is campaign call, that is, a fundraising-oriented pitch published on a crowdfunding platform. This study focuses on crowdfunding campaign calls in times of two world-wide crises: Ukrainian war and Covid pandemic. The aim of the study is to find out what kinds of hybrid genres crisis-contextualized crowdfunding campaign calls are. The material of the study consists of 67 successful business-oriented campaign calls, 27 of which are from Ukrainian companies fundraising on Kickstarter during the Ukrainian war, while 20 Mesenaatti campaign calls belong to Finnish and 20 Indiegogo calls mainly to U.S. companies suffering from the Covid pandemic. The study utilizes Rhetorical Genre Studies (RGS) and approaches crowdfunding campaign calls as mixtures or combinations of characteristics from several genres. The study discusses the five most typical genres found in the data: 1) entrepreneurial narrative, 2) advertisement, 3) conditions of contract and delivery, 4) project plan, and 5) political statement. The results indicate that in times of societal crises, crowdfunding campaign calls mix emotion-evoking storytelling and political stance-taking with more rational types, such as product information (a type of advertising) and project plan.

THE PROBLEMS OF HARMONY AND DIFFERENCES BETWEEN FANTASY AND MYTH, FAIRY TALE, FICTION

The article scrutinizes the distinctions between myth, fairytale, and fantasy within the studyof the fantasy genre, an increasingly significant aspect of contemporary world and Kazakh literature. Fourpredominant perspectives on fantasy in modern literary studies are discussed. One viewpoint negates fantasy’sindependent literary status, deeming it a subset of fiction, supported by its widespread presence in modernliterature, films, and popular culture. Another perspective equates fantasy with fairytales, illustrated byJ.R.R. Tolkien’s initial classification of his works as “fairytales” before the term “fantasy” gained scholarlyrecognition. Some researchers argue that fantasy’s roots lie in mythology, specifically a “neomyth” born fromauthors’ mythological thinking and ancient myths. This viewpoint is deemed by the author to reveal the genesisand literary essence of fantasy most comprehensively. Lastly, a less supported view ties fantasy’s emergence tothe evolution of “horror” literature, inspired by 90s computer games, notably championed by the Polish futuristS.S. Lem. However, this perspective lacks substantial backing. The author of the article managed to give hisown, author’s definition of fantasy by analyzing the opinions of supporters of these four views on the fantasygenre. The scientific article discusses the problems of interrelation and differences between fantasy works frommythology, fairy tales and science fiction. The analysis of definitions and interpretations of literary scholars onthis issue is carried out. The author’s definition of the fantasy genre based on a comparative analysis of variousliterary genres is proposed. A comparative table of interrelationships and features of mythology, folklore andliterary fairy tales, science fiction, as well as the fantasy genre has been formed. It is concluded that fantasy isa syncretic, dynamic meta-genre that unites literature, philosophy, cultural studies, pedagogy, psychology, thefilm industry, animated films, computer games, entertainment and other areas.

A Review of Genre Analysis of Academic Writings

Genre analysis has emerged as a crucial tool in deciphering and delineating the linguistic features of scholarly research articles. This article presents a comprehensive review of genre analysis in relation to academic writings, with a specific focus on research articles. By scrutinizing the structural components and rhetorical conventions manifested in academic discourse, genre analysis offers a framework for categorizing linguistic characteristics and communicative strategies employed in diverse genres. This review explores the application of genre analysis to thesis abstracts and presents case studies showcasing its implementation across various disciplines. Additionally, it discusses the challenges encountered in applying genre analysis to thesis abstracts. The article concludes by highlighting future directions for genre analysis in the context of thesis abstracts, emphasizing the significance of continued research and development in this area. Overall, this review contributes to the comprehension and advancement of genre analysis in academic writing, particularly in the realm of research articles and thesis abstracts.

What Makes a Text a Magical Realist Work? - A Study Using Family Resemblance and Genre Theory

Magical Realism is one of literatures most elusive and debated concepts, as it can be easily confused with other related genres. There is an ongoing debate about whether to label it as a genre or mode of narrative. Magical Realism is an International contemporary genre with its roots in Germany, while it became popularised and pioneered in South America. Over the years, critics have had issues defining the characteristics of Magical Realism as it subtly overlaps with other similar genres like surrealism, fantasy, science fiction, and gothic. Family Resemblance theory explains the overlapping resemblances of almost similar genres using Genre theory. This paper explores the binding relationship between Magical Realism and other genres. Later, they resemble yet differ in detail using their core characteristics. The paper also provides a comparative study on selected genres and studies the concept of genres, their construction, and their evolution. Textual analysis methodology is used in this article to understand the characteristics of magical realism in the novel Kafka on the Shore by Haruki Murakami. Further analysis of how the novel differs from the other genres is also studied using textual analysis. Genre theory can be analysed to trace the origin and evolution of a genre throughout the years and how they are arbitrary and are constantly misused by authors.

