T HE CONTENT of the four-year training program for majors in music education is divided into three large areas: General Education, Professional Education, and Specialization (basic music). There have been minor changes iin the ratio of time given to each of these areas since the four-year curriculum was first introduced in the twenties, but stabilization in recent years would indicate that the proponents of each area have reached agreements which make major alterations in the near future quite unlikely. The newest threat to this balance, the emphasis on General Education, has caused some changes in certain localities and emphasizes what has become more and more evident in recent years-that the greatest expectation of improving teacher training lies in making more efficient use of the time now allocated to specialization rather than in the expectation that more time is going to be given to specialization. This article confines itself to focusing attention on two areas in which experimentation should be encouraged.
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