This essay focuses on Leur Algérie, a 2020 documentary about remembering and representing the Algerian experience of immigrating to France’s “rural desert”—or to what geographer Roger Béteille calls “la France du vide.” The context for this analysis lies in the decline of the aging chibanis (North African “elders” or “grey hair”) population in France. While the social issues they face (ranging from lodging, to pension, health, and social benefits) have received media and political attention, questions about their memory and its place in contemporary France point to a “vide mémoriel” (memory void) that has largely been filled by French cultural figures of Maghrebi descent. Thus, with Leur Algérie (2020), filmmaker Lina Soualem delves into the history of her paternal grandparents. Originally from the Laaouamer area in rural Kabylia, they raised their family in France, specifically Thiers, a small French town in the sparsely populated mountains of the Massif Central. This essay examines how Soualem uses scenery and silence to symbolize a memorial void and absence. It relates images of desert-like emptiness and “non-places” in both Thiers and Laaouamer to the gaps in the grandparents’ narrative. Ultimately, it explores tensions between the experiences of Algerian immigrants in France and what Soualem identifies as their “invisibilization” in France’s memorial space.