Visual recontextualisation of meaning in science research articles and News and Views articles

News and Views articles appear in Nature-branded journals, summarising and critiquing newly published studies. Written by experts outside the research team, they inform the wider scientific community of novel research, promoting a broader readership as well as cross-fertilisation between fields. Most studies of genres that recontextualise science research articles for a broader audience focus on textual meaning. This article prioritises visual meaning, comparing News and Views articles and research articles. Corpora of research articles and News and Views articles were analysed using social semiotic analysis (Kress & van Leeuwen, 2021); interviews with expert authors of the articles also inform the investigation. Drawing on Daston and Galison (2007), a three-way categorisation was made of conceptual, technologically-produced and mathematical images. Findings reveal that visual meaning is central in both genres. In research articles detailed and exact meaning is conveyed using graphs and technologically-produced images (e.g., microscope images). News and Views articles use accessible, conceptual images such as schematic diagrams. Research article writers reported planning the article around the images, which function to validate author claims; as readers, experts reported examining images before reading the article. In News and Views articles, the image provides a conceptual overview of the text, matching the genre’s purpose in facilitating understanding of a complex study.

The selection of genres and forms in audiovisual art for the recording and artistic reinterpretation of wartime themes

The article studies the representation of war-related themes in cinematography, the selection of audiovisual forms and genres for their expression, and analyzes the influence of war on the development of art in historical and contemporary contexts. An attempt is made to systematize thematic components that filmmakers can use to create audiovisual works about contemporary war events in Ukraine.
 The purpose of the article is to explore the issue of choosing cinematic forms that allow for emotional proximity of the audience to the experience of traumatic wartime events. Additionally, it involves an analysis of the differences in approaches to handling war-related themes in art depending on the temporal distance between the creators and the events. The study draws upon the findings of previous research related to the concept of “postmemory” and examines how this concept can be applied to the development of contemporary cinema by Ukrainian directors.
 The methodology of the research is conducted through a system-oriented analysis and comparison of various forms and genres of screen arts, each of which possesses distinct means of expression for exploring central topics (narrative and documentary cinema, short and feature films, portrait films, and docudramas).
 The scientific novelty of the study lies in the attempt to apply international experience in analyzing the representation of traumatic wartime experiences in works of art, with the aim of projecting the application of these practices in the Ukrainian artistic context.
 The results. The depiction of war themes in art serves as a significant tool for preserving and transmitting traumatic emotional memories across generations. It is precisely the experience of wartime events that becomes pivotal in shaping the national identity, both at the collective and individual levels. In this context, the director’s task is to find the most suitable cinematic form to reveal specific stories. Despite the prevailing opinion in the professional Ukrainian film community and society regarding the inappropriateness of producing fictional films about the contemporary war in Ukraine, research demonstrates that the traumatic experience undergone by Ukrainians today requires documentation, representation, and artistic reinterpretation in close proximity to the ongoing events.
 The scientific novelty of the research lies in the analysis of the application of the concept of “postmemory” and the exploration of ways in which this concept can be used to shape the contemporary cinematic language of Ukrainian directors. Additionally, the article outlines several thematic areas within which modern cinematographers can seek specific stories and characters for their future works.
 The practical significance. Various formats and genres of screen media can be applied for this purpose, including short and feature films, documentaries, and fictional films, as well as works in such genres like portraiture, sketches, and docudramas. The research emphasizes the appropriateness of creating and comparatively analyzing diverse artistic forms dedicated to the theme of war in literature, cinematography, visual arts, music, and more. Regardless of the chosen thematic dimensions in which an author works, it is crucial to remember the power of personal stories and experiences that can provide an understanding of the enormous scale of wartime tragedy.

Aircraft accident reports: A corpus-based genre analysis

Based on a corpus of ‘Aircraft Accident Reports’ (AARs) collected from the official website of The National Transportation Safety Board (NTSB), issued during the years 2000–2021, this study used Bhatia’s Critical Genre Analysis (CGA) framework to examine how this type of techno-professional discourse is recognized by considering the text, the genre, the professional practice, and the professional culture of the corpus. It was found that (1) textually, both Move2 collecting information, and Move3 Analyzing Information are the lengthiest moves within the corpus regarding the number of tokens, while Move1 Summarizing the Accident, Move4 Reaching Conclusion, Move5 Sharing Recommendations, and Move6 Board Member Statement are the shortest in length; (2) the generic move structure of the corpus contained six-move pattern (five of them are obligatory, and only one is optional), 11 steps, and 40 sub-steps; (3) the professional practice of the corpus is expressed through two types of discursive processes, they are: genre-mixing, and genre-embedding; and (4) the professional culture is presented through a set of professional values imbedded in the corpus, they are: embracing change and learn from mistakes, and maintaining objectivity and impartiality. The results of this study contribute in understanding the realization of professional discourse and expand the application of CGA in professional practices.

