Reviewed by: OYO: The Beautiful River by Mark B. Hamilton Jeffery Moser Mark B. Hamilton. OYO: The Beautiful River. Brunswick, ME: Shanti Arts, 2020. 75 p. First presented as a chapbook and a finalist for the Washington Prize in 2015, Mark Hamilton's environmental narrative, OYO: The Beautiful River was recently issued in October 2020 by Shanti Arts. "OYO" and "O-Yo" are variant English names for the Ohio River and have their origins from the Iroquois "O-Y-O," meaning "the great river." When seventeenth-century French fur trader and explorer La Salle came upon the river in 1669, he called it la belle rivière or "the beautiful river." Hamilton's narrative traverses the Ohio's beauty, natural scenic wonders, and its cultural and commercial impact to the nation. The anthology is based on his own solo personal experience navigating the River in a rowboat from its geographical beginning at the confluence of the Allegheny and Monongahela rivers near Pittsburgh, then its northwesterly flow out of Pennsylvania, before heading southwesterly toward the Mississippi River. Its 981-mile course eventually ends at Cairo, Illinois. Congruously, the Ohio's course is steeped in American history and literary lore, for the river first formed the southern border of the Northwest Ordinance of 1787, American's first territorial expansion beyond its original thirteen colonies, and later, as the southern border for the states of Ohio, Indiana, and Illinois. Cairo is the only choice that Twain's two endearing main characters Huck Finn and Jim have in traveling south in order to get to a free state and allow Jim to seek further passage on a steamboat up the Ohio River to the North and freedom. Hamilton's anthology capitalizes on this geographic and literary legacy. As an initial defense of his poetry and the rationale for his singular journey, Hamilton launches his collection with a borrowed translation from Rainer Maria Rilke's Ninth Elegy: "Oh, not because happiness exists. … But because truly here is so much' because everything here apparently needs us, this fleeting world, which in some small way keeps calling to Us, the most fleeting of all." This informal [End Page 228] foreword is inspiring because it puts the reader on par with the poet as a special invitation to join in this rare navigational feat. What follows are over fifty poems, some short and some long, that relate the poet's experience with a River that is "strange" (9), "folds and contorts, pulls down and boils up" (11), and makes the rower "buck and shudder in the chilling spray / exhilarated by a rogue wave whooshing beneath / with its warning: 'Stay relaxed. Stay in rhythm / with the weather" (13). Readers become emotionally attached to the poet and the sights, sounds, and drama of his adventure, divided into two sections called "Spring" and "Summer," and no less engaging than Lord Byron's Childe Harold's Pilgrimage. It is as informative and reflective about nature and humans' duty to the environment as any number of books by American naturalist and survivalist Tom Brown, Jr. In his little dory, named Pelican, Hamilton glides between "pillars of crafted stone" (13) and "hidden voice" (15), encountering cities, factories, locks, dams, buoys, sandbars, islands, river towns, beaches, creeks, wooded banks, barges, first-timers and old-timers fishing, swimmers, tourists, trash, tangled branches, hundreds of other natural and unnatural objects, fish, insects, birds, wildlife, diverse weather, conflicts, dangers, pleasantries, and even a floating corpse. "It's too incredible to be real. But the legs, the bulbous heel, / the creases of skin at the arch, my eyes widening into a body / with arms outstretched, feet tapping sadly in the driftwood. / I should report it" (51). Hamilton's poetry moves like the poet-oarsman himself, at times reflective when he is "moving on reflections to an early morning breeze" that makes him feel "good to sweat and row" (53), and another day when he departs and river experts advise "Stay safe" (32). Readers cannot help but be moved and cling to the poet and his words, hoping that he protects himself and his silent passenger, the reader: "Downriver, the up-city of Cincinnati collides into wakes, / builds up and...