Conceptualizing Corpus-Based Genre Pedagogy as Usage-Inspired Second Language Instruction

Abstract Corpus-based genre pedagogy (CBGP), the instructional integration of discourse-based rhetorical analysis and corpus-based linguistic analysis of diverse genres, has gained attention from English for Academic Purposes (EAP) researchers and practitioners aiming to cultivate the academic writing skills of second language (L2) learners. This has led to a need for the continuous conceptualization of CBGP (Lu, Xiaofei, J. Casal Elliott, and Yingying Liu. 2021. “Towards the Synergy of Genre- and Corpus-Based Approaches to Academic Writing Research and Pedagogy.” International Journal of Computer-Assisted Language Learning and Teaching 11 (1): 59–71). Additionally, usage-based approaches to L2 acquisition (U-SLA), a collection of cognitive and potentially sociocognitive theoretical approaches to language and language acquisition (Ellis, Nick C., Ute Römer, and Matthew Brook O’Donnell. 2016. Usage-Based Approaches to Language Acquisition and Processing: Cognitive and Corpus Investigations. Malden: Wiley-Blackwell; Wulff, Stepanie, and Nick C. Ellis. 2018. “Usage-Based Approaches to Second Language Acquisition.” In Bilingual Cognition and Language: The State of the Science across its Subfields, edited by D. Miller, F. Bayram, J. Rothman, and L. Serratrice, 37–56. Amsterdam: John Benjamins Publishing Company), have called for more pedagogically oriented research informed by usage-based principles (e.g., Tyler, Andrea E., Hae In Park, Mariko Uno, and Lourdes Ortega, eds. 2018. Usage-inspired L2 Instruction: Researched Pedagogy. Amsterdam: John Benjamins Publishing Company). Responding to such calls, we argue for conceptualizing CBGP as usage-inspired instruction given its intersections with key U-SLA instructional tenets. We first systematically review empirical studies on CBGP. Then, we introduce relevant U-SLA instructional tenets and interpret the CBGP studies to illuminate the extent to which CBGP resonates with different aspects of the U-SLA tenets. Eventually, we argue that CBGP can potentially unify the “social” and the “cognitive” in U-SLA’s accounts of L2 teaching and learning, making it a feasible way to materialize usage-inspired L2 instruction in actual classroom practice. Finally, we discuss future research and practical directions.

Conversation Analysis and genre theory.

Since its genesis in the 1960s, Conversation Analysis (CA) has noticeably developed further in terms of its subjects and methods. Its analyses, today, not only focus on conversations in the original sense, but also on visual elements such as gazes in interactions and the role of bodies. However, it also analyzes especially larger communicative units, e.g., in institutionalized settings and it addresses larger sequences of action. One of these approaches is the theory and analysis of communicative genres. Communicative genres are to be understood as consolidated forms of communication. The theory of communicative genres understands these forms as solutions to communicative problems. Genre analysis is methodologically grounded in CA; however, it exceeds it conceptually and theoretically, thus anchoring its questions clearly within sociology. The paper starts out by outlining the concepts and theory of communicative genres. The article discusses the empirical contribution of genre analysis using the example of three so-called "families of genres" families. The examples discussed are reconstructive genres (speaking about the past), genres of moral communication (speaking about other people's behavior), and projective genres (speaking about the future). Using examples from empirical research, it is shown which communicative problems these genres solve. The paper finally considers the insights to be gained from genre analysis for sociology and CA.

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Audio Fiction Making Noise: A Changing Genre in Children’s Literature
 This article is a study of contemporary audio fiction for children in Sweden, what is sometimes also called audio originals or born-audio books. Audio fiction is defined in the article as literature written to be recorded for audio and consumed through listening. It is a genre related to, and overlapping with, audiobooks, radio, and podcasts but obviously also with literature in printed books. While audio fiction has risen in production and popularity it is not a new phenomenon as such, but rather a kind of literature that has developed over time. The article gives historical examples of children’s audio fiction and situates the contemporary production in a larger context of a changing media world and the book market for children’s literature. The main examples used to understand the phenomenon are IJustWantToBeCool’s Sommarjobbarna (The Summer Workers, 2020­–2022) and Camilla Brinck’s series on the mice Musse & Helium (2017–). These are the most popular audiobooks for children in the last years and both series as well as authors are linked to other media such as Youtube, podcast, print, and music. The theoretical conjectures derive from book history and sociology of literature, arguing that changing media for literature has direct implications for literary form, function, and dissemination. Methodologically the article is a genre study using Alastair Fowler’s concept of genre as aggregated features. Thus, a comparison is made between the two examples and other formats such as children’s print books, audiobooks, and radio drama as well as literary genres such as adventure fiction, melodrama, and slapstick. Furthermore, narrative aspects of the two audio literature examples are analyzed in terms of metafiction, voice, and sound effects.

Innovation in Gertrude Stein’s Anti-Plays: Genre Analysis of What Happened, Capital Capitals and Dr. Faustus Lights the Lights

Innovation in Gertrude Stein’s Anti-Plays: Genre Analysis of What Happened, Capital Capitals and Dr. Faustus Lights the Lights

Traversing Time: Dialectical Temporal Gestures in the Blended Genre of the Essay Manifesto

The article confronts genre theory with considerations of temporality. Starting from the assumption that the genres of essay and manifesto lend themselves to divergent constructions of time, it interrogates the artificiality of generic demarcations and highlights formalisations of time in the blended genre of the essay manifesto. Considering select representative texts, the article brings into view manifold dynamics that might otherwise be missed, especially with regard to temporality. Rather than assuming contrastive constructions of time on a spectrum of tension between the poles of duration (length of time and permanence) and momentariness (brevity and transitoriness), the article introduces the concept of dialectical gestures of time in the sense of two interrelated, mutually constitutive notions of momentary duration and enduring momentariness. As is shown, foregrounding dialectical temporal gestures in the essay manifesto highlights critical functional aspects of this form, including polemical disruption and explorative reflection.

Genre Analysis of WhatsApp Group Chat among Students at University

Genre Analysis of WhatsApp Group Chat among Students at University

Review of Sydney School Genre Studies

Review of Sydney School Genre Studies

Linguacultural and cognitive aspects of teaching the language of Kazakh legends

The relevance of the study lies in the fact that, in the information society, people are beginning to forget their roots, traditions, values and cultural origins, which have been formed throughout the history of the country's formation. Restoration of the lost through the study of folklore (tales, fairy tales, epics, proverbs, sayings, etc.) can revitalise the historical and cultural legacies of the past and advance global comprehension. In this regard, this article is aimed at defining the basic principles and approaches to teaching the language of Kazakh legends and other folklore works. The leading methods for studying this problem are the methods of analysis, classification, deduction, synthesis, generalization and comparison of results, which will help to study the issue of the linguistic, cultural and cognitive impact of the learning process of the language of Kazakh legends. Folklore genre studies’ features are outlined, and their salient features are emphasised; conducted a thorough literature analysis and elucidated the fundamental ideas of teaching legends; strategies, tactics, and ways to improve students’ reading comprehension in the context of teaching folklore were found.

MAGIC AND SPELL IN FANTASY: HISTORICAL CONTEXTS OF SUPERNATURAL ELEMENTS IN FANTASY GENRE NARRATIONS

This paper will examine the usage and functions of the magic concept in fantastic narrations with the consideration of importance of supernatural in history.Magic and spell are different versions of supernatural. Theyall represent different structures of society in certain historical periods of humanity. While magic highlights the primitive era of civilizations, spell& occultism became important with the invention of writing. Defining and analyzing the supernatural types will also help to understand power relations, consensus reality and dominant ideology in society. With the acknowledgments of supernatural types in history, paper will make a study of fantastic genre in order to find the link between usage of supernatural in narrations and their political – economicalrelations.Paper will ask the question of does analyzing the supernatural elements in narration help to understand texts discourse? and in the conclusion section it will try to give an answer. As a version of supernatural, magic has a link with matriarchy.Till witch hunt, magic can be accepted as a way of resistance of women against to patriarchy. In this point, paper will investigate of the connection between the usage of magic in fantasy and matriarchal theory.

Consciousness and Commodity: Towards A Critical Theory of Genre in American Popular Music

Genre, particularly in the popular music industry, can be understood as a perpetual cycle – from the origin of a new sound or ‘scene,’ recognition by critics and tastemakers, commercialization as a canonized genre, and finally its rejection and/or reinvention by a new generation of artists seeking to establish their own new forms. In America, these musical communities have been most often grounded in racial, regional, or sexual preference identities, as these ties have been the most meaningful to listeners. Over time, the reactionary resistance of these artistic communities and practices produces music that is itself codified as a new product line, confirming the relentless cycle of genre. In this paper, I utilize three case studies ranging from the fabrication of ‘hillbilly’ music in the 1920s, Disco Demolition Night and resistance to the popularity of disco in the late 1970s, and the rise and popularization of hip hop in the 1980s help show different moments on the cycle of genre creation and the resistance that emerges. Finally, this paper will point to indications that the advent of streaming music is leading to the obsolescence of the traditional production of genre.
 We are witnessing the rapid rise and fall of new musical non-genres, epitomized by hyperpop, a ‘genre’ that lacks any core common attributes. If genre is a tool to construct the self and, at times, enable communities of resistance, a world without lasting musical genres presents implications and challenges for the future of identity and social change.